Tag: scottish witch trials

  • Scottish Witch Trials: The Story of the Peebles Witch Trials Comes Alive in Rope and Flame Play

    Scottish Witch Trials: The Story of the Peebles Witch Trials Comes Alive in Rope and Flame Play

    Show Notes

    In 1629, 27 men, women, and a 15-year-old child were executed in Peebles, Scotland — and their ashes cast into the River Tweed. For centuries, their names were largely forgotten. Now, a community theater production called Rope and Flame is bringing their stories back to life, just steps from the river where they were lost.

    Josh Hutchinson and Sarah Jack sit down with the creative team behind this remarkable project: director and co-writer Clare Prenton, playwright and co-writer Anita John, actor Scott Noble, and historian Mary Craig, whose book Borders Witch Hunt laid the foundation for the script.

    This conversation will take you into the Scottish Borders, into the streets and kirk of a 17th-century market town under pressure from famine, religious upheaval, and the reach of Edinburgh’s legal machinery. Listeners will come away with a richer understanding of how witchcraft accusations spread through a community, why both accusers and accused deserve to be understood as full human beings, and what a commemorative plaque on Tweed Green sparked in a modern Scottish town.

    You’ll also hear how three women writers intentionally pushed back against the framing of female fear and coercion as irrational, how a 15-year-old girl was pressured into naming names, and why one local historian argues that boots on the ground matter more than books when it comes to understanding the past.

    From generational trauma to the parallels between 17th-century gossip and why the mechanics of a whisper spreading through a 17th-century Scottish market town are not as distant from our own moment as we might like to think. this episode connects the Scottish witch trials to questions that are urgently alive right now.


    In This Episode

    • The history of the 1629 Peebles witch trials and what made the Scottish Borders a hotbed of witchcraft prosecutions
    • How the 2022 memorial on Tweed Green sparked a community theater production
    • The role of Calvinism, political turmoil under Charles I, and economic hardship in fueling accusations
    • Why Rope and Flame portrays accusers as complex, frightened human beings rather than simple villains
    • The story of Isabel Haddock, the 15-year-old accused whose testimony changed everything
    • How community theater is doing what history books alone cannot

    If this episode moved you, share it. These stories survive because people carry them forward. Josh Hutchinson and Sarah Jack are descendants of Salem witch trial victims who helped build End Witch Hunts nonprofit to educate about witch hunts past and present, advocate for the accused, and support the communities doing that work. Subscribe to The Thing About Witch Hunts wherever you listen, and visit endwitchhunts.org to learn more and donate.

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  • Rehumanizing Scottish Witch Trial Victims through Theater: An Update on the Play Prick

    Show Notes

    In August 2023, we spoke with playwright Laurie Flanigan-Hegge about Prick, her play about the Scottish witch trials. It had just premiered at the Edinburgh Fringe Festival.

    Two years later, the play has traveled to New Orleans, Wellington (New Zealand), and opens November 6-16, 2025 at the Den Theater in Chicago.

    We reunite with Laurie and puppet artist Madeline Helling and meet two directors: Jeff Mills of Chicago’s Proboscis Theater Company and Amy Chaffee from Tulane University.

    The conversation covers what it’s like staging historical violence, why the single puppet design works so powerfully, and how a play about 17th-century Scotland keeps finding new relevance.


    About the Play

    Prick examines the Scottish witch trials through three women: an Unknown Woman lost to history, Marioun Twedy of Peebles, and Isobel Gowdie. The title refers to “pricking”—searching accused women’s bodies for the “devil’s mark” with sharp instruments.

    The play moves between past and present, uses dark humor and Scottish folk music, and centers on a single haunting puppet created by Madeline Helling.


    What They Discuss

    The rehearsal process: Both directors talk about the challenge of staging the pricking scenes, even with a puppet. Jeff’s Chicago cast continues working through how to show violence respectfully. Amy’s New Orleans students couldn’t bring the instrument near the puppet—they performed the gesture from twelve feet away.

    The puppet’s power: Madeline designed one puppet to represent all the accused women. It’s specific enough to feel real, neutral enough that audiences project onto it. The puppet travels between productions and comes back to her for repairs.

    Contemporary connections: The play addresses ongoing witch hunts in countries where witchcraft remains a state crime. Amy teaches in Louisiana and discusses working in a politically charged environment. Jeff talks about theater as “rehumanization” in response to current dehumanization.

    The music: Both productions use songs by Heal and Harrow, a folk duo who created an album for the Witches of Scotland Campaign. Jeff adds Scottish guitar with electronics. Amy’s students performed acapella arrangements.

    Cultural complications: Amy reflects on taking the play to Wellington, New Zealand—a colonial capital—at a conference focused on integrating Māori culture with acting and voice techniques. The play deals with Scotland as both colonized and colonizer, which created complex responses from audiences of different backgrounds.


    “Remembrance Is Resistance”

    This Witches of Scotland Campaign motto runs through the conversation. The campaign seeks pardons and memorials for nearly 5,000 documented accused. They created a tartan anyone can wear to show support.

    At Tulane, one student built a monument inscribed with every name from the database and installed it in the lobby.


    Chicago Production

    November 6-16, 2025
    The Den Theater, Milwaukee Avenue
    Tickets: thedentheatre.com (search “Prick”)

    Two weekends only. Proboscis Theater Company’s production features new jackdaw puppets and is reaching out to both theater audiences and Chicago’s pagan communities.


    Guest Bios

    Laurie Flanigan-Hegge is a playwright whose work focuses on historical events. She created Prick in collaboration with the Witches of Scotland Campaign for Justice. The play premiered at the 2023 Edinburgh Fringe Festival and has since been produced in the US and New Zealand. She has been collaborating with Jeff Mills and Amy Chaffee for 35 years.

    Madeline Helling is a puppet artist based in Minneapolis. She designed and built the central puppet for Prick, representing the accused women of the Scottish witch trials. The puppet has traveled with the production to all its venues and returns to her for repairs between shows.

    Jeff Mills is Co-Artistic Director of Proboscis Theater Company in Chicago. He is directing the Chicago production of Prick (November 6-16, 2025 at the Den Theater). A former member of an Irish-Scottish music band, he is also composing the sound design for the production. He has been friends and collaborators with Laurie and Amy for 35 years.

    Amy Chaffee is Associate Professor of Voice and Acting at Tulane University in New Orleans. She directed the North American premiere of Prick at Tulane with nine undergraduate students, then took the production to Wellington, New Zealand for the Oceania premiere at an international theater festival. She primarily works as a voice coach and dialect coach in film and television.

    Why Listen

    Four theater artists who’ve been friends for 35 years discuss the ethics and challenges of bringing historical trauma to the stage. They’re honest about what works, what’s difficult, and why this particular play keeps finding new audiences.

    If you’re interested in historical witch trials, feminist theater, puppetry, or how the past connects to the present, this conversation offers substance without sensationalism.


    Related Episode: Episode 47 (August 2023) – Original discussion before Edinburgh premiere

    Resources:

    • Witches of Scotland Campaign
    • Survey of Scottish Witchcraft database
    • Heal and Harrow (musicians)
    • thedentheatre.com

    Keywords: Scottish witch trials, Prick play, Witches of Scotland, Chicago theater, Den Theater, puppet theater, witch trial history, Laurie Flanigan-Hegge, Jeff Mills, Amy Chaffee, Madeline Helling

    The Thing About Witch Hunts explores historical persecution and its continuing echoes. Subscribe wherever you listen to podcasts.

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    Links

    Get Tickets to the Chicago Production at the Den Theatre

    Heal and Harrow

    National Archives, Scotland, Early Modern Witch Trials

    Prick: A Play of the Scottish Witch Trials Podcast Episode

    Sign the Petition: MA Witch Hunt Justice Project

    Join One of Our Projects

    The Thing About Salem Podcast



    Transcript

    Read the full transcript online

  • Paisley Witch Trials with Gayle Pollock

    Join Josh and Sarah as they explore one of Scotland’s most notorious witch trials – the Paisley Witch Trials of 1697 (also known as the Bargarran or Renfrewshire Witch Trials). This case represents a major witch hunt and mass execution in late 17th century Europe, where seven people lost their lives in Paisley after being accused by eleven-year-old Christian Shaw.

    What You’ll Learn: • How eleven-year-old Christian Shaw’s accusations against 35 people spiraled into Scotland’s last major witch hunt • The story behind the seven executions that took place in Paisley on June 10, 1697 • How fear and superstition transformed a Scottish community into a site of tragedy • The connection between the Paisley trials and other witch hunts across Europe and America • Insights from someone who has walked the very streets where these events unfolded

    The Seven Executed on June 10, 1697:Margaret LangJohn LindsayJames LindsayJohn Lindsay of BarlochKatherine CampbellMargaret FultonAgnes Naismith

    Our guest, Gayle Pollock, brings a unique perspective to this dark history. Gayle doesn’t just study these events – she lives and breathes them. Walking the same streets where the accusations were made and lives were lost has given her an intimate understanding of how this tragedy actually unfolded. Her immersion in the landscape and the story provides insights you simply can’t get from books alone.

    As we remember the accused in Paisley in 1697 and honor Bridget Bishop, who was hanged in Salem on June 10, 1692, we’re reminded of the importance of questioning fear and superstition wherever it may lead.

    Don’t forget to check out this week’s episode of The Thing About Salem podcast, and join us next time as we continue to examine the dark corners of history.

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