Tag: witchcraft

  • Scottish Witch Trials with Mary W. Craig

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    Show Notes

    Take a look with us into Scottish witch trial history, as well as a close look at one particular Scottish witch trial. We discuss important historic details with historian and informative author Mary W. Craig. We are so pleased to get to learn about her new book release “Agnes Finnie the Witch of Potterrow Port” available for pre-order now.  Mary fills the conversation with meaningful dialog around our advocacy questions: Why do we witch hunt? How do we witch hunt? How do we stop hunting witches?, while also sharing valuable insight into the current witch trial pardon efforts in Scotland.

    Links:

    Mary W. Craig Website

    Pre-Order New Book: “Agnes Finnie” by Mary W. Craig

    Buy “Borders Witch Hunt” by Mary W. Craig

    Apology of First Minister Nicola Sturgeon

    Apology of Church of Scotland

    Peebles Witch Trials 

    Witches of Scotland Campaign

    RAWS Remembering the Accused Witches of Scotland Organization

    Please sign the petition to exonerate those accused of witchcraft in Connecticut

    Connecticut Witch Trial Exoneration Project

    Leo Igwe, AfAW

    Advocacy Against Witch Hunts, South Africa

    End Witch Hunts Movement

    Support the show

    Join us on Discord to share your ideas and feedback.

    Transcript

    [00:00:00] 
    Josh Hutchinson: Welcome to Thou Shalt Not Suffer: The Witch Trial Podcast. I'm Josh Hutchinson. 
    Sarah Jack: I'm Sarah Jack. 
    Josh Hutchinson: In this episode, we talk to Mary W. Craig about Borders Witch Hunt, Scottish Witch Hunts, and her upcoming book, Agnes Finnie: the Witch of Potterow Port.
    Sarah Jack: I do think people should read the Borders book before they read the Finnie book. That's what I think.
    Josh Hutchinson: I think that's a good idea to get you some good background on Scottish Witch Hunts to read Borders Witch Hunt and learn about the 17th century [00:01:00] witch-hunt in Scotland, why it happened, what happened, why it was so different from English witch-hunts, what they did differently, which was so much. They were brutal. It was not fun and games in Scotland. It was serious, deadly business involving a lot of violence. It was legal to torture in Scotland. 
    Sarah Jack: You realized it's really incredible that the accused made it to the execution, and I know we saw accused in Salem perish in the prison, but nobody endured the amount of brutal examination that the victims of Scotland endured.[00:02:00] 
    Josh Hutchinson: In Scotland, they could torture you, in some cases, even if you were eight years old. 
    Sarah Jack: And the people that were fulfilling the different steps of the trial were getting paid well to do it. 
    Josh Hutchinson: Yes. We'll learn about brodders today, a. k. a. witch prickers, and what their role was in examining the suspects. We don't get into too much detail about what they did, but you can read all about it in the book, Borders Witch Hunt. She makes the medicine go down, and her approach to the book overall, it's very readable. It's informative. You learn a lot, but you enjoy the reading process of it. 
    Sarah Jack: We've been realizing the different nuances [00:03:00] of witch hunt management, mechanics, and behavior across the globe. And this was another one of those realizations, cuz we just aren't used to seeing the victims experience what they did here.
    Josh Hutchinson: We like to remind people that in England and New England, they almost always hanged people. In Scotland, they did burn the bodies of the victims.
    Sarah Jack: Her research was extensive, and her writing on it just perfectly descriptive and informative. And very visual. I felt like I could see it. 
    Josh Hutchinson: It is very visceral. She really takes you to Scotland, to these small borders communities in Borders Witch Hunt. And then in Agnes Finnie, she's gonna take us to the city of Edinburgh. We're going to learn about a not so great neighborhood called [00:04:00] Potterrow Port, where everyone is unfortunate and has a low income, and we'll learn how little the king cares about these people. 
    Sarah Jack: So after reading Borders Witch Hunt, we're getting to pull back another layer of the onion into the Scottish experience of witch hunting.
    Josh Hutchinson: Her writing about Agnes Finnie, it's an intimate portrait of an individual. You get to see witch hunts through the eyes of one person. You get details on individual lives and individual case. It's not a global survey of witch hunts. It's not one page for each case. It's a whole book for one person's witchcraft trial.
    Watch our [00:05:00] social media. We will be posting about this book, because our discussion coming up with Mary Craig is so enlightening, so eye-opening. It's such a pleasure to talk to her. She's one of those people, you feel like you could just talk to her all day about this topic.
    Sarah Jack: We definitely could. The time flew by, but the information in the history that we gleaned from the conversation was incredible. 
    Josh Hutchinson: You'll want to listen to this episode more than once, I guarantee. 
    Sarah Jack: Borders Witch Hunt. I learned a ton about that. Like the Scotland, the England thing. I really did. I think that will be helpful to listeners. I am so happy to introduce our guest, author Mary W. Craig. We'll be talking about her book Borders Witch Hunt: 17th Century Witchcraft Trials in the Scottish Borders and her [00:06:00] upcoming project, Agnes Finnie: the Witch of Potterrow Port.
    Mary W Craig: We've just recently unveiled a memorial to those who were executed in one particular trial in Peebles. We had 24 people executed in one day and then 3 individuals who were found not proven, cuz we have a not proven verdict in Scotland. They were then executed a week later. They were all part of the one trial, so we've just unveiled that memorial, which was really nice. We managed to get a minister to come along and give a little bit of a blessing, as well. So there's been lots of work. We've had an apology from the Church of Scotland over here, and we're working in the Scottish Parliament to have a pardon for all of those convicted under the witchcraft act. Things are going well over here. 
    Josh Hutchinson: We were gonna start by talking to you about the Peebles Witch Memorial. We saw that on your Twitter that you were there. Did you speak at that event? 
    Mary W Craig: I did, yes. We had a piper and then Elisa and Simon, who live in Peebles, unveiled memorial. Then I spoke for maybe [00:07:00] about five minutes, and then we had the minister, Tony, came along. He gave a blessing, and then as he read out 27 names, we had some fiddlers playing. And then we went back up to the youth center who very kindly gave us our premises for nothing. And I gave a sort of impromptu lecture about what happened during the trial. And that was really good because we had quite a few youngsters come along. We had two or three under the age of 12, but we had quite a sort of sprinkling of teenagers, which was really good to have the young people there interested. And it's, we're trying to get youngsters interested in history, can sometimes be a bit an, so it was good that they were there. . 
    Sarah Jack: There's been a little bit of movement with exoneration and talking about that over here in the states, Massachusetts just did an exoneration on their last witch, and that had a lot of teenagers involved, and that was a very important part. And I saw on Twitter that you had tweeted about some younger generation that was taking care of the history and could, could go forward with the history. And I thought, yeah, that's very important. 
    Mary W Craig: Especially as a lot of [00:08:00] those who were executed as witches were quite young themselves. The stereotype is of the old lady at the end of the village, and no, there were youngsters in the borders. We had people as young as eight and nine being accused of being witches. It mattered. It was young people of the day that were affected as well as everybody else.
    Sarah Jack: When you were writing on the witch trials in Peebles, were you anticipating that you would be at a memorial so soon?
    Mary W Craig: No. Now I'm gonna have to tell you how old I am. I first wrote about the Peebles Witch Trial back in 2008, and then I wrote again in 2020. So this has been a long haul. We didn't think we'd get an apology from the Church of Scotland. We were very surprised about that. And we were surprised as to how readily the community and people said, "yes, of course there should be a memorial." So it was great that everybody said, "oh, of course we need to talk about that, and we need to address what we've done in the past." So, surprising and very pleasing.
    Josh Hutchinson: And why do you think it's [00:09:00] important to have the memorials? 
    Mary W Craig: I think because Scotland had a very high number of executions. We prosecuted and executed 10 times the number of people that they did in England per head of population. To give you a sort of idea, the numbers, Scotland at that time had a population of just under 1 million, and we executed 4,000 people that we know of. The figure is probably closer to 8,000, but 4,000 are the ones that we can definitively see in the records. Although some of the records say things like some witches, a few witches, we don't know how many that means. But for every individual that's executed, they were somebody's daughter, somebody's son, somebody's mother, somebody's sister.
    So it would be the equivalent today of executing 24,000 people in Scotland today. It's a massive thing. It happened for a long time, and even when people weren't being arrested and executed, the Kirk session became almost like a morality police. [00:10:00] Everybody was terrified of witches or of being accused of being a witch or living next door to witch.
    The Highlands and Islands were slightly doing better because of their, they had retained the links to Catholicism and the clan system was different up there. But for Lowland Scotland, it was a period of absolute terror, and it's something we have to recognize we got it very wrong, acknowledge what we got wrong, apologize to those who are affected, and learn from it for the future.
    So that's why I think the memorials are important to see. We have memorials. Any village in Scotland has a memorial to the Great War. We should never forget the Great War. Unfortunately we did, and we're going into the Second World War. But the idea is to say, to literally put a marker in the ground to say, "we did this, we got it very wrong, we should never do this again. This level of prejudice, this level of othering people and finger pointing and blaming and shaming." And although we don't do that today, if you look at the way again, going back to young people, [00:11:00] the venom that can be on social media that's piling onto somebody and attacking somebody. That sort of mob rule, we have to stop that and we have to use the witch memorials as an example of how bad it can get. 
    Sarah Jack: That was so true. I'm learning so much about the Scotland trials. I just went through your book this week. And as far as descendants like over here the descendants tend to find each other, talk about it, "is there a memorial, do we need a memorial?" Do the descendants, are they a part of this? Were there descendants at the Peebles memorial? Do you hear from them? 
    Mary W Craig: No. What tended to happen was, because the terror was so absolute well into the 18th century, anyone who had been the son or the daughter of a witch is never going to admit it. What tended to happen was the second somebody got arrested, the family would absolutely deny any association. You'll get notes in the records of people saying, "oh no, she wasn't really my sister, she was only my half [00:12:00] sister" or, "no, she wasn't my mother, she was my stepmother." So people were so ashamed of what the person had done, because witchcraft was so evil, but obviously terrified that they themselves would get arrested.
    Mary W Craig: And so within two or three generations, granny or great granny that was executed as a witch is airbrushed out of the family history. And because, of course, they weren't given Christian burial, because the church did not note their names, there is really not a way for people to go back and decide that was a relative of theirs. It's very difficult for you to trace back. And as I say, we have so many records that just say things like, "a few witches were burned." Partly fear, partly shame, and partly incomplete records. We have very few who can trace a true descent.
    Josh Hutchinson: And what was a witch to the Scots in 17th century? 
    Mary W Craig: Okay, we could be here for some time. In the 16th century, everybody was Christian. There were a [00:13:00] few Jewish people around, but everybody was Christian. Witches were magical practitioners. They were Christians, but they were also able to do magic. So they could talk to the little people. They could talk to the kelpies or the selkies, or they could talk to the man in the black hat, and he would help you find lost property, or you might say a charm when you were trying to help a child become well. So it would be somebody who was a healer who would help you in that way.
    They could also lay a spell on you if you were bad to them, but mostly they were thought of as good, and most communities knew of them. When you move into the 17th century after the Reformation and the Church of Scotland is terrified, it's got itself into siege mentality, it's surrounded by Catholics. It's not quite sure what the king's doing down in London, and we've got famine and pestilence and war going on in Scotland, which seems as if the devil is out there, using his handmaiden witches.
    Then the [00:14:00] Church of Scotland takes the word "witch" and sticks it very closely, it cleaves it to the devil, because it is unnatural for women to have power. And women who do have power or claim to have power, it can only come from the devil. "Witch" changes, the meaning of the word "witch" changes from meaning being a herbal healer, wise women into this satanic follower of the devil.
    We notice in the early part of the century, a lot of people who, when they're first arrested, they'll say, "yes, I'm a witch." Because they don't understand that this has now become a bad thing. By the end of the century, nobody's admitting to being a witch, unless they are kept awake and tortured. So the meaning shifts and changes and moves within that century because the church is obsessed with the devil.
    Because we had a form of Calvinism that was so strict, and we had the predestination that God already knew who was damned and who was saved. And if we were God's elect and we were [00:15:00] all saved, then the devil would attack us, and he would attack us using witches. So the meaning changed, just as the meaning has changed now. There are people in Scotland today who call themselves witches today, who have, just as there are half a dozen different definitions of what to be a Christian is, there are half a dozen definitions of what a witch is today, but certainly in the 17th century, it changed from being good and healing to having that diabolical link.
    And strangely enough, the people in Scotland were being told this every Sunday you'd go to the kirk on a Sunday and the minister would tell you It's witches. It's witches. It's the devil. It's the devil. And yet communities still use their witches, because what else can you do? You can't afford a doctor. There's not a doctor in your little village. If your child falls ill, or if your hens stop laying, and you think it's old Aggie at the end of the road who's cast a spell, you'll find another witch to take the spell off, because that's the day-to-day life you're living. 
    Sarah Jack: That's great. What did they believe the [00:16:00] diabolical witches were capable of? 
    Mary W Craig: Because the Kirk of Scotland were obsessed with the devil, they thought that the devil was going to bring down the new Protestant church. The Reformation happens in Scotland very quickly. In England, it was gradual. They moved from Catholicism to Anglicanism. In Scotland, we were Catholic, and then John Knox arrives and says, "no, we're now all Protestant, and all Catholics are in league with the devil." so the idea was that the devil was going to attack us all and drag us all to hell. And we had to guide against him. We had to guard against him. We had to be constantly on our watch against the devil. 
    And so witches were people. They were women, predominantly because women were weak and stupid and lascivious and liars and just awful creatures. And our faith was weak because of that. And so we would be easily seduced by the devil. And then we would do his bidding. We would lure men with our sexual wiles. [00:17:00] We would cast spells to make people die. We would make men impotent. It's an awful lot about sex in it with the Church of Scotland. I'm not quite sure what that says about the ministers, but there's a lot to do with sex. We would shrivel men's members, we would make men barren, we would make cattle and horses barren. We would spoil crop. We would just basically bring the whole world to its knees as servants and handmaidens of the devil. And that was why the Kirk was obsessed. 
    But because of this nonsense about predestination, it meant that even if you were a kirk minister, even if you were a very senior kirk minister in the General Assembly, the Kirk of Scotland, you couldn't know for absolute certainty that you were saved. So you end up in a circular argument, because if I'm the most godly person, then the devil's going to attack me. So if the devil attacks me, that proves I'm the most godly. So if I'm the most godly local [00:18:00] minister and the witches attack me, that proves I'm the most godly. But that means I want there to be witches in my area.
    And so it just becomes a circular argument. You end up bringing in the witch prickers and witch brodders that we had here, and they were paid by how many witches they found, so they found lots of witches. And the ministers stood in the pulpit and screamed that this was diabolical and this was the devil and this was awful. But in a way you're saying, " see, it proves I'm a really good minister, because why else would they attack me? Why else would there be witches in my parish?" And once you're in that mindset, it's really difficult to get out of that mindset. Once you're in that circular argument, there's really no way out.
    Josh Hutchinson: We read in Borders Witch Hunt about Auld Nick. Who was he? 
    Mary W Craig: Auld Nick was the devil. Scotland has lots of names for the Devil. He is Auld Nick. He's Auld Horny. He's Auld Jack. He's Black Clootie. [00:19:00] He's Horny Clootie. We have all these different names, and a lot of the names are from way back, from our Pagan ancestors.
    There are also lots of places in Scotland named after the Devil. There's the Devil's Beeftub, which is just a very large river valley, but it's a round river valley, so it's the Devil's Beeftub. There's the Devil's Arse, there's the Devil's Bum, there's the Devil's Loo. There's the Devil's Toothpick. Not quite sure about that one. 
    So there's lots of, so the Devil in a way, the Devil that the church had in mind, who was Satan, who ruled over hell and fire and damnation. He wasn't quite the devil that, in Pagan times, we had believed in, he was a man that you could have a sort of, you can make a deal with the devil. You played the fiddle, you can play dice with the devil, you can play cards with the devil. There was a familiarity there that sort of lingered in folk superstition, even after the Christian Church was established. So again, when the [00:20:00] Church is railing about the Devil, and locally you say, "ah, it's just Auld Nick," that mismatch could mean the difference between life and death.
    Sarah Jack: I'm very curious and I found the overlapping of the old and new beliefs quite a big deal. 
    Mary W Craig: Yeah, because like in all things, what people believe, ordinary people believe and what society deems as acceptable, there's always a lag of several years. I have a friend who's an elder in the Kirk of Scotland, and he still won't walk under a ladder, and he laughs at himself for that superstition. Even though he is a practicing Christian, he still has that superstitious belief, and he knows it's ridiculous, but that's what he grew up with. So these folk beliefs linger on, and I the original meaning the original Pagan meaning has been lost in time.
    But you keep all, you'll say, "knock on wood," or you'll touch wood for good luck, or you won't cross a black cat's path or breaking a mirror. All of these superstitions, we've lost the original meaning, but [00:21:00] they're still there. We still all do it. 
    We still go out at Halloween, we go out guising, you guys go out trick-or-treating, and that's going way back. That's pre-Christian, that's a pre-Christian festival that we all still now. I mean, it's fun, and the kids get sweeties and candy. These superstitious beliefs hang on in there, and while now we smile at them and they're fine, because the Reformation was so recent for the Kirk of Scotland and because they had developed this siege mentality, they couldn't make any allowances for these old beliefs.
    So it didn't make sense. So that 50 years previously your grandmother might have said a Catholic prayer as she was soothing an ill child. That was acceptable. Now, Catholicism had been tarred with the brush of being diabolical. It's very difficult to tell somebody they can't do something they've been doing for 50 years with no apparent harm.
    Sarah Jack: The people's beliefs were in a transition, but what was acceptable was like a switch. 
    Mary W Craig: Yeah. If you think about the modern day [00:22:00] laws on things like homosexuality, society had moved on from homosexuality whilst lawmakers had not. Their thinking was about 30 years behind. And social change, same-sex marriages, things like that, the lawmakers are always behind what is the societal movement of what isn't acceptable within a society. 
    And what we had kept onto our old pagan traditions in Scotland. We still do it today. You still throw coins in a fountain or down a wishing well. That again, it's an old pagan belief. You take metal, which is precious, you put it into water, and water is a gateway into the world of the gods. Pre-Christian, we all do it when we're on holiday. That's part of the fun. We still, you get some people who will still leave out, my grandmother would still leave out cheese and milk for the fairies that were in the wood at the back of her house, and this would be in about 1930. She was still doing that. Admittedly, most of her neighbors thought she was a bit odd, but that belief was was still with her. 
    Josh Hutchinson: What were [00:23:00] some factors in the high rate of witch trials and executions in Scotland? 
    Mary W Craig: One of the highest problems was the king. When Elizabeth I dies in 1601, and James VI of Scotland, goes down to England to become James I of Great Britain, he goes to London, cuz that's where the money's to be made, and he takes most of his court away with him. So the senior nobility all go down to London, and it leaves a power vacuum in Scotland. And that's where the Kirk of Scotland just steps into that power vacuum. 
    The problem was that James VI wanted a uniform faith across the whole of Britain, and he wanted to have the Episcopal faith, or the Anglican Episcopacy faith, simply because England's 10 times bigger than Scotland. It was easier to go with the majority faith. He was in London. He was in an, gonna go with the majority faith. The problem is that had a hierarchy, which included bishops, and the Church of Scotland took one look at that and [00:24:00] said, "that's Catholicism being shoved back." And so instantly they were at loggerheads.
    Now, initially, James VI wasn't too stupid, so he just thought, I'll just leave the Scotch alone. His son, Charles I, comes along, wants to do the same thing, but he didn't have the same political nous as his father. So instead of leaving well alone, he decides he wants to impose this Episcopal faith onto Scotland.
    At the same time, Charles has fallen out with his English parliamentarians over taxation, and he's causing bother over in Ireland. So basically you end up with the English Civil War or the War of the Three Kingdoms. So you basically got civil war going on. So because you've got a war going on, the Kirk of Scotland turned around and says, "well see, it's the Devil, it must be, because we are all good Calvinist Scots. Why would God inflict a war on us? It must be the Devil. Why is God inflicting famine on us? He wouldn't. It must be the [00:25:00] Devil." So all the external factors are pushing it to being the devil, because that's, that's your only get outta jail free card.
    There is no other explanation. It's like in the 1930s in Germany, everything was a fault of the Jews. It didn't matter what, it was the fault of the Jews, because that's what people were being constantly told. It was the same thing up here, because of course, if you start to admit for one second that it might not be the devil, then maybe you have to take responsibility for yourself.
    There's also the fact that in Scotland, we do have rotten weather up here. Let's be honest, it is absolutely pelting rain with me. I can see is it today, and it's supposed to be nice today. So we do have rotten weather. So if you have harvest failure and bad weather and war and famine and death, and then the 30 years religious war kicks off in the continent, and there are Catholics across in Ireland, who are coming across into Scotland and going up and causing bother with the Irish clans. The whole world is in chaos. And halfway through the century we [00:26:00] chop the king's head off. Now that's pretty serious. Your king might be mad, and your king might be bad, and your king might be mad and bad, but you don't chop his head off.
    And then Scotland, we ended up, Oliver Cromwell comes up and imposed a republic on Scotland. So there were English soldiers based in Scotland. So the Scottish Covenanters say, "our only king is Jesus Christ." So they end up doing a Holy War. So in all of this chaos and confusion that you cannot control as a church, the only thing you can say for certainty is all of this is caused by the devil. And you have to believe that because if you don't, then there's nothing the church can do about the king, there's nothing the church can do about all Oliver Cromwell, they can't control the weather, they can't control the pestilence, they can't control the war in Europe, they can't control the Irish Catholics coming over. Only thing they can do is stick to their certainty, so they develop that siege mentality, and it lasts for a long time. They keep to this belief in the [00:27:00] devil and witches and witchcraft for well over 150 years because to admit anything else, then their house starts to crumble. So that's why they have fixated on that.
    Sarah Jack: That was wonderful. Thanks for that very detailed explanation for that.
    Mary W Craig: The 17th century was a bad century across Europe because we had the reformation in the previous century, and what you end up with in the 17th century is the counter-reformation, and you end up with the 30 years religious wars. You've got the German states fighting with each other, you've got France and Spain fighting, so there's wars all over the place.
    People are jockeying for position in Europe, which is utterly terrifying. So you've got religious uncertainty and war and soldiers and famine and plague and bad weather. And you as an individual have no control. And then you go to the one person who's going to tell you what's what, and it's the minister, and they're telling you what to do.
    And as I say, we had Charles I we chop [00:28:00] his head off, we ended up the protectorate. Then Oliver Cromwell dies. His son comes along, we didn't like him, we got rid of him. Charles II comes back, but oh dear, he's married to a Catholic, so we're not quite sure about him. They don't have any children. And then James VII of Scotland, or James II of Britain. We had a lot of Jameses. He comes back. Oh dear, he's a Catholic, so we don't like him, so we bump him. So we end up with Mary and William of Orange coming over from the Netherlands. So for that entire century, there is very little stable government at the time giving us anything, because it's the government that's causing half the bother. Cuz the government, whichever government, is always arguing with the church. So the only stable thing you have in Scotland is the Kirk of Scotland. Everything else is in flux all the time. And as I say, it lasts for that full century. 
    Josh Hutchinson: Why were women believed more likely to be witches?
    Mary W Craig: Oh, there were two or three books. There was one known as the Malleus Maleficarum, [00:29:00] which was written by a chap who may have been under the name Kramer or may have been under the name Institoris. He may or may not have been a Dominican, and he was kicked about the German states in the 16th century. 
    There was a Witch trial in Speyer in one of the German states, and he had an argument with the bishop Speyer as to how they should conduct this trial. The bishop said, "no, it's my town. We're doing it my way." And the women there were acquitted of witchcraft. And Kramer then said, "you're an idiot. You're wrong. If you'd have done it my way, would've had them executed."
    And he wrote this book called Malleus Maleficarum, Hammer of the Witches, in which he basically outlined what a witch is and what you should do about it. So women are weak, lascivious, lying, deceitful, awful creatures, and therefore, we are ready tools of the devil. A man is steadfast in his faith in the Lord. A man is very seldom going to be tempted, but we are gonna be tempted, because, well, we're [00:30:00] useless and weak and awful.
    He writes terrible things, like women's bodies are weak, and you can tell they're weak because they're porous. You think, oh, you're a horrible man. They produce milk, they leak, their bodies leak, therefore their faith will leak. He uses analogies like that, a terrible book. Problem is, it was a bestseller. Everybody thought this book was brilliant. Then you come in to the later 16th century, and you've got John Knox, and John Knox writes his book against the, it's The First Blast of the Trumpet Against the Monstrous Regiment of Women. And he was actually talking about people like Mary Tudor, who he thought was a disgraceful person and should never have been queen, cuz of course she's female, and she's a queen, and she's Catholic.
    So he says that power is unnatural to women, and women who have power are in league with the devil. So you've got Institoris saying that we're weak, and our faith is weak, and we're terrible and awful. And then you've got John Knox saying, and any woman that's [00:31:00] got power is coming from the devil. And these books are read by all of the learned men right the way across Europe.
    And then James I, James VI of Scotland, James I of England, just before he leaves Scotland, he comes back from Denmark with his wife-to-be in a boat, and a great storm is raised outside North Berwick. And somebody says, "oh, that storm was raised by witchcraft." So there's a huge witchcraft trial. James is involved, he's the king. And because Scotland was a little country, James wanted to be one of the big princes in Europe. Scotland's so little and so poor, he can't really do it with money, but he can do it by learning. So he writes a book called Demonology, all about Witches. 
    So if the king's writing about it, and John Knox is writing about it, and Kramer's writing about it, these three books do the rounds. And they just become the accepted norm that women are, by their nature, weak and silly and stupid [00:32:00] and, therefore, susceptible to the wiles of the devil. We'll just give in, because we're so hopeless. And in Scotland, about 85% of those who were persecuted as witches were women, about 15% were men. 
    Sarah Jack: And how were warlocks viewed differently? 
    Mary W Craig: Warlocks were slightly different, because there were men who followed the devil and became warlocks, but because they were men, they had to be in charge of the women. So you would maybe get three or four women, and the warlock would be in charge of them. So although he was awful and had renounced Christ and made a pact with the devil, he was in charge of the women. So that made sense, because men are supposed to be in charge of women. The reason the church was very upset about warlocks is that also tended to be men who were learned, so men who were themselves ex-ministers. 
    One of the famous ones is Major Weir in Edinburgh, who was this bowhead saint. And he would [00:33:00] give great sermons in the open air in Edinburgh at the Westport of Edinburgh. And then he actually turned out to have been a warlock all along. When he was executed, he threw his staff into the fire, and apparently it turned and made grimaces and uttered curses as the wood burned.
    But yes, so they were very frightened of warlocks because that was just all worry. Even the devil was so powerful. He was now ensnaring men, where his women were just what can you expect? They're women. They're going to be easily ensnared. 
    Josh Hutchinson: Were the warlocks treated differently in the witch trials than the witches?
    Mary W Craig: Yes. Now women couldn't speak in court. You weren't allowed to speak in court if you were a woman. But then one of the proofs of being a witch was to be deleted or named by another witch. So if I'm accused of being a witch, and I say, "I am and so is my sister," and then they bring my sister into court, I have to be able to say in court, "yes, I am naming my sister as a witch." So they changed the law so that [00:34:00] women could speak, but only to delate, to talk about another woman as a witch. But men as warlocks were allowed to speak in court. 
    And so women would be asked things like, "did you have sex with the devil?" Yet again, we're obsessed with sex. "What was he like?" And all these sorts of questions. And, "what did you do? And how did you serve him? And who was all there with you?" When men were accused of being a warlock, they would be asked, "why did you renounce your baptism? Why did you turn away from Christ? Why did you make a pact with the devil?" 
    It's almost as if women are just emotional. We don't really care about what they've been up to. But with the men, it was almost as if they were reasoning with them and saying, "do you not understand what you've done here? Come back to Christ. Do you not understand that this is wicked and awful?"
    And there would be, the trials of warlocks could sometimes last for two or three days. The trials for women often lasted barely two or three hours. So it was quite different, yes, and a lot of men who were accused were [00:35:00] allowed to escape, shall we say? Or they would be held under house arrest, and they would often kill themselves, because your family could inherit your money, if you kill yourself. If you're executed as a witch or a warlock, your money is forfeit to the Kirk. 
    And a lot of men could actually challenge the accusation in the first place. If I accuse you of being a witch or a warlock, you would just turn around and say, "how dare you? I'm a man of good standing in this community. That, that Mary's outrageous. She's accused me of being a witch." And I could often be arrested for slander. So a man could often talk the accusation down at that very early stage. So that's why, there are a few, and there are a few men who went to trial and were acquitted, because they either talked themselves out of it, or they got a couple of good lawyers in there to say, "for goodness sake, this is a chap of good standing, and why we're listening to the gossip of women? Of course he's not a warlock." So the acquittal rate for men was a lot higher than women.
    We also have in Scotland the not proven verdict, and we still have it in Scots law. Now, not proven doesn't mean you're innocent, [00:36:00] and it doesn't mean you're guilty. It just means that the crown has not proved its case against you. And so there are a few cases of not proven verdicts in witchcraft trials, and that tended to be for men. Men would get a not proven verdict, and if you're not proven, you're not sent to prison, you cannot be punished, because the case against you has not been proven. There are constant arguments under Scots law, whenever anybody's found not proven these days, as to whether or not we should abolish it.
    Josh Hutchinson: What was the penalty for witchcraft in Scotland? 
    Mary W Craig: To be worriet, strangled to death, and then your dead body burnt. If you were extremely lucky, you might, in the earliest part of the century, and in the 16th century, you might get away with being branded, fined, and exiled. Oh, there are very few guilty verdicts that did not end up in an execution. And for women it was always execution after the guilty verdict, every time. Yep. And as I say, in the case of the people's [00:37:00] trial, that was 24 people executed on one day. 
    And of course, everybody had to come out to watch. The minister wanted everybody to see what happened to witches. The devil didn't come down and save them in the end. The devil was a lying master that if you follow the devil, this is what happens to you. 
    And oftentimes, if it's in some of the smaller towns, there was no public executioner. So it might be somebody like the local blacksmith, because he was a big strong lad, and he might be the one that had to, often they would put a noose around the neck and slip a little bit of wood in, and they would turn the piece of wood to strangle someone. And that's, you're having to do that face to face with somebody. It takes a long time to strangle somebody. And if it's in a small town, the chances are that blacksmith's gonna know the people that he's executing. So it was traumatic, I would think, for them afterwards to think, especially if there had been any doubt, if perhaps somebody just got caught up in it, a name was uttered, or somebody had fallen out with someone, but that was it. [00:38:00] There was no get out. Once that guilty verdict was in, you were executed, usually within a day or two days. 
    Sarah Jack: In your book, you noted that the people were not just expected to be there. If you weren't there observing, that was really bad for your reputation. 
    Mary W Craig: Oh yes. The minister would notice. You had to have a very good reason to not be there and have your children there as well. Why aren't you there? Why aren't you seeing? Because executing a witch was God's work. So, "why are you not there to witness it? Why are you hiding in your house? What have you got to hide? Were you a friend of the Witch? Are you a Witch yourself?" Yes, it would be noted if you didn't, if you didn't turn up, you didn't get there. "Why are you not watching what's going on? Why are you not showing your children, your three and four year old children? Why are you not showing them this gruesome scene to say to them, 'this is what happens?'"
    Yes, you had to be there, and ministers would take note of it. And these were the sorts of things that could build to a bad reputation. So that, [00:39:00] 10 years down the line, another accusation is made, and your name might be on the list, and the minister thinks, "oh yeah, they didn't turn up that execution the last time. Yeah. They've not been to the kirk a couple of Sundays in a row without a good reason. Yeah, I'm gonna keep an eye on them." So that bad reputation can follow you about. We have situations where there are people caught up in an accusation, don't make it to court, but then 10 years down the line, the fact that they were previously investigated is brought up as part of the evidence against them. 
    Josh Hutchinson: And why did they burn the bodies? 
    Mary W Craig: It was so that there was nothing left, absolutely nothing left, because you had denied your faith, and your faith is everything. You denied that. Then you are nothing. And so the body would be burnt, and it takes a long time to burn the body. It's not like today, if you have somebody who's cremated, it's done very clinically and very safely and very respectfully and, you know, in a[00:40:00] proper sort of manner. If you're talking about Scotland this time of the year, it has rained today all day. Body could take three or four days to burn, and it's burning in a public place. It's maybe burning in the marketplace where you go to buy your bread every morning, and there is a body still burning, still burning. And then, eventually, there's nothing left, or if there is anything left, if there are a pile of ashes left, they're usually thrown into water, and the water will take 'em away. Partly because it's cleansing like a baptism, and partly the fact that it physically takes them away.
    Sarah Jack: And where did the methods originate of killing and burning the witch? 
    Mary W Craig: Initially, if you'd done a terrible crime, if you committed a murder, you'd be executed. And usually people were hanged in Scotland. We didn't tend to burn people alive. They did in some of the Catholic countries, but that was because witchcraft to them was mixed in with heresy and burning alive was a particular punishment for heresy. We tended to hang people. Occasionally you got your head [00:41:00] chopped off, but that was slightly different. That tended to happen up in Highlands a little bit more. But anyway, Lowland Scotland tended to hang people. But because you were then gonna burn the body to get rid of the body as well, because you don't want anything of the Witch left, it was a practical thing.
    If you have to build a gallows and then hang somebody, and then take a body down and then put it onto a pyre to burn it, that's a lot more work. And so if you just build a pyre and have a stake and tie someone to the stake, strangle them there and then burn them, it was purely a practical method. In some areas, people were burned inside tar barrels to make sure they couldn't escape at the last minute, although the Church of Scotland didn't quite like that, so that was too much like superstition. 
    But it was a purely practical reason, especially if you're gonna execute 24 people in one day. That's a lot of gallows to have to construct and then take down, because often witches weren't executed in a local place of execution. So you might have a big town, and you would have a place of execution for those who were guilty of [00:42:00] murder or rape or something horrible like that. Witches weren't executed there, because they weren't even supposed to be executed alongside ordinary criminals. Cause ordinary criminals were bad, but they hadn't denied Christ. So they were separate, even in their execution and even in their death, they were separate. 
    Sarah Jack: And these witches didn't say they denied Christ. They just had, because they were a witch.
    Mary W Craig: Yeah. Oh, all of them were Christian. They were absolutely Christian. And you can hear it if you read through, the best thing I always find with the confessions is to actually read them out loud. And you can hear these women, especially the early part of the century, they're genuinely confused as to what it is they're supposed to have done, because they're not doing anything that their mother and their grandmother didn't do before them. 
    They went out, and they got herbs to, to help heal a child, and they said a little charm. What had this got to do with the devil? They didn't understand, and [00:43:00] occasionally they might say things like, "I met the man in the black hat." They meant a supernatural creature with a black hat. They did not mean the Devil, and they couldn't, you can hear the fact that it's almost as if the ministers and the interrogators are saying one thing, and the woman is saying another. It's like ships that pass in the night, they're just not understanding.
    There are some really poignant ones where people say things like, "can I be a witch and not know it?" They were genuinely confused by what was going on. It was only as the trials continued, and by the time you got to about 1649, then a lot of people are absolutely shutting up and they're saying nothing.
    They're saying absolutely nothing because they know that it doesn't matter what they say, it's gonna be turned. Now, the interrogators tended to be the minister and tended to be led by the minister. They would ask what today we would say would be leading questions, but what they would say is they wouldn't say to you, "did you meet the devil?" Cuz you're gonna say no to that. What they'll say is, "when you met the devil, who else was there with you?" [00:44:00] You said, "but I didn't meet the devil." "When you met the man in the black hat, was your sister with you? Was your mother with you? Was your daughter with you?" And so they would ask questions in a way to get the women to incriminate themselves, although they didn't really understand, and as I said, but later in this century, people understood and people were saying nothing. And that's when they start to use things like walking and watching and waking. And keeping people awake for days and days on end to get them into that mindset where they're gonna confess to anything.
    Josh Hutchinson: You've talked about several methods that they used to test the witches. Were there others? 
    Mary W Craig: There were the four proofs. The first proof was having a really bad reputation or a reputation of doing bad things. One was to be called a witch by another confessing witch. One was to confess to being a witch, and that was usually done, they would keep you awake for days on end and be badgering you the whole time, "you're a disgrace to your family. You're a disgrace to your friends." And eventually you give in. 
    They would hold lighted candles to your feet. They would string you up by your thumbs. They would break [00:45:00] your arms, things like that. They would beat you to make you confess.
    The other one was the Devil's mark. Cuz it was thought that the devil laid his hands on you and it's a parody of Christ. And because he was unnatural, he would leave a mark on you that was unnatural. And then a witch pricker or a witch brodder would arrive with a pin maybe about five centimeters long, and he would put that into your shoulders or your neck or your head on say, a mole or a freckle. And if you didn't cry out or it didn't bleed, that proved you had the devil's mark. And of course, acupuncture today, there are points in the body you can put a pin in. Often they would just keep on pricking somebody until they found point that didn't bleed.
    You could be called a Witch by another Witch. If you had marks on your body, and that goes back to biblical times where you're talking about people being leprous with sin, and so if you were a sinful person, if you'd gone to the devil, there would be marks on you. 
    But it was mostly by keeping you awake and constantly talking at you the whole time. That was the main method [00:46:00] that was used against you. 
    Sarah Jack: It just amazes me that they survived everything to even get to the execution. It just seems like it was so harsh. 
    Mary W Craig: Yeah. I'm surprised at those who didn't confess, I'm genuinely surprised that those that didn't confess at all. And there were some who absolutely to the end said, "no, I'm not gonna confess." There were a lot of people who confessed and then at trial or just before the trial retracted their confession, and they said, "I confessed because of the torture I was put under."
    You weren't allowed to be interrogated if you were under the age of 10, but we know that happened. You weren't allowed to be interrogated if you were what was known as addled in your wits, if you're mentally incompetent. But again, we know that happened. There were people who were put on trial who were quite obviously mentally incapable, and yet the local kirk minister said, "no, I want them sent to trial, and if they're mad, it's their own fault. That's what happens if you [00:47:00] hang about the devil, and anyway, they're probably faking it." And it didn't matter if your family said, " granny's been a bit wandered for years" or even if you had a doctor to say, "this person is mentally incompetent." The kirk minister should, by sheer force of personality, just say, "no, I want them brought to trial." And they were brought to trial.
    But as I say, some of the confessions are so poignant. They're sort of little things like, "I left out milk for the fairies." That's it, you're witch. Or, "I was taking care of my neighbor's little boy, and I said a little rhyme over him to help him soothe him to, to sleep," which every mother and father has done that. You sing a little nursery rhyme to help your little one, if you've got a fever. That now becomes a diabolical act. It's so poignant when you read what they're actually accused of doing. But underpinning all of that, as far as the kirk was concerned, was this obsession that they had made a pact with the devil.
    Josh Hutchinson: What drew you [00:48:00] to write a book about Agnes Finnie? 
    Mary W Craig: Oh, I wrote the book about Agnes Finnie, because I've been interested in the Witches and witchcraft for ages and ages, and the reason I'm write, I'm writing the book on Agnes Finnie, is because she doesn't fit the stereotype. She's not a nice, cute little old lady living in a cottage. She's not gathering her to take care of her neighbors. She's a nasty so-and-so. She lives in a tenement slum. She's a shopkeeper selling dodgy goods. She's a money-lender.
    And it's very easy to be sympathetic to a sweet, gray-haired old granny who's gathering herbs in the countryside and who is persecuted by the church. And we all think that's terrible and awful and shouldn't have happened. It's much more difficult to be sympathetic to somebody who's not a sympathetic character, but Agnes Finnie, for all she was a nasty piece of work and for all she was quite an unpleasant person, was still deserving of justice. The law should not have treated her the way it did.
    [00:49:00] And that's why I wrote about her. And also the fact that she was in the city and the book, just what life was like if you were poor. In the city of Edinburgh at that time, Agnes Finnie, is living in a place called Potterrow Port, which is, it's no longer there, but it's one of the high tenements in Edinburgh. So there's no sanitation, there's no running water, it's dark at night, it's freezing cold. Everybody's drinking as if there's no tomorrow, because the lives are so miserable. 
    At the same time as Agnes is alive, King Charles I has a camel, which he keeps at Corstorphine, which is the west end of Edinburgh. And this camel goes out for a walk every day, except for a Sunday, cuz it's a good Christian camel, it rests on a Sunday. And you can pay sixpence to go and see the camel. Camel has got a groom, and it's got heated stables, and it's got the best of food, and it's being fed, I dunno, sugar lumps and all sorts. And once a month, the keeper of the royal camel writes a report on how the camel's doing and [00:50:00] sends that to Charles I, and he reads this. He's not getting a report on how the poor people are living in the tenement where Agnes is. He doesn't care about them, who are starving and freezing and drinking alcohol that they've made themselves, because there's nothing else they can do to get through the day.
    So that's why I wrote about Agnes, partly to say everybody's deserving of justice, nasty or otherwise, but also the fact that the king cares about his camel, but doesn't care about the poor. This is the century in which witches were living or alleged witches were living. 
    Sarah Jack: And what was like the population, and how many people were living like Agnes?
    Mary W Craig: That's difficult to say, because not everybody was registered. You might get a tenement that had eight alleged houses in it, but you might have people who were so poor that when their husband went to work in the morning, they would get a lodger coming in off the night shift to sleep in their husband's bed. You had people sleeping in the back stairs of [00:51:00] tenements, because that was all they had. That was the problem. Nobody quite knew how many people were there. 
    The conditions were so bad that 50% of all children never made it to their fifth birthday. You go to Edinburgh today and you've got the amazing guides that'll take you down the old town in Edinburgh, and they talk about gardylooing. It's all done as a joke and a laugh, and everybody laughs about it. They were basically throwing excrement out of windows, and that's how people lived. There was no light. There was no heat. There was lice and fleas and cockroaches and rats. This was the life that King Charles I's subjects were living whilst his camel on the west end of the city is being fed sugar lumps.
    Josh Hutchinson: So why did you choose to write a book about one particular individual after the borders witches was many trials and many people, so why focus on just one?
    Mary W Craig: I wanted to focus in on one person's life to look at the ordinary life of the person in a bit more detail. And I went [00:52:00] through the records with the National Archives and the National Library in Scotland, and I was fortunate enough to find Agnes Finnie's entire trial records. So that allowed me to look at that in some detail, but also the fact that she lived just at the outbreak of the Scottish Civil War and the chaos and what is sort of throughout that because of the rising tension all the time. And we've got the wars going on in Ukraine and Russia at the moment. There's a war over there, but it's far away. We hear about it on the news, but it doesn't affect us on a daily basis. 
    The war was right there in Edinburgh. Young men were getting called up. You might just be an ordinary person. All of a sudden your son has to go to fight either for the king or against the king. There were roving gangs around the city, armed men in the city. So there's all sorts of things bubbling up, and the fact that I could focus in on this one individual and see what her life was like and how she starts off just as a shopkeeper, maybe doing a little bit of money-lending, all the way up to the time when [00:53:00] she's arrested, where there are 20 accusations of witchcraft being laid against her by her neighbors.
    So I was able to look at it in a lot more sort of microscopic detail of one individual and how that came to pass.
    Sarah Jack: I was thinking how you probably just saw her coming, like who she was,, coming together before you because of all of your extensive research and your expertise on all of these things you're talking about. And then you find her and all these records. I'm sure she just jumped right out at you. 
    Mary W Craig: Yeah. And the fact that she wasn't in a little cottage and she wasn't a sweet little old lady, because that would've been a very different book, because from page one, everybody would've gone, "oh, that's a shame. Poor, sweet, little old lady, what's the big bad church gonna do?" Whereas this is, "okay, Agnes, oh I see. You're like that. Are you?" And that's the challenge. The challenge of this is the reality. 
    I'm not saying that Agnes was a horrible person, because she was horrible. I'm saying that she wasn't a nice person, [00:54:00] but she wasn't living in a nice time. She was trying to cope the best she could. And of course she had all of the, she's a woman on her own, she's a widow, and women are only supposed to do certain things and act in certain ways. So that drew me to her because, she's trying to struggle through and do the best she can, but because she was that slightly more unpleasant character, she was much more fascinating than a sweet, little old lady.
    Sarah Jack: Why was she chosen to be an accused? 
    Mary W Craig: She was accused, she was finally accused by her neighbors. Her neighbors went to the minister and complained about her. And then when the minister started to investigate, he ended up with these 20 accusations going back years and years.
    So there were neighbors saying things like, "I had an argument with her and she made me go lame" or, "I had an argument with her and she blinded my husband." And all of these accusations then start to come out, and Agnes ends up arrested and sent to trial. So it's a sort of accumulation of different things that had happened, [00:55:00] because at one point, she's known in the neighborhood as a witch. 
    They know she's a witch. There's a couple called the Buchanans, and they go to her when they're little boy is unwell. And you think, why else are they going to the witch? I mean, Agnes is known to be a bad tempered so-and-so. Why are they going to this woman to try and help the little boy?
    Because there was nowhere else for them to go. They're poor. They can't afford a doctor. There's no doctor going down to the tenements. The minister from the Kirk doesn't even go down to the tenements. They're basically a little world on their own in a little squallid corner of Edinburgh. They're in the capital city, and yet they're living a miserable life, and they have nothing else to do but go to Agnes. You think why would anybody borrow money from her if she's so horrible? Where else can they go? They can't go to a bank. They haven't got anywhere else to go. 
    The only person they can go to is Agnes, because they're all living life on the edge. One bad day, you fall over and break your leg. You can't work, you can't pay your rent, you're [00:56:00] put out your house. You try living on the streets in a Scottish winter, you're gonna die. Witch she might have been, bad tempered so-and-so she might have been, but there was nobody else for these people to go until finally they've had enough of her temper. And also finally, the fear of the witch tips the balance against the usefulness that she has, because of the rising tension of the war. And so all these things come together, and eventually they've had enough, and they go to the minister. 
    Josh Hutchinson: And what was the evidence used against her? 
    Mary W Craig: The evidence against her was what you and I would probably just think of as the accusation. So somebody would say, "I had an argument with her in the street. She yelled at me, "I'll send you halting hame." And I developed a limp. And as far as the court, as far as the minister was concerned, that was proof positive. And if the minister says so, then the court just agrees. So it was actually just the accusation.
    I [00:57:00] think in Agnes's case, because there were so many of these accusations, it just piled up and piled and piled up. But interestingly, the jury took a long time to find her guilty. It took a long time. You'd expect with 20 odd accusations that they would've said guilty straight away. Now, they took a good few weeks to think about it and think about whether or not Agnes was guilty, but I think it was just accumulation. As I say, in the vast majority of witchcraft trials, there was no proof, because how can you prove something like a spell? It's very difficult to prove a spell. 
    You can say, "we asked Agnes to take care of our little boy, and then our little boy died." But how do you prove that Agnes killed the child? You could say, "Agnes yelled at my father, and then he had a stroke." But how do you actually prove that? Yeah, the link between cause and effect was very tenuous then, but it was enough because you had power from the devil. Then that gave you the power to lame someone [00:58:00] or blind someone.
    Sarah Jack: Was Agnes executed? 
    Mary W Craig: She was, yes. If you're ever in Edinburgh, going up just before you hit the castle esplanade on the right hand side, you'll see the Witches' Well. And that's where the witches were executed in Edinburgh. So yes, she was executed. 
    Sarah Jack: Was she executed alongside other witches that day?
    Mary W Craig: No. She was executed on her own, and interestingly, her daughter was not. And yet within the accusations, the 20 accusations, her daughter was named as a witch as well. And yet she was not executed, which is a curious point. 
    When I looked at the sort of aftermath of her trial, what was interesting was that the minister, who had never gone near the Potterrow in his time as a minister, nothing was ever said against him. Nobody said to him, "why did you not know about this witch?" Nothing was said. And he thereafter never went down to Potterrow. The local bailey, who was like the police officer for the beat, they said to him, "why did you [00:59:00] never see any of this happening?" Nobody said anything to him, and he just continued to be the police officer on the beat. They didn't do anything. No doctor went down to Potterrow. It was a case of, "we've found your witch, we've executed your witch. Now go back to your slum, because we don't care about you." And that's what happened. They were just left to continue living in the slum. That was a Potterrow.
    Josh Hutchinson: What do you want people to take away from your book?
    Mary W Craig: To understand that everybody deserves justice no matter what personality they have. Sometimes we should look at the way people live. We think of Edinburgh as the capital city of Scotland and oh, it's wonderful and oh, it's fantastic. It's got its poor areas well, and everywhere does. And to look at the trial and think about the difference, look at what is cause and effect, what is just an accusation, and look at the way the law is used and can be [01:00:00] abused by some people.
    Sarah Jack: Will the story of Agnes help the cause of pardoning and memorializing the witch trial victims in Scotland? Is that something you support? 
    Mary W Craig: I think it might help towards the pardon. The pardon is being run by Claire Madison Mitchell and Zoe Venditozzi. And Claire is a KC, she's a King's Counsel. In the appellate court, she deals with appeals and miscarriages of justice. And that's why she's interested in this. And I think looking at the way the law is used and abused and looking at the fact that you have to have proof, proper proof to convict somebody of any crime, and that's what was lacking in the witchcraft trials.
    I understand the religious belief in the Devil. I understand the theological knot that the Kirk of Scotland got itself tied into with this Calvinist predestination, but to then take that theological [01:01:00] argument and get the secular authorities and get the law to use it, that was what was wrong. And that's why we need the pardon today.
    We don't do exonerations in Scotland, but we need to pardon these women and men for what happened to them under the law and to use it as an example of us always keeping an eye on the law and making sure that the law and the justice system is kept out of the hands of people like the Kirk of Scotland and kept out of the hands of politicians. It should stand alone that if you are accused of something, you go to trial, you have a fair trial. That's, what's it? It's nobody else's business. It's not politicians, not the religious people, nobody else. Let the law be the law, and let faith be faith. So I think that's something that's really important.
    And as I say, we have had an apology from the Kirk of Scotland. I think the pardon would be a good idea, because it would again strengthen that. And then what we're looking for is a national [01:02:00] memorial, as well as lots of people are putting up small local memorials. But I think a national memorial. And I personally would also like this part of Scottish history to be taught in our schools. We quite rightly teach the children in Scotland about her our involvement in slave trade. This, to me, stands alongside that. It's a very dark part of our past. It's not something we should be proud of, but it's something we should teach and learn from. 
    Josh Hutchinson: I agree a hundred percent with what you've said. We're working on exonerating the accused in Connecticut and hopefully memorializing and getting some more education about that. Even though there were much fewer in number than Scotland, we still feel that they're important. 
    Mary W Craig: Oh yes. One is one too many. Absolutely, yes. Especially when you look at the ages of some of them. Some of these, it was right across the age range, and as I say, every one of them had a family, [01:03:00] had friends, had communities ripped apart by this constant fear, so yeah, absolutely. 
    Sarah Jack: We really see the parallels in the history in what's happening in Scotland with the pardoning, what needs to happen in the state of Connecticut. It's all part of a very big message, educational message. And thanks for talking about this stuff with us. I want all of these, Agnes and others, to be known so that what you're saying of the changes that need to happen can happen based on the injustices that we know and that we see now.
    Mary W Craig: One of the other reasons why I think we need to talk about apologies and pardons and memorials is the fact that there are still people today who are killed as witches. It's still happening to this day, and that is something. You can believe anything you want, but you can't [01:04:00] use that belief to persecute another individual. And that's a really strong message that I think we still need to get across because there are still women and men today being executed as witches around the world.
    Josh Hutchinson: We've recently spoke with an activist from South Africa, and he explained the situation there, and it's really eye-opening. There's so many people that are still tortured and killed. 
    Mary W Craig: Was that Leo Igwe? 
    Josh Hutchinson: This was Damon Leff that we spoke with. We're hoping to speak with Leo pretty soon.
    Mary W Craig: Leo's excellent. That's the saddest part is the fact that we, we're 400 years on and it's still happening, so human beings can be so nice and so fantastic and so wonderful to each other. And we can produce amazing things like, Beethoven's Ninth Symphony and the Mona Lisa. And yet we can equally be absolutely awful to one another, and we need to recognize that part of our personality and guard [01:05:00] against it whenever we can.
    Josh Hutchinson: Is there anything that we could do to stop hunting witches in the present day?
    Mary W Craig: That's a difficult one, because the witch hunts that are happening today have different roots. So a lot of the ones in Africa are rooted in evangelical church, so it's coming from Christian belief. But there are witchcraft trials in places like Nepal and Saudi Arabia, countries like that, where it's not coming from a Christian perspective. So I'm not sure what their concept of witchcraft is. 
    I think it's a case of talking about it, keeping it in a public domain, getting it recognized as what it is, which is terror. And speaking to people like Leo Igwe, speaking to campaigners who are working in these actual countries and finding out what's going on there. I'm currently researching a book about colonial India and the witchcraft [01:06:00] trials that took place there under British rule and the parallels that are still happening in some of the Indian states today.
    So it's difficult to pick apart exactly what's meant by witchcraft and Witches in some of these areas, but it's speaking to local campaigners and making sure it's on the internet, it's on social media, it's in the news. I think that's what those of us here can do about it.
    Josh Hutchinson: One of the things that we're starting to do, we're trying to speak with Leo and Damon and those kinds of people who are on the ground in those nations and know what's going on and get their voices on our podcast. And we find every day stories of these atrocities happening in so many countries, and we share those on social media and try to get the word out the best that we can, and so far that's the thing that we're able to [01:07:00] do.
    Sarah Jack: It feels like there should be more to say about that, because it's such a huge, the scope is so wide, but I don't know. It's also silencing when you think about it. 
    Mary W Craig: I think the problem is the fact that most people, certainly in Scotland, think, "oh, we did it then, and it's all over." And then you'll say, "and there are witchcraft trials happening today" or, "there are witch executions happening today." And people say, they don't know, quite know what to say, because we think of it in the past, I almost liken it to modern day slavery, because up until, I would say 10 years ago, I would reckon most people in Britain thought that slavery was over and done with, was over and done with over 150 years ago.
    And it's taken a long time for people in Britain to understand about modern slavery and what that means. For a long time people thought, "oh no, but we abolished the slave trade. There isn't any slavery anymore." And then you discover that the young lady in the nail salon that you go to [01:08:00] might be a modern day slave or the lad that's washing your car.
    And that took a long time for people to get that understanding. And I think it's the same with modern witch persecutions. I think is gonna take a bit of time for people to accept it. And then once they say, "oh yes, that is still happening. And so we need to put a stop to that, we need to stop that."
    In a way it's quite tied together. It's persecution of people who can't stand up for themselves, because of poverty and or ignorance or political unrest in their home countries. And they are then very quickly victimized, and they could be victimized as a witch, or you could end up being a slave doing my nails in the local salon or something. All of these things are quite interlinked now. So raising the profile and making people understand that it is still happening. Yeah, it's a big, it's a big thing to do, but it's something I think we all should be doing. 
    Sarah Jack: I'm really hopeful that these messages that we're starting to pull together are [01:09:00] going to just keep reaching more ears and those people are gonna talk about it, too. But there's a parallel, too, with the family of the victims. When I asked about descendants in Scotland, and they didn't want to be connected to those who had been executed. I think in some of the nations today that are having witch attacks, they have to also find a way to carry on in the aftermath and not also be attacked because their grandmother was or their cousin was.
    Josh Hutchinson: It was a real eye-opening discussion and very important discussion, and you spoke eloquently to the problems that are still going on today and why it's important to memorialize and pardon. And I want to thank you for that. And thank you for being our guest. 
    Sarah Jack: I'm really looking forward to getting to know Agnes Finnie. 
    Mary W Craig: It will be available as a [01:10:00] paperback, hardback, and also in a Kindle version on Amazon, or you can get it direct from the publishing house, Luath Press. 
    Josh Hutchinson: Now here's Sarah with another update on Witch. Hunts happening in modern times. 
    Sarah Jack: Here is End Witch Hunts World Advocacy News.
    As you just heard from Mary Craig, Scotland is actively attending to the damage the witch trials brought to their ancestors. Activists are seeking justice for the innocent people accused and convicted under the Witchcraft Act of 1563. As you learned, there is much to make amends for, as much as can be done. 
    Many individuals and groups have collaborated over recent years to build an effective campaign across the country of Scotland. This effort can heal the massive trauma from their alleged witch executions and trials. Today I want to briefly catch you up on their official progress and point you to the sources of information. 
    The Scottish Parliament established a precedent of pardoning convictions of innocent past [01:11:00] individuals when it passed the Historical Sexual Offences (Pardons and Disregards) Act of 2018. Recognizing this precedent, King's Counsel Claire Mitchell submitted a petition to the Scottish Parliament for the pardoning of Scotland Witches. She states, "history still records these people as convicted witches -- justice demands that this is put right. History should properly reflect what these people were -- innocent, vulnerable people, caught up in a time where allegations of witchcraft were widespread and deadly." 
    This petition has a strong message, and it's being heard. Two official apologies have been declared to Scotland from within its leadership this year. First, on International Women's Day, March 8th, 2022, the Scottish First Minister on behalf of the Scottish Government issued a formal apology stating, "I am choosing to acknowledge that egregious historic injustice and extend a formal posthumous apology to all of those accused, convicted, vilified, or executed under [01:12:00] the Witchcraft Act of 1563." The second apology occurred at the General Assembly of the Church of Scotland, when a unanimous motion was accepted based on a report by its theological forum to apologize for its role in the murders of thousands of people, mostly women, who were accused of witchcraft between the 16th, 17th, and 18th centuries. 
    Following these landmark apology statements by the Scottish government and the Church of Scotland, Member of Scottish Parliament Natalie Don submitted a member's proposal for a bill requesting a formal pardon, stating, "to build the fairer, more equal, and forward thinking Scotland that we all want to see, we must address the historic abuses of our past. Under the Witchcraft Act of 1563, an estimated 3,837 people were accused of witchcraft in Scotland, with approximately 2,500, executed between 1563 and 1736." 
    As Claire Mitchell so clearly pointed out in her petition, Scotland's victims were caught up in a [01:13:00] time where allegations of witchcraft were widespread and deadly. The world today must admit that thousands of living alleged witches are caught up now in a time where allegations of witchcraft are widespread and deadly. The deadly time is still here. It's called today. Actions must be taken to intervene for alleged witches in Africa and the Asian Pacific that are being attacked, tortured, and killed in this deadly time.
    Can you accept that witch hunt thinking has not ended? It has not disappeared, it has not stopped. These strongly-held fears must be addressed and stopped immediately. While we watch and wait, let's support the victims across the world. Use your social power to help them support them by acknowledging and sharing their.
    Please use all your communication channels to be an intervener and stand with them. The world must stop hunting witches. Please follow our End Witch Hunts movement on Twitter @_endwitchhunts and visit our website at endwitchhunts.org.
    End Witch Hunts movement and Thou Shalt Not Suffer podcast support the [01:14:00] worldwide movement to recognize and address historical wrongs. 
    Josh Hutchinson: Thank you for that informative news segment, Sarah. 
    Sarah Jack: You're welcome. 
    Josh Hutchinson: And thank you for listening to Thou Shalt Not Suffer: The Witch Trial Podcast. 
    Sarah Jack: Join us next week.
    Josh Hutchinson: Like, subscribe, or follow wherever you get your podcast. 
    Sarah Jack: Visit us at thoushaltnotsuffer.com. 
    Josh Hutchinson: Remember to tell all the people in your life about our show.
    Sarah Jack: Support our efforts to end modern witch hunts. Visit endwitchhunts.Org to learn more. 
    Josh Hutchinson: Have a great today and a beautiful tomorrow.
    [01:15:00] 
    
  • Marion Gibson on The Witches of St. Osyth

    https://feeds.buzzsprout.com/2045153.rss

    Show Notes

    Presenting a dynamic witch trial history interview with historian and accomplished author Dr. Marion Gibson. We discuss her new book release “The Witches of St. Osyth” available next Thursday, December 22, 2022. It uncovers the story of a witch trial in Elizabethan England in St. Osyth. Get the preview scoop this week and read it next week! We continue the conversation with a hearty inquiry of our advocacy questions: Why do we witch hunt? How do we witch hunt? How do we stop hunting witches?

    Links:

    List of books authored by Dr. Marion Gibson

    Order book, Witches of St. Osyth by Dr. Marion Gibson

    The Discoverie of Witchcraft, Reginald Scot

    Please sign the petition to exonerate those accused of witchcraft in Connecticut

    Leo Igwe, AfAW

    Advocacy Against Witch Hunts, South Africa

    End Witch Hunt Projects

    Support the show

    Join us on Discord to share your ideas and feedback.

    Support the show

    Transcript

    [00:00:00] 
    Josh Hutchinson: Welcome to an exciting episode of Thou Shalt Not Suffer: The Witch Trial Podcast. I'm Josh Hutchinson. 
    Sarah Jack: And I'm Sarah Jack.
    Josh Hutchinson: In this episode, we have the privilege of speaking with Marion Gibson about her new book, The Witches of St. Osyth.
    Sarah Jack: I'm excited about this one, because it's another close look at a community that went through witch hunts. 
    Josh Hutchinson: Yes, we talk about the community of St. Osyth. We talk about the approximately 20 people who were accused there.
    Sarah Jack: This community was going through a lot of change, and [00:01:00] they also believed in magic. 
    Josh Hutchinson: They did. We know about these witch trials from a pamphlet written by a mysterious W. W. but based on the accounts of one Brian Darcy, who was the chief prosecutor and interrogator. He was the powerful person in the area. He became the sheriff later. He produced the pamphlet possibly out of his own self-interest to promote himself as the tough on crime figure of the day.
    Sarah Jack: Yes, he was very proud of his severe actions towards anyone that could be an enemy of God, these witches. 
    Josh Hutchinson: So we talk about him. We also talk about the victims, the accused, and we talk about their [00:02:00] accusers. 
    Sarah Jack: We learn about the good and the bad magic that they had in their culture. 
    Josh Hutchinson: And we talk about their familiar spirits, these animal-like creatures that could be summoned and kept almost like pets in baskets of wool and used at the witch's discretion to go out and afflict people.
    Sarah Jack: And as always, you'll hear us talk about why we should care about these individuals and these stories, and hear us discuss what we can learn from what they went through and why it matters now.
    Josh Hutchinson: We learn about not treating people as the Other, not labeling and treating people like they're outsiders within their own community. We learn about how we can be good to people today [00:03:00] and avoid these types of behaviors that lead to witch-hunts of various types.
    We learn about these people from the late 16th century, and the thing that we learn is that they're just like us. They have the same emotions, the same motivations, the same fears, and those fears led them astray into a terrible tragedy. And so we discuss how we can avoid making those same errors. 
    Sarah Jack: Josh, I hear you've got some interesting history for us today. 
    Josh Hutchinson: During our research, we encountered a book with a fantastic title. We read excerpts from a book by one Reginald Scot written in 1584. He was a skeptic about witch trials and[00:04:00] some of this in response to Brian Darcy's pamphlet and the trials of the Witches at St. Osyth. 
    But his book is titled The Discoverie of Witchcraft, Wherein the lewde dealing of witches and witchmongers is notablie detected, the knaverie of conjurors, the impietie of inchantors, the follie of soothsaiers, the impudent falsehood of cousenors, the infidelitie of atheists, the prestilent practises of Pythonists, the curiositie of figurecasters, the vanitie of dreamers, the beggarlie art of Alcumystrie, the abomination of idolatrie, the horrible art of poisoning, the vertue and power of naturall magicke, and all the conveiances of legierdemaine and juggling are deciphered: and many other things opened, which have long lien hidden, howbeit verie [00:05:00] necessarie to be known.
    That is some wordy title. It's the whole table of contents in a title, and though this was a common practice at the time, this is one of my favorite titles that I've come across from this period of writing. I love the way he lists all the different types of magical practices at the time with their various names and descriptions. I love his pestilent practices of Pythonists. Great alliteration. Great job naming this book, Reginald. 
    Sarah Jack: It's so fantastic, and it leaves you with more to research just after listening to the title. 
    Josh Hutchinson: Yeah. What do these things mean? What are Pythonists? What are figurecasters? What is [00:06:00] cousening? You could find out if you read Marion Gibson's book, Witchcraft and Society in England and America, 1550 to 1750.
    Sarah Jack: Thank you for that great history, Josh. 
    Josh Hutchinson: You're welcome.
    Sarah Jack: And now it is my pleasure to introduce Marion Gibson, author of Witchcraft in Society in England and America, 1550 to 1750, Witchcraft Myths in American Culture, Early Modern Witches: Witchcraft Cases in Contemporary Writing, and many more books, and next, The Witches of St. Osyth.
    Josh Hutchinson: When was witchcraft outlawed in England? 
    Marion Gibson: That is a good question. And it had clearly been going on a long time before it was outlawed, so I, it's important to say that it's quite a long tradition of people practicing magic there. The first law against it was 1542, so we're looking at the reign of Henry VIII. He's thinking about people [00:07:00] practicing magic, potentially round the peripheries of his court.
    You might remember that his queen, Ann Boleyn, was accused of witchcraft as part of her fall from grace and eventual execution. So he's thinking about those kind of things, and a law is brought in, but it doesn't seem to be applied very widely, and it just disappears. So in the 1560s, specifically 1563, his daughter, Queen Elizabeth I brings in an act against witchcraft and the practice of witchcraft, and then it remains illegal until the 1730s.
    There's another act in 1604, King James VI of Scotland, I of England, has a witchcraft act, too. I guess for practical purposes, if you wanted to talk about the period where witch trials really start, you'd probably say the 1563 Act is the one to look at.
    Sarah Jack: And as the laws progressed, what were the differences between those laws?
    Marion Gibson: So the [00:08:00] 1563 one, which is the important one, I think, was an act which did condemn people to death, if they were found to be guilty of witchcraft, but only if they had killed someone. So if it was thought to be a really serious crime, if they were essentially a murderer, they would be executed. They'd be executed by hanging, rather than burning, as was true in some other jurisdictions. 
    But you could also be imprisoned, if you were found guilty of a lesser offense under that 1563 act. You might be imprisoned for a year, which was a bit more merciful. I mean, the prisons weren't great. You were quite likely to die of jail fever, or, at the very least, have an absolutely horrible time in an Elizabeth in prison and be kept in vile conditions and so on. But it was at least a better punishment than being hanged. 
    And four times a year, you would be taken outta the prison, and you would be carted around the local market towns and put in the stocks, and you'd have to do penance, essentially, for your crime. And people would come and jeer and throw [00:09:00] stuff at you. You'd get to go out four times a year, but it will be a horrible experience. We do know people survived it. We also know some convicted witches who were sent to prison and died there. So that was the first round of punishments that they devised under that 1563 act.
    In 1604, things get worse. So the the third, if you like, witchcraft act of that series prescribed death for more or less anything. So the imprisonment option is much less favored, and James is thinking a lot more about witchcraft as a religious crime, as a crime, which is to do with devil worship and crimes against the state, as well as against neighbors, and so on.
    And you also could be executed if you were thought to have fed a familiar spirit or covenanted with the devil, so certain kinds of, if you like, thought crime or crimes of imagination, which were short of actually killing your neighbors. So things get worse under the 1604 act. 
    Those are really the two [00:10:00] main ones. And then, in 1736, witchcraft is decriminalized. So you can still be, you can still be taken to court for saying that you are a witch, but you'll be judged as somebody who's a fraud or a charlatan. Somebody who's doing it because they want to make money. So you are actually stealing money from people by saying, aha, I can tell your fortune. From that point of view, that is, again, a better outcome. You will not be executed, you'll be essentially convicted of a kind of fraud. And by the 1730s, things have got a great deal better for people who might previously have been accused of witchcraft and executed, therefore.
    Sarah Jack: Thank you so much. 
    Josh Hutchinson: So why did they change the law in 1604? 
    Marion Gibson: There are a number of explanations that people have come up with. Unfortunately, nobody wrote down exactly why they wanted to do it. It would be lovely, wouldn't it, if it was a nice rationale? There isn't, but one of the things that might have had impact on that is King James's own brush with witchcraft.
    He's king of Scotland before he's [00:11:00] king of England and Scotland, and when he's only king of Scotland in the 1590s, he feels that he has been bewitched himself. So he thinks that when he's about to marry his Queen, Princess Anna of Denmark, that somebody who's trying to interfere with that marriage and that they're trying to stop her coming over the sea from Denmark, and that they're trying to stop the marriage being consummated and him producing heirs, therefore, and that they're trying to depose him and replace him with one of his courtiers, his cousins, the Earl of Bothwell.
    So his personal experience seems to be quite important in his desire to tighten the laws against witchcraft. There might also be other factors. I The king doesn't bring in laws by himself. He has to work with his parliament. He has to work with counselors. It may be that there's a feeling that, generally, the problem of witchcraft is getting worse, but it does seem to be, at least partly to do with that transition from Elizabeth's reign [00:12:00] to James's reign and his sense that witches have it in for him personally, which is what he thinks.
    Sarah Jack: And what were the differences between the Scotish and the English witchcraft acts? 
    Marion Gibson: Yeah, again, so there are two acts in 1563. The kingdoms are then separate. So the English one is the one I pretty much described to you. The Scotish one is always a lot broader. There's always more of a sense that you can be executed for more or less anything.
    And the way that the crime is investigated and witches are questioned, and so on, is very variable in Scotland. It doesn't have quite the same centralized administration system that the English state has at the time. So in Scotland you might be questioned by the church, you might be questioned by your local magistrate, you might be questioned by some Lord, if you like, who has power over the particular geographical area that you live in.
    It's a lot more formless, and the outcomes are really quite horrendous. So Scotland ends up prosecuting a lot more people. It ends up executing a lot [00:13:00] more people, and some of them are burned to death. Some of them are hanged, some of them are burned. There's a lot more fluidity in how they understand the crime and what they think they should do about it.
    But that law yeah, runs along in parallel until the 1604 act. At which point, I guess James thinks right, let's tidy things up here.
    Josh Hutchinson: At the time of those first three acts in England, did pretty much everyone believe in witchcraft? 
    Marion Gibson: Yeah, I think I would probably say that, in as far as we can tell. Again, people don't tend to write this stuff down, which is such a great pity, but it does seem quite likely. 
    You can imagine the sort of world they lived in. They lived in this world that was absolutely heaving with the idea of angels and demons and elves and fairies and strange, supernatural manifestations of creatures and omens and signs and all the rest of it. It seems quite logical, then, as part of that, people would generally have [00:14:00] believed that their neighbors could be witches and could harm them.
    It's not really clear always exactly how they conceived that that might work. Some of the things they might have thought the people were doing included making a pact with the devil or having a chat with a talking animal that had come to them, who may or may not be the devil, or they might have thought it was some kind of inherent power that their neighbors had.
     A lot of the people who were accused were thought also to be able to do good magic. So it was quite common for somebody to be accused if they were a cunning person or a folk magician. You can never quite tell what the accusers thought was going on, but once people have been accused, they get sucked into the legal system, and certain kinds of definitions which the magistrates know about tend to come into play. But yeah, I think it's probably fair enough to say that everybody that we know about seems to have believed in witchcraft. 
    Sarah Jack: And so when did the skepticism start to emerge?
    Marion Gibson: It is there [00:15:00] from the early days in various ways. People seldom go as far as saying that there are no witches. So in the 1580s, there's a chap called Reginald Scot, who's a magistrate in Kent, a county in the south of England, and he starts saying he's not sure that witches should be punished in the way that they're being punished. And he gets very worried about the idea of witches as devil worshipers. He's really quite unconvinced by that.
    And he, at least one of the things that he does in researching for his book is speak to somebody who's actually in court being accused of witchcraft. And she says to me, "of course I'm not a witch. What are you talking about? I've been accused by my minister. And he's accused me because he's ill, but he's ill because he's ill, not because I made him ill." And it's that kind of conversation that seems to make Scot think that, at least the idea of witchcraft, as it is conventionally defined, is not one that he wants to believe in, that he thinks is [00:16:00] defensible.
    He never goes as far as saying there are no witches, though. He's a religious man, it appears, in the same way that all the people in his community are. Presumably he believes in the devil. He has concerns about exactly how the devil might manifest. He's very interest in the idea of spirits and what a spirit means, and how that interact with people in the real world. He has all these kind of philosophical concerns, but even he seems to believe that there are such things as witches, just not the people who are right in front of him. He feels quite compassionately, I think, that they should be kindly treated and released.
    But those sorts of ideas are bubbling away in the background. By the time you get to the 18th century, the idea is strengthened and strengthened, and more and more people have explored different bits of it. They're not thinking quite the old binary ways that they were, you're either on God's side or the devil's side.
    And that makes it a lot easier for people to say, " yes, maybe I believe in witches, but not this kind, or not that kind, or I don't believe that they covenant with the devil. I don't believe that they operate in the way that you say they [00:17:00] do. So therefore, why don't we change the law to make it a lot more difficult to prosecute people?"
    So by the time you get to 1730s, there are certainly still people they believe in witches, there are some who don't believe in witches, and there are some who probably dunno what they think.
    Josh Hutchinson: We read a number of the accounts in Witchcraft and Society, and another question that came to us was, why were the male examiners so obsessed with the sexuality of the accused witches?
    Marion Gibson: They were, weren't they? It's a good observation. Yeah, absolutely. And I think one of the things that's going on is to do with the position of women in European society in the time more generally, which of course transfers over to American society, as well, but it's particularly influenced in medieval and early modern Europe by clergy who are sometimes celibate, as part of their commitment to religion. Sometimes they're Catholic clergy, so they don't have wives, they don't have daughters, they don't spend a lot of time thinking about the worlds that women live [00:18:00] in. And they regard women as a sinful creatures, tempting creatures. Bodies are dangerous. Their souls are more open to demonic corruption than men's are.
    And that does seem to transfer over into Protestant conceptions of what witches are. So even where societies are a little more open to the idea that women might be religious, you know, they might be literate, they might be engaged in religion, in good ways, there still seems to be always that suspicion that well, look at Eve, the first woman, terribly sinful, open to temptation. Look what happened to her. I think it goes on. And so I think that they're obsessed with female sexuality, because they're told from the earliest times when they're doing Bible readings as children, that women are sinful, because Eve was sinful. They don't know a great deal about the world of women. Women's bodies are mysterious to them.
    And it seems that they have a sense that women are this secondary kind of creature and maybe a way that the devil finds [00:19:00] his way into the world. And these are not unfamiliar ideas now, either, are they? We still very often come across this sense that women are a, a secondary creature. Women are not as important. Women's rights are not as important. So I think you can see the kind of context that we're dealing with here. Yes, they're obsessed with female sexuality and it's because they're suspicious of women. 
    Sarah Jack: When you said, "look at Eve," that's so interesting. 
    Marion Gibson: It's one of the things they keep coming back to, isn't it? Women are, their bodies are tempting, but their voices are tempting, too. And that goes back to Eve eating the apple, turning to Adam and saying, "aha, the apple, why don't you have some?" So there's always this sense that women are, some clergy refer to them as the devil's gateway. So there's this sense that they've let Satan in, and now they're going to come around to your house. You good Christian gentleman, are they going to corrupt you as well? So it's about temptation. It's about the permeability that women were thought to have to temptation. 
    Sarah Jack: We're really excited to talk [00:20:00] about your book that's coming out. Can you tell us why you wrote it? 
    Marion Gibson: Yeah, so this is The Witches of St. Osyth, and I've been wanting to write this book for 25 years, which even now seems to be a very long time.
    Many years ago, I was given a photocopy of the news pamphlet about this trial, which happened in 1582 in the eastern English County of Essex. And I was given this photocopy, and I could not put it down. I started reading the stories of these witches, and I just got particularly fascinated by the female witches and what they were saying.
    I hadn't read before that kind of account where a woman was talking about her ordinary life. She was talking about baking and making soap, and she was talking about minding children and going to the mill with stuff to grind and coming back with sacks of flour and brewing and all of those kind of things. And at the same time, the women were [00:21:00] confessing quite often to having demonic familiars in the shape of cats and dogs and so on. And I was utterly confused about what was going on but completely enchanted, because I wanted to know about these women's lives, and I wanted to know why I thought they were telling these stories about their lives.
    So I began to look at the questioning process and what happened to these people and it just went off from there really. So I wrote the book because of those questions I had all those years ago. And in 2018-19, I had the opportunity to go to St. Osyth itself and to go to the local record repository in Chelmsford, in, in Essex, and actually start to dig out the records of their lives, which remain. So the book has come outta that. 
    Sarah Jack: Excellent. I love how the questions that pop up lead us on these discoveries. So that's so exciting. 
    Marion Gibson: Yes. I've had this continual itch wanting to scratch, wanting to answer those questions, and I do feel the book answers them. I've been [00:22:00] really pleased with the outcome. Doesn't tell us everything about those people, but it tells us an awful lot more than what we knew about their individual lives, about their communities, about the kind of landscape that they lived in, about why they might have told those stories about themselves.
    Josh Hutchinson: We like those kinds of books that focus on the people, so you get an idea of what these humans were like at that time, and usually it turns out they're pretty much like us. 
    Marion Gibson: Yeah, that's my feeling. Yeah. This isn't some sort of strange, archaic community of people who are not at all like us. They're not like us in some ways, they're probably more religious generally. They have a much greater sense, as we've said already, that they're surrounded by a spiritual world and that the devil is lurking in that world, as well as all sorts of other spirits. But beyond that, they do seem awfully like us. 
    And some of the stories are just heart-rending. They come out of family tragedies, they've lost children,[00:23:00] their remaining children are dreaming dreams of their lost brothers and sisters, and these kind of ghost dreams get mistaken for stories about demonic familiars, and so on. I felt really close to them by the time I was done, whilst having that sort of a slight scholarly skepticism. 
    You can't know, but you can try and guess, and I really felt that we ought to try and guess, we ought to try and ask those questions and give those people back an identity, which was other than that of witch. Who were they before? They were a wife. They were a husband. They were a daughter. They were a spinner, that they spun wool in their village. They dyed cloth. They had other identities. Could we reconstruct some of those?
    Josh Hutchinson: And where is St. Osyth located?
    Marion Gibson: So it's in Essex, on the southeast coast of England. And if think about where London is, it's just a little bit east of that, basically. So the river Thames goes out into the North Sea, and there are various other rivers [00:24:00] flowing out in eastern England. And on one of those estuaries, St. Osyth sits. It's a flat landscape. It's wild. It's haunted by marsh birds. And there's a big fishing industry. They're a big oyster industry. It's wild marshland, and it's bitterly cold a lot of the time. You go there in winter, and that east wind nearly cuts you in half. It's a very chilly place, but in summer it's very dry because, again, it's got that sort of easterly wind. It's got a connection with the continent both in its weather systems and in its culture. So it's quite close to the European continent.
    Sarah Jack: You talked a little bit about the daily lives of the women. Is there anything else about the community that you'd like to share that was happening during those trials? 
    Marion Gibson: Yeah, I think there were some other things going on that were important. These people were living their lives, but they were living them within this wider historical context.
    And one of the things about religious change, so just talked about how they're close to European continent. Essex was a place where ideas came and went and [00:25:00] flowed through, really. Ships came over from Belgium, the Netherlands, Holland, carrying with them pamphlets about religion, particularly Protestant religion. So Essex becomes quite a Protestant place. There's quite a bit of religious conflict there. And also carrying the other kinds of religious ideas, I think demonological ideas. So ideas about the study of witches and demons came over there, too. And I think that's quite important. It's quite a connected place. So there's that. 
    And there's also the fact that in that it's tiny little village, it's practically nothing there. It was a little bit busier in Elizabethan times. There's hardly anything there now. But one of the things that is there is a massive former Abbey, which is known as the Priory in modern times and was this massive, wealthy religious foundation. But of course in Henry VIII's reign. Along comes Henry and thinks, " I quite like the revenues of the church. Thank you very much. Please let me close it down and take it over and give it to one of my noblemen." Which he does. So he [00:26:00] throws out the abbot and the monks, as he does across all of his lands, the time of the dissolution of the monasteries.
    So there's been a massive religious change in the 1530s to 40s. Previously, they had this institution up the road, which was wealthy and charitable, and was plugged into their lives in every way that you could imagine. As tenants, the villages could go up to the abbey, in order to get charity and food and so on.
    Many of them would've worked for the abbey, and then it's all gone. So there's been this massive disruption, and the new family who is put in, the noble family that the king and his commissioners give the monastery to, they're called the Darcys. And although they also have all those connections with the local community, they're really facing out of the community rather than towards it, as the church was. They're looking towards London, they're looking towards various kinds of courtly advancement, and it's one of the Darcy families, a minor branch. But one of the Darcy men, who is involved in questioning the witches, he seems really [00:27:00] important in claiming a starring role in this witch trial. And so that religious context is important, but also the new family who comes in and their establishment of power in the village. That seems to be really important too. 
    Josh Hutchinson: Is there anything else we need to know about Brian Darcy? 
    Marion Gibson: Yes it is he. Yes. I don't like Brian Darcy, perhaps won't surprise you to know. I'm sure he was also a man like us, and it's important to remember that he's not some kind of appalling villain. And he gets into the situation that he gets into, presumably because he has religious beliefs, because he feels a certain way about his position in his family, and so on. But I find him bullying and negative and abusive towards the people who he is supposed to be caring for. And he does some awful things when he's questioning the suspected witches. 
    He's a local magistrate. It's his duty to do it. So if somebody brings a [00:28:00] witchcraft suspect to him, yeah, he has to do something about it. From that point of view, that's not his fault. But he goes above and beyond. So he starts lying to them. He starts saying to them, "if you confess, I, of course, I'll treat you very nicely, and you won't be accused of anything, and you'll be fine." And I guess they go along with it, because yeah, he's the big powerful man, isn't he? Why wouldn't they? Of course they confess. And he starts putting pressure on them. He has artifacts brought from their houses to question them about. 
    He brings in their children, really young children, children who are eight, children who are six. And he questions them about their parents. And of course they come up with all this fantastical stuff from dreams and imaginations and folk beliefs and wherever else they're getting this stuff from. 
    And I think there's a very, very high probability that what Brian does when he publishes the newspaper account of all of these is he redates everything. So he makes it look like he questioned mum and dad first and the kids afterwards. But when you look at the [00:29:00] confessions, and you look at the way that they're arranged in the pamphlet, and you look at the dates, you can see that what the children are saying is them being put to mom and dad as something that somebody said already. I think Brian and the people who were helping him with this investigation have had a think about this and thought, "under English law, this kind of thing isn't really permitted. We'll just have to make it look like we questioned the parents and then the kids came in and just confirmed all the stuff that had been said."
    I don't like him. I think he's a really pernicious influence in the village, and he's really wealthy. He doesn't need to do this, in so many different ways. He has a really nice life, as far as one can tell. He has wife and children of his own. He's got these massive estates. He's raking it in. Why does he need to pick on these poor individuals in this village and try to get them to confess to being witches? And I guess he thinks it's his time. He's gonna make a big splash. He can be important in local [00:30:00] justice. He can find the enemies of God in his community. No doubt, he sincerely believes at least some of this. I don't think he's making it up, but he does a terrible thing. Yeah. That's Brian Darcy. 
    Sarah Jack: When I started reading his severe attitude towards the enemy, it made me wince. I was like, "oh man, this is really not gonna be enjoyable to read," because he just starts right out saying how what they have coming isn't even awful enough. 
    Marion Gibson: He does. There's a preface to the newspaper account, the pamphlet about the witches, which I think is written by somebody else. And I think, and I've identified for the first time in the book that I know who this person is, which is just so exciting. And this is a guy who's working with Brian Darcy. So I think you're right. I think they share that position. And what this person says, and Brian signs off on, is, "yeah, hanging isn't enough. We should be burning them." And you just really wonder, don't you, how somebody does come to that [00:31:00] position about the other human beings in their society? Obviously burning was quite a common punishment for people like heretics, and he would've known that across the European continent.
    A lot of people were burned for religious crimes, and he conceived witchcraft to be a religious crime, a crime against God. But nevertheless, this was a horrendous thing to say. And Reginald Scot, the guy I was talking about earlier, slaps him down specifically for that in his book. He says, " if it was up to Brian Darcy, there'd be hardly anybody left in the villages," because he's got these crazy ideas.
    So he gets criticized even in his own time for being harsh, which is quite surprising, isn't it? Looking back, you get this sense that these were difficult times and a lot of horrible things happened, but Reginald Scot thinks that Brian Darcy has gone above and beyond and has done something even more horrible than he needed to do.
    Josh Hutchinson: Really looking forward to reading the book when it comes out and seeing how this all plays out and who that [00:32:00] person you identified was. That's exciting. 
    Marion Gibson: I think it felt by the time I'd done it that it was writing itself, like books do sometimes, and I think it's such an important story. I think it's really important that people have a look at it, because it does have messages for now. It is about people turning on each other. It's about the vulnerable being picked on by the incredibly wealthy and already successful. It's about scapegoating, it's about minorities, it's about people being singled out for no good reason that we can see.
    So I think it's quite an important story from that point of view. And I did love writing it. It was really hard, and the pandemic happened in the middle of it as well, which made everything far worse. So there was quite a long period where I didn't write anything. And of course I couldn't go to archives either because they all closed down so I couldn't get in.
    It was a difficult book to write, but it felt like it had to be written. And I really enjoyed doing the research, and I really enjoyed writing about these people and just trying to give them something back. [00:33:00] I really felt quite powerfully, more so than with any of my other books actually, that there was something here that I needed to do. So I do hope people enjoy it. Yes.
    Sarah Jack: We would love to hear more about who the witches of St. Osyth were. 
    Marion Gibson: Yes. So there's a group of people from five different villages, and Osyth is at the heart of it? And it seems to start there because of the Darcy family and because of Brian Darcy, specifically. The first person he questions there is a woman called Ursley Kempe, which Ursley seems to be a version of Ursula. So I think that's what she's called. And she's basically a single mother. We don't quite know what her history is, but we are told that she has this illegitimate child, a boy called Thomas, who he's eight. And she's questioned, and he's questioned, and they come up with this story. 
    When Brian Darcy starts bullying Ursley, she bursts into tears and submits to him, essentially. And she starts confessing all this stuff about how she has animal familiars and so on and so forth. And it all takes [00:34:00] off from there. And then, unfortunately, she names other people, so she starts turning on other villagers and saying, "this person is a Witch, that person is a Witch." So she accuses quite a lot of other women from her village, and then it spreads out.
    So accusations start coming in from other villages and Brian goes on this journey off to the east. So he rides down the coast, and he rides out onto those flat marshlands towards the North Sea, and he visits other villages as well. And there he finds other people to question. So we've got Cysley and Henry Selles, who are a married couple living in the village of Little Clacton. And they have at least four children, and they've also lost some children in their family history, as well. Some of their children have died young, so they have this sort of haunted family life. And Brian starts prying away at this and finds out things from their children, which he then asked Henry and Cysley about.
    And I managed to find things like their marriage [00:35:00] record. I found out about that family history, which nobody knew before. So they had this really interesting, complicated history that I've told in the book. And then he goes a bit further. He goes to a village called Thorpe, where he questions some more people, who also confess things.
    It's interesting by then people are starting to resist a little bit, though. So there's a woman called Elizabeth Eustis and another one called Margaret Gravel, and they flat out refused to tell him anything, which I really do respect. They were in a very vulnerable position, but they just said to him, "no, I'm not a witch. I'm not telling you anymore." So that was interesting. 
    And then he goes a bit north, he goes to a village called Little Oakley. And then finally he goes to a coastal village called Walton. But in Little Oakley, he finds a woman who is the woman where I end the book, and she's really fascinating. Her name is Annis Herd.
    So women in Essex at this time are often called Annis, which seems to be somewhere between Anne and Agnes. Seems to be quite a specific local name. So Annis Herd is really interesting. She, too, has [00:36:00] this interesting sexual history. She's clearly had a number of lovers by the time Brian comes to her village and she's suspected as being a light woman, which is a thing that she must not be in her time and place. And she's got at least two illegitimate children, one of whom, a little girl, is questioned by Brian. So I found out more about her, and I found out more about her family, and I found she had some land holdings, a small one. She was very poor, and I found out who her mother and father were, and I managed to trace some of her connections in the community.
    And she gets accused by her local vicor, a guy called Richard Harrison. And I found out a bit more stuff about Richard and his family, as well, and what happened to him, not only at the time ,of the trial, but also what happens to him afterwards. He gets himself into some sticky trouble himself later on, which, being who I am, I was quite pleased to see, although I thought that was, I do try and be objective, but I was quite pleased to see Richard get a little of what was coming back to him, [00:37:00] if I'm perfectly honest and Annis goes on, Annis has a history that goes on through the trial and afterwards, and I found out a little more about that. And I thought she was a particularly fascinating character, because you always assume that these people are disempowered and are put upon to the extent that they would confess anything and are really not able to resist.
    And what they found with Annis was that she did resist, she had her own life. And there were records of that life going back into the 1570s and then going on, and I really got this strong sense of her as an individual, which I hope comes across in the book. She's a survivor. She's somebody who fights back, and I thought she was a fascinating person to write about.
    So there's a group of, by the time you had done, you've maybe got 20, 25 individuals who flit across the pages of the book. Some of them I know more about than others. Some of you know there are more records surviving of them than others, but they're basically ordinary villagers caught up in this astounding hurricane of [00:38:00] accusations that's come down on them.
    And what I try and do is tell each story individually so that readers can get to know them, too, as well as we're ever going to, at any rate. 
    Josh Hutchinson: Those 20 to 25, those were the accused?
    Marion Gibson: Yes. It's not always clear what happens to them. So even though accusations are made against, some of them are not tried. I think there's quite good evidence that at least two of them ran away and were never heard from again or were heard from later in other guys' maps, with other names. I think one of them does come back into the record later on, although it's hard to tell. But there's just this sort of storm of accusation flying about, and some people are named and not tried, and some people are tried but not convicted, and some people are tried and supposedly acquitted and supposed to be freed from jail, but are not freed from jail. It's very messy.
    But yeah, you could say you were dealing with a group of about 20 individuals, say, but there's also a big group of accusers. And I must say I found those just as [00:39:00] fascinating. One of the things that when I read the initial account really prompted me to ask those questions about the stories was the sense of, I didn't understand why the witches were confessing, but I didn't understand why the accusers were accusing either. How could they think this stuff about their lives? And they, too, told me about their children and their domestic processes and what their husband was up to and all this kind of thing. So there's an even broader group of individuals who are accusers, and I've really tried to hunt them down as well. I've tried to find out what I thought their motivation might have been, what their circumstances were like, and so on. 
    Sarah Jack: In these cases, did some of the accusers become the accused? 
    Marion Gibson: Yes. So yes they did. One of the problems with Brian's technique of questioning is that once he's got somebody in front of him, he asks the individual to name others, and sometimes the people they name are the accusers, either of them or of somebody else. So people get drawn in. And there's two sisters in [00:40:00] particular, Alice Hunt and Marjorie Barnes. And you can see them struggling between these identities. They have made accusations, or at least Alice has, but then they get accused and they're really not sure what to do.
    So there's this sense that it could have been anybody, really. All somebody had to do was say your name, and you moved very quickly from the position of somebody who was stood on the sidelines saying, "oh yeah, I'm sure she is a witch. Yes, I'm sure she did be witch my cow," to somebody who's saying, "no, I'm not a witch. I didn't bewitch your horse or your child." So there, there is this sense of identity is being shifting. Yes. 
    Josh Hutchinson: Was St. Osyth typical of English witch trials?
    Marion Gibson: It's a bit bigger than a lot of the the trials seem to be. But there's always a question about exactly how much we know and exactly how much survives. One of the things I do want to do is hunt down a couple of the others now. Now I've done it with this one, especially in Essex, are there other ones that I can do? And yes, I think there are. I do think [00:41:00] there are other cases I could write about. Five years time, maybe I'll be able to say a bit more about how typical it is.
    I think it's a slightly bigger hunt than normal. It's slightly more driven by one individual than most of them seem to be. But those are the ones that tend to get into print, cuz that one individual tends to get quite excited and produce a lot of paperwork, and somebody then thinks, "oh, we could publish this." Makes the money out of it. So in a sense, it's typical of those sorts of trials, the ones that get publicized. It's very difficult to tell, though. The picture is very muddied. There's very good record survival in the Southeast, so near London essentially, the paperwork gets drawn in and kept, but in some of the outlying areas in the North and the West, it's all gone from this period. You can't find anything much in the West and most of the West of England before the 1670s. So we can't really say whether this one is typical of what was going on there, because we just don't know. 
    Sarah Jack: Yeah. I found it very interesting how the pamphlets [00:42:00] become the story.
    Marion Gibson: I love them. Yes. They were where I started my academic career, really, reading these stories. So the St. Osyth one and then branching out to read loads of others. And I loved them. I loved the way that they framed the stories. That was one of the things that really interested me. So it wasn't just that the stories themselves are fascinating, I was really interested in the publication of them, who was writing the prefaces? What for? Was it done for money? Was it kind of hack journalism? Was it, " we need something to publish. Quick, find us a story, go around the courts, ask some questions, pick up some documents, see what we can get up by next Tuesday." Was it that kind of thing? And I think in some cases, yes, maybe it was.
    Or was it a single powerful individual saying, " I'm religiously deeply committed, and I want to say something about the devil's work in my community. And I've put together this group of witchcraft accusations. Here's the paperwork. Would you like to publish this, Mr. Publisher?" And it felt really interesting. It felt like there was a really interesting [00:43:00] interface between the legal authorities and, if you like, the popular press, the journalists, the paparazzi of their time. They were getting their stories from these really quite elite people and publishing them to a wider audience.
    And sometimes you can see that the pamphlets are really influential in later witch trials. They did the right thing from their own points of view in getting those stories out, because then accusations spread to other communities, and other people started reading the pamphlets. "Oh, that happened in Essex. And here I am in this village in Northamptonshire 40 years on. I think it's happening here too." So I found that really fascinating. The way that stories about witchcraft were monetized, were publicized, and spread. 
    Josh Hutchinson: And why do you believe Brian Darcy wanted to publish this pamphlet?
    Marion Gibson: Yeah, I think he wants power, really. I think it must be quite difficult for him being a member of this junior branch of the family. He's incredibly wealthy and powerful, but he's not as [00:44:00] incredibly wealthy and powerful as his relatives. And I guess that maybe stings a bit. It's hard to say, but that's what you feel from his account.
    And he also wants, I think, to assume more of a role in the judiciary in his county. I think he's keen on running for office, and he ends up being sheriff of the county, which is the top legal official. That probably translates really well into the American context, doesn't it?
    Nobody knows what it means in England anymore, but yeah, for you guys, that probably makes sense. So he really wants to have more sway in local justice, I think. And he gets that. Annoyingly, he gets what he wanted outta publishing it. 
    Sarah Jack: So do you think some of these villagers and the community members saw that coming, that their interactions with him on this were going to be impacted by his authority? That it was growing? 
    Marion Gibson: Yes, I think so. I [00:45:00] think they saw him as somebody to be afraid of and to be wary of and to count out to and answer the questions of and submit to, generally. I think he was very much that kind of figure for some of these people. I would be pretty sure he was, if not their landlord, and he may have been their landlord, at least somebody who owned a lot of property in their community, was seen riding through on his horse and generally looking magnificent, who certainly had the power to do things like fine them or take them to court in various ways. And his family, the Darcy family, are lords of the manor in all of the communities where he questions someone, which I think is really important and haven't really been thought about before. So yeah they do see him coming. He's the big man. They do what the big man says. 
    Josh Hutchinson: Back to the accused and their accusers, what was going on in their lives that we should know about?
    Marion Gibson: They were people under quite a lot of strain, I think. So [00:46:00] economically, St. Osyth wasn't doing as well as it had been. Yeah. We talked about the religious changes, and that was a massive disruption. All of the kind of trading arrangements, every kind of tax collection, every kind of relationship to do with deeds and property and ownership changed hands from the church to the secular lords, the Darcys, who came in. And that has its own knock-on effects, doesn't it? If you break stuff up, if you disrupt stuff, as we learned recently, it does not end well.
    And your economy can suffer, and your society can suffer, and people can be set against each other. And I think they're that kind of society. I think we're struggling with that. And economically, they're not as well-off as they were. The wool industry, which a lot of them are involved in, and the Abbey was involved in, isn't prospering quite as much as it was. Trade with the European continent has suffered.
    So the wool trade is really [00:47:00] strong, going across to Belgium and Holland, coming back to Britain, and that's got a bit disrupted. They're in somewhat of a difficult situation, really. And if you go to St. Osyth now, there's almost nothing happening there. It's the sort of place where there used to be successful industry but now there isn't. It was never on a very large scale, but it did support that community, and I guess made them feel like they had a strong local identity, and there was money coming in and stuff like that. 
    It feels like it's a community where people are getting poorer and are struggling with who they are, really. They're no longer built around the abbey in that community like they used to be. What's their relationship with the Darcys? What's their relationship with each other? What about people coming in from the European continent? What about the religious turmoil of the period? I think you probably felt really vulnerable and, obviously, one of the things people do in that situation is lash out at other people, and it feels like the witch hunt might have had something to do with that.
    We've covered the religion. [00:48:00] We've talked about the economy a bit. We've talked a bit about gender and the way that women were under pressure in that society. We've talked about how the Darcys are really important and are basically wandering around kicking people. If you look at all those things together, that's what makes the witch hunt happen. It's not one thing, it's circumstances coming together in this toxic mess, and out of that comes this witch hunt. So I guess, that's how I'd summarize it, really. They're all in a very bad situation in different ways, and out of that comes scapegoating, and the community is further torn apart, when it would've been so much better if they had come together.
    Sarah Jack: So they're having a lot of desperation. They're feeling things slip away. Would've there been more behaviors that you know, they're trying to good magic to try to resolve some of the misfortune? Were things like that happening, and [00:49:00] would've that been viewed as negative or positive? 
    Marion Gibson: Yeah, that's a really good question. Yes, there are people practicing what they would've thought of as good magic in these communities. And the first woman to be questioned, Ursley Kempe, seems to have worked as a healer, a midwife or nurse, somebody who minds people's children for money, essentially, and to have wanted to improve her position in that way and have more patients, if you like, more clients going to her. 
    So one of the things we learn about her is some of the spells that she does to cure people's rheumatism. She uses herbs, and she uses ale, and she uses things like pig's dung, which is probably not a good thing to be putting in any kind of medicine. But for her, that's a powerful, magical ingredient. Yes, I think that one of the things they were trying to do was find magical answers to their difficulties. Yes. Whether that went beyond medicine, I don't know. But I do get this sense that they felt [00:50:00] they lived in this kind of haunted landscape and that there were spirits all around them, which could be used for good as well as for evil.
     I think it's probably true that a number of the women, in particular, I think there's quite good evidence from very small things that they say that a number of them were these kind of magical practitioners, that they stood out in their community a little bit more than others, because they were the people that you went to get an ointment, if somebody was sick, or they were the people that you went to get a spell said for you if you thought somebody cursed you, that kind of thing. So yes, I think that's quite an important context, too. 
    Josh Hutchinson: What sort of bad magic were they accused of? 
    Marion Gibson: They're thought to have these animal familiars in the form of things like cats and toads and so on, the classic witch's familiar. And through them, they're thought to project this harm onto their neighbors. They would make an arrangement with this demonic cat, which had come to them and said, "I [00:51:00] am Satan, please work with me." And they send them to the neighbors. They've quarreled with the lady down the street, and she's refused to give them something that they've asked for as a gift or as a loan or some work that they wanted. She's gone elsewhere. She's employed someone else. And they send the demonic cat or toad or whatever to her house, and it costs a magical spell of its own. It's like a, it's a transmitter really. That creature is an agent of the witch's power, and the witch is an agent of the devil's power, supposedly. So it goes into the house, and it projects this magic. 
    In some cases in, not the Saint Osyth ones, but in other cases the witches seem to think that the creatures bite or scratch their victim. But it honestly, in St. Osyth's case, it seems enough that the creature has been there, that somebody's seen it and has caught in it being cursed. So they're sending these creatures around the local community, and they're doing some really quite serious things. They're accused of killing people, children and adults. They're [00:52:00] accused of things like causing back pain. 
    They're accused of causing certain kinds of other harm, like financial harm. So they are thought to have disrupted people's brewing and baking activities, making their daily lives much harder. They're accused of things like killing horses who are pulling a plow. They're accused of killing livestock. They're disrupting all sorts of activities across the community.
    So really the worst thing that they can do is kill someone, but they can also do a whole range of other different kinds of harm as well. So people are really genuinely afraid. And the volume of accusations is fascinating. It really does feel like these are villages where spells are thought to be flying around like signals going through the air from transmitters, if you like, like the air is charged with this magical energy, and a lot of it is really negative.
    Yeah. You are very lucky, if you're not walking down towards the mill one day, and a curse lights on you, and then heaven knows what could happen. So it feels very much like it's a [00:53:00] community of people throwing spells at each of the good and bad.
    Sarah Jack: I found it interesting how much the spirits are given an identity, a name, they're having conversation, the women are negotiating or deciding. You had said the information that came from the small things the women said, and there really is a lot of information in what they said about their experience. 
    Marion Gibson: Yeah, the animals do feel like fully rounded characters, don't they? And they often do in these kind of accounts. There really are accounts of cats called Satan in some of the others. This one, they tend to give them nice, familiar pet names, don't they? Jack and Tiffin and things like that. And you get the sense that maybe we're dealing with pets here in some cases.
    I can't really imagine people keeping pet toads, although perhaps if you were a lonely, older person and this creature was a companion for you in your garden, maybe you would, I can see myself doing that. I like wild creatures. Maybe I would get this sense that I'd [00:54:00] adopted one, as it were.
    But I think sometimes it's maybe just ordinary cats and dogs, and they do seem to have these intense relationships with them. It's one of the things that puzzles historians. What is going on here? Do people genuinely think their pet cat curled up in the corner is a spirit? And then, going beyond that, do they think it's a demonic spirit, or is somebody putting that idea in their head when they're questioned? Why do they think this? 
    And nobody's really got to the bottom of it, because nobody explained it, and maybe they couldn't have explained it. It's a very nebulous sort of idea, isn't it? Animals have strong personality. Some people attribute magical or totemic energies to them. That does make sense, but actually thinking that your dog is the devil is a big step beyond that. And it's never been entirely clear to me, or I think anyone else really, what's going on here. 
     They have these familiar spirits, and they also seem to share them. Some of the women talk about ways in which they had a sort of shared group of [00:55:00] familiar spirits, who they could dispatch. You know, Ursley Kempe says that she and her neighbor, Alice Newman, they had these four spirits in common, if you like. So something bad had happened to Alice, Ursley said, at any rate, Alice could just send the spirit to go and smite Father So-and-so who had upset her. What they're sharing pets as a pet-sitting arrangement? What's going on here? 
    Or are they just imaginary? Are they imaginary animals? Lots of children have imaginary animals. Is this something that carried on in the minds of early modern people, under great strain and in circumstances of poverty and loneliness and so on? Did that inform what they said about the familiar spirits?
    And it is still something that puzzles me. I talked about the way the book had given me some answers, and I was really pleased with that. But my goodness, there are still a lot of questions, aren't there? What is it that people are talking about when they tell the stories? What really happened?
    Did the people who were accused and confess really think that they had these powers and [00:56:00] that they were witches or that maybe they had magical powers where they could heal people and somehow this had all gone horribly wrong? Is that what they thought? Or? Is it all fantasy on behalf of their accusers?
    And I think it come down on the side of thinking that the people in the village have strong magical beliefs. I don't think Brian Darcy could have generated all this stuff by himself. And I'm not sure he would've wanted to. He did genuinely want to know what the devil was up to in his community, I think. But at the same time, the balance between those two viewpoints is really difficult. 
    Sarah Jack: It makes me wonder, too, what was going on in his home? What were his children and his wife and his servants? What were they saying? Did they have pets? Was he comparing to what he wouldn't wanna share with anyone that's inside his walls? 
    Marion Gibson: It's a great question. I would like to know that. I know where he did the interrogations and know the house. It still stands, which is really great. I've thought [00:57:00] about what was going on in that house and found it difficult to imagine. There is a few surviving accounts of stuff that was going on, but it's basically at the level of people paying rent, it's documents about who was living there and who was working as his secretary and so on. There's really hardly anything left, and it's quite businesslike what remains. 
    But it was a moated house. So it had a moat around it. It was built as a defensive structure. And I think that makes me think interestingly about Brian's mindset. If you live in a massive, moated house, maybe you do have a kind of defensive mindset. Maybe you do feel set apart from the community, and there's a sense of threats surrounding your walls, maybe. But his family, yes, I would love to know more about them. He has sons, he has daughters. He sends his sons to Cambridge University and to the inns of court. So they train as lawyers.
    One of his sons, the one who will succeed him, ultimately, is married off to the daughter of another important local family. He's [00:58:00] struggling in his local community with religiosity. We don't quite know if he's Catholic or Protestant. I think he's probably Protestant-leaning, but many of his connections are strongly Catholic, still. And that's a difficult thing to be in Elizabethan England. That means you've lost some of your rights. It means people are going to come around and ask you questions about your beliefs, basically. So I think he's under strain from that point of view.
    But they're wealthy people, so he wants his children to marry to the big Catholic families, and his big relatives the Darcys are Catholics. Maybe there's a sense of he's struggling with that identity of his locality and of Englishness and his religious identity and so on.
    And I wonder how he felt about his sons. Was he proud of what they had done, or was he continually carping at them to do more? What about his two daughters? He leaves them an awful lot of money when he dies. He's very helpful to those two young women. How did he find [00:59:00] an identity for them in a society where he had so often persecuted other women, and he knew what their position was, which was essentially, not good. How did he feel about those girls? They went on to be highly successful, and one of them later on came to be involved in another witch trial, which is something I'm going to be looking at over the next couple of years, as well, because I want to know more about her and her husband and what happens to her. It feels like his family situation must matter, doesn't it? But it's also very difficult to see. He doesn't leave the kind of records that I'd have wanted him to.
    Josh Hutchinson: What do you want people to take away from reading your book? 
    Marion Gibson: I want them to have an increased sense of the individuality of these people and, like you said earlier, to think of them as people like us. I think it's quite easy for historians sometimes to treat people as units of data. There were all these witch trials, it was absolutely terrible, this [01:00:00] many number of hundred people were executed. I want to give the sense that yes, each of these people was an individual. Each of them had a story, beyond the moment when they were accused of witchcraft and they were tried and they were executed or whatever happened to them.
    So I want them to feel increased sense of respect for those people and engagement with them, which I think is one of the things that history has to do. It has to make us see people as individuals, and it has to, I think, draw on empathy and feeling to do that. I don't like a dry history of just statistics. I prefer something that gives me a sense of these people's lives. 
    And I think it ought make them think also about persecution. The projects I'm going on to now, next, are both about persecutions, too, and I think it ought to make us think about why we persecute each other. Why do we hate each other so much? Why is there so much anger in the world? 
    And I think we live in angry times now. And looking back to the times of the Reformation, when there was this, broad [01:01:00] division between Catholics and Protestants, and we were colonizing the world from Europe and oppressing indigenous peoples everywhere. That was an angry and harsh time, and we seem to live in quite an angry and harsh time too, in different ways. 
    So I hope people will reflect on that scapegoating and come away from the book. You can't expect that people will suddenly become kinder to each other across the world, or it would be nice if they did, but I do want people to have that sense of empathy, if they can do that when they finish the book.
    Sarah Jack: What can we apply from those stories to our modern story? 
    Marion Gibson: I think there's a couple of things. One of them's about gender. We talked about this a little bit already. I think we still struggle with the idea of powerful women, and I still think we struggle with the idea of female sexuality and women as empowered creatures in their own right. And I think we need to pay a lot more attention to the history of witch trials, because they are the history of oppressing women, making choices [01:02:00] for them, persecuting them. And I think that's all really important in contemporary times. 
    And then there's that sense of of oppressing the poor, if you like, as well. Picking on people who are seen as outsiders or minorities or people who are too vulnerable to defend themselves. And I'd like people to think a bit more about that because this seems to be part of that long history of doing that. And perhaps if we can understand a bit more about why we did it in the past, we can understand a bit more about why we do it now.
    Again, it seems a very noble hope, doesn't it? It would be lovely if that were to happen, but I, that's my 2 cents contribution to trying to make the world better. 
    Sarah Jack: We're very passionate about using these conversations to remind people and to call out against tolerating that kind of oppression. So we really appreciate your thoughts on that. 
    Marion Gibson: That's great. I think you are right. Yes. We do have to try and understand the history of this, don't we, so that we can see what's going [01:03:00] on now?
    Josh Hutchinson: We feel like we still have a lot of the same witch-hunt mentality and that we do need to find ways that we can stop ourselves from doing that.
    Marion Gibson: I think you're absolutely right. The next book of work, there are two things, actually. One of the books is called Witchcraft: A History in Thirteen Trials, and it does try and do exactly that. So it looks across 700 years of history right up to the present and says, "look, witches are still on trial. We are still holding witch trials. Can we not do that?" So that's one of the projects. 
    And the other one is about Matthew Hopkins, the Witchfinder General in English history. So I'm looking at his activities in the 1640s, and he's sort of Brian Darcy figure in many ways, but he kicks off a witch-hunt, in which at least 200 people are caught up. And there's no proper history of that, really. There's a very good account of origins of that hunt, and various people have written accounts of sections of it. But I'd like to try and [01:04:00] write a history of the whole thing, if I can do. That's the next thing I'm up to. And they basically are both what you said. They are arguments for greater empathy. They are arguments for trying to understand the history of persecution. 
    Sarah Jack: I just had a question. I was thinking about the magical atmosphere of St. Osyth and the magic in the air, as you were saying. Was there as much fear there? I can't help but compare it to the American colonies and some of the Salem Witch Trials, and there you feel like you could cut the fear that was in the air with a knife, not necessarily the magic. 
    Marion Gibson: Yeah, I think there's a lot of overlap. Yes. I do think the Witchcraft History in Thirteen Trials has a couple of American cases in it. There's one in Virginia in the 1620s, and then there's a Salem one, which you kind of have to, don't you, in a history of witch trials? And I think there's more sense of fear of the Other in those communities, because they are settlers who've come to [01:05:00] live on the eastern edge of this enormous, unknown continent full of people who they don't understand, in many cases don't want to understand. So I think there's more of a sense of the Other being out there in the woods and the devil owning that continent as people like Cotton Mather said and so on.
    I think it's stronger there, if you like, but it is essentially the same impulse. It is the same fearfulness, even though it expresses itself in different ways, in different contexts. I think in Essex they were afraid, too. They were maybe afraid of different things. They were afraid of poverty, they were afraid of malarial insects coming in of the marshes they were afraid of religious change, and so on. I think it is the same. 
    We are very fearful creatures, aren't we, people? We've lived through a period of immense fear recently, and I do think it leaves its mark, and I do think it encourages us to try and turn on each other in ways that are really unhelpful. Hopefully, it will result in something better, if we can only understand why we are [01:06:00] doing that and try not to do it.
    Josh Hutchinson: Now here's Sarah with another important update on real-life witch-hunts happening today.
    Sarah Jack: Being accused of harmful witchcraft in a violent and threatening manner is abuse. This is abuse just like the other abuses our modern world recognizes and stands against. We broadly recognize and fight abuses against women and children, but this specific abuse is not being robustly addressed. This intentional harm must also be addressed in a way that uplifts and rescues the abuse victims. 
    There is a perpetuating aftermath of horror for communities where alleged witch targeting is normalized. These vulnerable women, children, and sometimes men are tortured to death in horrendous and violent confrontations or left abandoned without their intended lives. Because of witchcraft allegations, they lose the grasp they had on their future and safety. They're left uprooted and stranded, living in danger.[01:07:00] Without authentic expectation and supportive counsel, local officials will not have a protocol that supports the recovery and protection of such victims in a collective and effective way. 
    Josh and I have recently spoken with an advocate in South Africa and an advocate in Nigeria, Damon Leff and Leo Igwe. Please see the show notes for links to their organizations and go and read about the situation. Although these African countries have unique witch attack and witch prejudice contexts, both of these advocates are offering solutions. They both have answers on some things that can be changed. To begin immediate intervention and support, they suggest informed interventions to trigger change. 
    Stay tuned to our podcast for two very important upcoming episodes that share these situations. You will hear an important message and conversation with Damon Leff, and, in another episode, an important message and conversation with Leo Igwe. These conversations are clarifying and informative. You must listen.
    Government and [01:08:00] non-government agencies are engaging in conversations to address this human rights violation. They acknowledge the crimes, and they search out what interventions they can insert to intervene. They request input, sort recommendations, extend alliances, and compose and publish reports. But what action is coming out of all this collaboration? Why is this widespread, vicious practice difficult to address immediately? Why is it so difficult to get going on change? Don't we know what to do with abuse? Other robust campaigns for gender violence and child protection are active and global. Why is addressing witch hunt abuse different within the global human rights violation perspective?
    In Nigeria, the Advocacy for Alleged Witches is telling them what they need to begin immediate intervention. Likewise, several NGOs have made recommendations and asked for support in South Africa. Why aren't funded and powerful agencies supporting the work through the advocates already in the trenches?
    [01:09:00] There is an immediate change that must take place in the mindset of the, in the mindset of the UN and powerful government teams that show a resemblance of concern but hold back on supporting the essential action. It is the same change that must take place in the mindset of all individuals. What is your mindset on witch-hunting abuses? Witches should not be hunted. It should not be tolerated. We know that assaults are abuse. We know that these victims are helpless. We must concede that enough is not being done that can be done. Denial at all levels of society is delaying action for protecting the vulnerable, targeted by witch accusations. 
    The world has accused and executed innocent humans for centuries, and we are still allowing it. There are communities that are waiting to be made safe. These are behaviors that have no place in a world that seeks to protect the vulnerable.
    When we ask for this, when any advocate asks for this, ears should be listening, minds should be realizing, and bodies should be moving to take [01:10:00] swift action. While we watch and wait, let's support the victims across the world where innocent people are being targeted by superstitious fear. Support them by acknowledging and sharing their stories. Amplify the message of local advocates on the ground in these regions. What are they saying? What assistance are they specifically calling for? Please use all your social power and communication channels to be an intervener and stand with them. The world must stop hunting witches.
    Please follow our End Witch Hunts movement on Twitter @_endwitchhunts and visit our website at endwitchhunts.org. 
    Josh Hutchinson: Thank you for that wonderfully informative segment, Sarah. 
    Sarah Jack: You're welcome, Josh.
    Josh Hutchinson: And thank you for listening to Thou Shalt Not Sufferer: The Witch Trial Podcast. Remember to pick up the book, The Witches of St. Osyth. It's releasing Thursday, December 22nd. You can get a discount currently on the Kindle version. It's going [01:11:00] for $29.99. That's $10 off the regular price.
    Sarah Jack: Please join us again next week.
    Josh Hutchinson: Like, subscribe, or follow wherever you get your podcasts. 
    Sarah Jack: Always visit us at thoushaltnotsuffer.com.
    Josh Hutchinson: Remember to tell your friends, family, neighbors, everybody you encounter about Thou Shalt Not Suffer: The Witch Trial Podcast. 
    Sarah Jack: Join us and support our efforts to end witch hunts. Visit endwitchhunts.org to learn more. 
    Josh Hutchinson: Have a great today and a beautiful tomorrow.
    [01:12:00] 
    
  • Descendants of Connecticut Witch Trial Victims

    https://feeds.buzzsprout.com/2045153.rss

    Show Notes

    Presenting intimate interviews with the descendants of Connecticut witch trial victims. They discuss why the exoneration of Connecticut witch trial victims is important to them and to the accused witches in our modern world.  Learn how discovering this ancestry impacted descendant lives and why the stories of their accused witch ancestors must be talked about.  Grab a tissue box and get ready to feel the emotions.

    Descendents:

    Sherri Kuiper

    Alse Freeman

    Rosemary Lang

    Morgan Leigh Kelsey

    Sue Bailey

    Laura Secord

    Caitlin Golden

    Sarah Jack

    Links:

    Entertaining Satan: Witchcraft and the Culture of Early New England by John Putnam Demos
    Annie Eliot Trumbull, “One Blank of Windsor”, Literary Section, Hartford Courant, December 3, 1904 (requires newspapers.com subscription or free trial)
    Detestable and Wicked Arts, Paul B. Moyer
    Please sign the petition to exonerate those accused of witchcraft in Connecticut
    Join the CT Witch Trial Exoneration Project Discord Server
    Mary Lousie Bingham on the Connecticut Accused Witches
    CT W.I.T.C.H. Memorial
    Salem Witch-Hunt
    The Witch Trials Hysteria History of the American Colonies
    Samuel Wyllys Papers
    Associated Daughters of Early American Witches
    Witchcraft Belief by Boris Gershman
    Leo Igwe, AfAW
    Advocacy Against Witch Hunts, South Africa
    End Witch Hunts Projects
    Join us on Discord to share your ideas and feedback.
    Website
    Twitter
    Facebook
    Instagram
    LinkedIn
    YouTube
    TikTok
    Buzzsprout

    Support the show

    Transcript

    [00:00:00] Josh Hutchinson: Welcome to Thou Shalt Not Suffer: The Witch Trial Podcast. I'm Josh Hutchinson. 
    [00:00:27] Sarah Jack: And I'm Sarah Jack.
    [00:00:28] Josh Hutchinson: In this episode, we speak with descendants of Connecticut witch trial victims about efforts to exonerate their ancestors.
    [00:00:37] Sarah Jack: I am one of those descendants. 
    [00:00:39] Josh Hutchinson: Im not descended from anyone accused in Connecticut, but I am descended from some of the Salem accused. 
    [00:00:48] Sarah Jack: I am as well. That's why when I found Winifred Benham in my tree, and it said that she was the Witch of Wallingford, Connecticut, and I looked into it, and she was [00:01:00] actually an accused witch, I was very baffled, cuz I knew nothing about witch trials outside of Salem. 
    [00:01:06] Josh Hutchinson: Not many people know there were witch trials and Connecticut, but we're hoping to change that. 
    [00:01:13] Sarah Jack: That is changing.
    [00:01:15] Josh Hutchinson: More people are learning every day. There's been a lot of it in the news lately. And, of course, we've done several episodes of the podcast about Connecticut. And people are finding out through social media, as well.
    [00:01:29] Sarah Jack: It's a very exciting change for the history, and I'm really hoping that the descendants can start to feel camaraderie and learn about their ancestors from each other. And I'm looking forward to seeing what Connecticut decides to do with this history. 
    [00:01:50] Josh Hutchinson: Hopefully, they do the right thing with it and exonerate those accused and make this part of everyone's education, so people know the [00:02:00] stories, and we don't make these same mistakes again. 
    [00:02:03] Sarah Jack: We're gonna find out what these descendants that we've brought together have to say about those things. 
    [00:02:09] Josh Hutchinson: I'm sure they have some good things to say, perhaps some profound things to say about their feelings, how they felt when they discovered these ancestors, how they feel now, what they think about the ConnecticutWitch Trial Exoneration Project. 
    [00:02:27] Sarah Jack: Watching this exoneration project come together has been really beautiful. 
    [00:02:33] Josh Hutchinson: We've come a long way since May. 
    [00:02:37] Sarah Jack: We have. In May, there was just a few of us trying to talk about it. We were throwing it out there. Who can hear us? 
    [00:02:45] Josh Hutchinson: And I was just watching you tweet. But then we came together in June and formed the project. And we've had media attention. We've got the podcast going. We've got the social media going. There are eyes on it [00:03:00] now.
    [00:03:00] Sarah Jack: There is, we've learned a lot from many of the descendants.
    [00:03:05] Josh Hutchinson: The resolution is being discussed by members of the Connecticut General Assembly. We're hoping that they do take it up to vote on it in their next session. 
    [00:03:17] Sarah Jack: Which is upon us soon. 
    [00:03:20] Josh Hutchinson: Soon, soon. Starts the beginning of January, in fact. But I know it runs until June. So we'll just keep plugging away while they're working. We'll be trying to get their ears and to get them to focus on this and get it done, hopefully sooner rather than later.
    [00:03:43] Sarah Jack: I definitely think they'll have some things to think about after hearing the powerful words of our descendants on this episode.
    [00:03:51] Josh, do you have any Connecticut history for us today?
    [00:03:54] Josh Hutchinson: For this episode's history segment, I'm going to talk about the witch trial victims who were the [00:04:00] ancestors of the descendants we spoke to. There are five ancestors of these eight individuals.
    [00:04:08] Four of the descendants are related to Alice Young of Windsor, who was the first known person to be executed for witchcraft in the American colonies on May 26th, 1647. 
    [00:04:27] One of our descendants is related to Lydia Gilbert of Windsor, who was hanged in 1654. 
    [00:04:35] Another is related to Rebecca Greensmith of Hartford, who was hanged in 1662 or 3 with her husband, Nathaniel. 
    [00:04:46] And we have Mary Barnes of Farmington, who was hanged in 1663. 
    [00:04:52] And, finally, our Sarah Jack is descended from Winifred Behnam, Sr. of Wallingford, [00:05:00] who was the second of three generations of women to be accused of witchcraft. Her mother, Mary Hale, was hanged for witchcraft in Boston. Winifred Sr. was acquitted of witchcraft twice, and her daughter Winifred Behnam, Jr. was also acquitted of witchcraft. Their last trials were in 1697, and so they were the last two accused of witchcraft to be taken to trial.
    [00:05:39] Sarah Jack: Awesome. Josh, thank you for covering all that descendant and ancestor information for us today. 
    [00:05:45] Josh Hutchinson: It was my pleasure. I'm really looking forward to talking to these descendants now. 
    [00:05:51] Sarah Jack: And here are my fellow descendants talking about their ancestors and why this project has been important to them.[00:06:00] Sherry Kuiper, descendant of Alice Young, Alse C. Freeman, descendant of Alice Young, Rosemary Lang, descendant of Mary Barnes, Morgan Leigh Kelsey, descendant of Alice Young, Sue Bailey, descendant of Alice Young, Laura Secord, descendant of Lydia Gilbert, Caitlin Golden, descendant of Rebecca Greensmith, and Sarah Jack, descendant of Winifred Benham, Sr. 
    [00:06:30] Josh Hutchinson: How did you find out about your ancestor who was accused of witchcraft? 
    [00:06:35] Sherry?
    [00:06:37] Sherry Kuiper: My mom's retired, and she's the one who does all the research in our family, and I'm the one who will say, "get in the car, and let's drive to Connecticut and see what we can find." And we like it that way. It works really well. And we call it visits, right? We go visit our ancestors. 
    [00:06:51] So she has a cousin that they do some research together on the family, and we were all together one day, and he said, [00:07:00] "I think we have an accused witch." And I was like, "no way." I didn't believe it, and then he said, "it's on the internet. Look it up." And I was like, "okay." I mean, Google's great and all, but that's not how genealogy works, right? And my mom was like, "let's just look and see." And so we started looking, and it made some logical sense, so then my mom really started digging into it. All the way up until her daughter, we had a paper trail, and then the Associated Daughters of Early American Witches, which is one of the many lineage societies out there, but this one is dedicated to those accused and hanged of witchcraft. They had that missing link from her daughter to her. So it was really just this conversation. In fact, I was the naysayer. I was like, "there's no way we have somebody who's this fascinating a part of American history. And early American history." But he was absolutely right, and we were able to do the research and prove it. 
    [00:07:57] Josh Hutchinson: Alse C.? 
    [00:07:59] Alse Freeman: [00:08:00] My sibling, who had access to the family history library, did extensive genealogical work, and somehow I had missed the bottom line of their research, which all it said was Alse Young, 1600 to 1647, parentheses, "witch." And I don't think I had even gotten to the bottom of that list, but it was in March of 2020 that I went and had a gathering with a lot of my family members on my dad's side, and they were talking about their ancestors with certain fondness. 
    [00:08:34] And then right after that, the pandemic hit, and I felt, "well, I, I want to go deep into this genealogy myself," and it was a chance I could do a free trial for one month on one of these websites and learn a lot more than I already knew. But my sibling had already done all this great research, so most of what I did was just corroborate, fact checking various other people's [00:09:00] accounts, making sure that there was no errors in what my sibling done. And it's led back to Alse Young, died in 1647.
    [00:09:08] Josh Hutchinson: Rosemary? 
    [00:09:11] Rosemary Lang: This genealogy was presented to my mother when I was a baby, and when I was older, I read about it and found out about Mary Barnes being an accused witch, and in the genealogy it said she was accused of drunkenness and fornication. So I was just appalled, and I started looking into her a little bit, and that was probably 40 years ago, and I found nothing. But there seems to be a whole lot more online, especially, to find out about her. But I'm not ashamed or anything about it, because she was probably just an innocent woman.
    [00:09:50] And I remember quite a few years ago there was a presentation at the old State House in Hartford. It was made as a Halloweeny event, [00:10:00] and they had a little play going, and it was about Mary Barns, and I knew that we were descended from her somehow. So I went to this play, and the Old State House was packed, and I think I was the only one that cried. I thought, "oh my God, this is my relative. It's so sad." And for everybody else, it was just a Halloween event. 
    [00:10:21] Josh Hutchinson: Morgan?
    [00:10:23] Morgan Leigh Kelsey: So my dad passed away in 2016, and he had done a lot of genealogy. So Alice is on his father's side, and he had done up to one generation prior to Alice, to Alice's daughter, the other Alice, and when I saw Alice's name, there was some kind of knowing within me that just sparked a curiosity and a need to dig further. And so I ended up just simply googling [00:11:00] "Alice Young," and all of a sudden it brings up that she was the first in the colonies to be executed, and I felt pretty shocked by that, very shocked by that. 
    [00:11:12] Josh Hutchinson: Sue?
    [00:11:13] Sue Bailey: A friend of Beth Caruso's from Windsor is my massage therapist, and her name's Donna, and she told me, "oh yeah, my friend wrote a book about the first accused witch that was executed, and I said, "oh, that's really cool." And I thought, "well, that's really interesting."
    [00:11:31] I had my genetics done, and I see this relative that was a second cousin. I'm like, "who is this person?" So you can email someone through 23andme, which I did. He was an elderly gentleman, but his daughter answered me and said, "oh, I've done a lot of research on the family on that side," that would be my mother's father's side, "and we're related to the first person executed as a witch in the colonies." And I said, "oh my God, it must be Alice Young." And it [00:12:00] was, and then I started looking just online through all the genealogies that are available. I'm actually paying a genealogist to do a whole view of all four sides of me now, just because I wanna perhaps show my kids, and they thought it was pretty cool.
    [00:12:16] Josh Hutchinson: Laura?
    [00:12:18] Laura Secord: My husband is a historian, genealogist, and I think he'd gone in his family all the way back to the beginning of time, and one day he just came and he was looking at my family. I didn't even know he was looking at my family. And he came and said, "well, your great, great, great, great, great was found guilty of witchcraft in Connecticut in 1654."
    [00:12:42] Josh Hutchinson: Caitlin? 
    [00:12:44] Caitlin Golden: So I am an avid ancestry user, like the ancestry.com, and I had found her name, but I didn't look too much into her until I got a hint that was talking about the witch trials, and of course that was eye-catching to me, and so I read about her, and I'm like, "oh my [00:13:00] gosh."
    [00:13:00] I never knew about the Connecticut Witch Trials. Of course, I knew about Salem. We talked about it in school, but the Connecticut Witch Trials was never something I knew about. I knew that Salem wasn't the only trials. But then I researched her, and my jaw dropped. It's absolutely insane and horrible what she and all of these other victims went through, and it just hurts knowing like she was a mother, and I can't imagine how her children felt.
    [00:13:27] Josh Hutchinson: Thank you, Caitlin. Finally, we have our very own host, Sarah Jack.
    [00:13:34] Sarah Jack: I was working on a family line, and it was one of the first ones that took me into Connecticut, and I started reading through documents, and I saw that this person was an accused witch, and I didn't understand how that could be, because it was not Salem.
    [00:13:54] Josh Hutchinson: Thank you, Sarah. 
    [00:13:55] How did you feel when you learned about your ancestor, [00:14:00] who was accused of witchcraft?
    [00:14:03] Sherry Kuiper: When I was in college, I took a really amazing class at Edinboro University with a woman named Dr. Jenrette, and she did a class called History of Witchcraft, which was about the Reformation, all the way up through the Salem Witch Trials. And she took us to Salem on Halloween weekend, and it was amazing, right? Probably the coolest class trip in the world.
    [00:14:23] I've always been interested in that and always fascinated by it. I don't know if I had any feelings of anything. I thought it was, I hate to say this because people died, but I thought it was really cool, because I thought that these people who did get accused and didn't die from it, they were kind of badasses, if I'm allowed to swear on your podcast. They were people who really kind of bucked the system in a lot of ways, and usually that's what got them to be an outcast, or they were different.
    [00:14:53] In that respect, I thought it was really cool that my ancestor was somebody who was causing enough trouble that they felt that [00:15:00] this was the way to deal with her, and then when a lot of my friends found out, you know, a lot of them were like, "we're not surprised that you were descendant from somebody like this." So that's kind of how that initial feeling was. And then of course, you know, it just kept going from there. And then really understanding, too, like yeah, there's that kind of interesting history part of it, but then there's the reality part of it, of what really happened to these people, my ancestor and all the others, and then that kind of manifested more into a little bit of activism that all of us share today.
    [00:15:32] Alse Freeman: Once I kind of knew that connection with 95% certainty, I tried to read anything I could to find out more about her, and really there just wasn't very much at all. Just putting myself in her shoes at the time, it really just struck me with extreme sadness. Like I remember getting goosebumps all over my body and just like a chill running through my body and a sinking feeling in my stomach, just [00:16:00] putting myself into her shoes and being, almost being there on the gallows, looking down at my six or seven year old daughter. 
    [00:16:10] And then putting myself in that daughter's shoes, who's also my ancestor, of looking up at her mother thinking, " what's going on? I don't understand what's happening." And just that moment, whether or not it's actually how things went down. I really was chilled by it, and it really stuck with me, and I wept, and part of the reason I wept, I think, is just this extreme feeling of injustice that was.
    [00:16:38] And so much injustice has been done to so many people through our nation's history, but this was like a really visceral feeling for me, where I, I actually felt connected with my ancestor in a way that I hadn't felt very connected to any other ancestor that I had ever heard about. 
    [00:16:57] I had this connection with Alse and [00:17:00] her daughter, and so it was soon after that that I decided to carry the name Alse, or Alse C. is how I pronounce it, so I could still keep the letter C from my given name. But I felt like it was a way that I could honor my ancestor and keep her memory alive in a way. 
    [00:17:19] From there, I realized that there were hundreds and thousands of people potentially who were interested in the same thing, who were also descendants. I got connected with Beth Caruso's Connecticut WITCH Memorial Facebook page and started following those updates. And those updates led me to learn about the campaign to have the witch hanging victims exonerated. And so everything's just flowed from there, where I've seen that there's potentially hundreds of thousands of people, who if they knew, they are actually descended from these witch hanging victims. And potentially millions of Americans are connected in some way to this legacy through [00:18:00] their blood.
    [00:18:00] Sarah Jack: I was baffled. I was very eager to get more information, and then I was quickly disappointed that there really wasn't much, and Connecticut wasn't offering information about their Witch trials, so I really had to dig around, and I found that extremely disappointing.
    [00:18:23] Josh Hutchinson: Do you think your ancestor should be exonerated? 
    [00:18:28] Alse Freeman: There's no graveyard that I can actually go visit my ancestor. There's just a brick in Hartford in the courthouse square, and it feels not like a true memorial. It just says "witch hanging victim" and doesn't really speak to who she was as a person. We don't have very many details. 
    [00:18:48] I just wanna be clear that, you know, my ancestor's exoneration is not more important than other wrongfully accused people, and so I'm really grateful that your podcast is [00:19:00] also highlighting modern-day victims of the witch hunts. Another thing I just wanna mention is our country has a huge reckoning to do, in terms of understanding its past and making amends and seeking justice. 
    [00:19:14] Specifically focusing on the case of Alse, absolutely she needs to be exonerated by the state of Connecticut, because first of all, there's no record of any actual harm she committed upon anyone. There are no records. Secondly, if current laws do not penalize practices which can be considered witchcraft, then those who are punished for them need exoneration under the current laws, is the way I see it. And it's just as simple as the state of Connecticut allowing posthumous pardons.
    [00:19:45] This should not be such a big challenge, and it should just be a stepping stone to open the door to all types of people rectifying injustice that have been committed against them and their families. 
    [00:19:59] Rosemary Lang: [00:20:00] Yes, of course, I think they all, all of them should be, especially because did she really do any harm to anybody? Was it just people's words that accused her? She should be exonerated, and I think they all should be. I don't think whatever she did does she deserved to be hanged for. So I hope they do exonerate them. 
    [00:20:26] Morgan Leigh Kelsey: I do. I do. I think that it's also complicated. There's a lot of layers there. I think that it is important to exonerate or to restore the good name. One, just to kind of bring some light to that and to bring some awareness to people. Generally, if I'm talking with anybody about that, I feel like there's always some sort of an education that ends up happening, because they're like, " I didn't know," or people just think, "oh, you [00:21:00] know, the witches, they burn the witches. They hung the witches. What are the witches, really?" 
    [00:21:06] What do we often do to people who might be a little different or might be the people that are the healers, the people that are bringing truth and light to situations, and nobody wants to hear or accept that sometimes. Just the fact that people could have gotten together, tortured people, then killed them, and said that that was okay, and that that was in the name of God is horrific, and I think that people really should be made aware of that.
    [00:21:45] Sue Bailey: Yes, I do. And I can't even believe there was, when this was brought up in 2008 in the legislature that they didn't do it. What in the world are they thinking? That, "well, we don't have any proof they weren't [00:22:00] witches." What kinda crazy thing is that? How is it that they couldn't say, "of course we're gonna exonerate them?" Salem did it. Why in the world wouldn't we? It doesn't make sense. 
    [00:22:09] Laura Secord: I have like a list of reasons witches need to be exonerated, because they're innocent. First of all, the main reason is they were innocent. They were falsely accused. They were almost always women. So there was not entirely, but the bulk were women. They weren't weak. They weren't women that were easily duped by evil. They were the participants who helped to build this country, mothers, wives, helpmates, human beings, healers. Without them, we wouldn't have created what we have in this country now.
    [00:22:47] Because their lives and their stories paint a clear picture of what our country's beginning was like. Because as modern persons, you and I have attained levels of knowledge and [00:23:00] education, and we now understand the science of nature behind the colonists' irrational fear. Because women were part of founding this country. Because these persons are our family and we want them remembered, celebrated, and honored, instead of carrying the stain of disgrace based in ignorance and hysteria. And because today forces of false truth, hysteria, and misogyny are rising up again, vilifying and naming women criminals, liars, and manipulators.
    [00:23:41] Caitlin Golden: Just like everyone else, she was innocent. She was just trying her best to live. Just live a simple life back then, and this is just a big human rights violation. Simply because people disliked her, and she didn't have a good reputation, they figured, "hey, let's just call [00:24:00] her a witch, and that's all of her we'll see." It's wrong and it's horrible. 
    [00:24:05] Sarah Jack: Yes. I wanna acknowledge that they should not have been water tested, that they should not have had to flee.
    [00:24:13] Josh Hutchinson: Why is it important for your ancestor's name to be cleared? 
    [00:24:17] Sherry Kuiper: It's not even just her name, right? It's all of their names. It doesn't matter if it was three days ago or 300 years ago, a wrong thing was done. And even though that the state of Connecticut saying, "I'm sorry, Sherry, that we did this to your grandmother" isn't gonna change anything, just that recognition that, "hey, this was a crappy thing that happened and it should have never happened." Sometimes we have to own those mistakes, even though we might have not been the ones who directly made it.
    [00:24:45] Do I think anybody alive today had anything to do with this? Absolutely not. But just to, Really remind people because, you can look at some things going on in society today, and there's been references made to modern-day witch-hunts. And while we [00:25:00] might not hang people from trees like that happened to Alice, there are still things going on today, and we just need to remind ourselves how easy we can fall into those traps.
    [00:25:10] It's just important for all of those people, all those ancestors. I can prove that this is my grandmother. So to say that nobody around today cares is not fair, and, frankly, I think that it's, while I'm sure there's red tape of bureaucracy, as there always is, I don't think it's as hard as they're making it to just come together and say, "these people are no longer accused, and we exonerate them." And I am glad that there are people finally in the state of Connecticut who are trying to help us move towards that resolution. 
    [00:25:43] Rosemary Lang: The cider goes bad, and they're accused of being a witch, or all the children in the town get sick but your own, so you must be in league with the devil to protect them. Stupid things like that. It was just so unfair. [00:26:00] Nobody listened to anything they said. I'm sure it was a jury of all men. Magistrates were all men. They were just lowly housewives, so nobody cared what they had to say. So, yes, they should all be exonerated.
    [00:26:16] Sarah Jack: It's important, because although we don't know much about them, we do know that they were not witches. I don't want anybody in this country confused anymore about these victims that went through these witch trials. And if the state of Connecticut clears the names of their accused, it's a giant statement towards clarifying that these were innocent people.
    [00:26:44] Josh Hutchinson: Why is exoneration relevant today?
    [00:26:48] Alse Freeman: I think exoneration is relevant today because this case and these cases of the 11 witch-hanging victims in Connecticut can be a [00:27:00] teachable moment for us that these people were scapegoated in the past, most likely for something they did not do wrong, but some huge upheavals were happening in society at the time.
    [00:27:15] There was a flu outbreak that was killing a lot of people, including many children, as Beth Caruso points out in her research. And so you gotta look at what's going on today with how people are being scapegoated for the various ills that are afflicting society.
    [00:27:35] What I'm hopeful for is that my ancestor's case can be this way to highlight retrospectively how scapegoating is a part of our culture, how we're constantly looking for someone to blame. These days, often it's very in a very partisan way, but throughout [00:28:00] our nation's history, we have blamed others. We've blamed The Other for a lot of our collective problems that need a collective solution.
    [00:28:11] Just to bring up the history of our treatment of the indigenous people of this country. And it's just, it's heartbreaking. To me, it's an even higher level of heartbreaking even than just my ancestors standing on the gallows. I know that other ancestors of mine participated in some of these colonial battles and even enslaved an indigenous child, um, one of my ancestors did. And so that for me is a great reckoning that I need to come to terms with myself. And I think it's very hard for our country to come to terms with that part of the story, so it's a little easier for us to focus on the tragedy in the colony, but the tragedy outside the colony was [00:29:00] just so monumental that, in the course of what we're doing, we need to like remember that that is a part of it, too. That is the context in which this was happening. I think just like acknowledging that the people were there before these, the colonies would be one starting point. 
    [00:29:20] Sue Bailey: I think the passage of time doesn't negate the wrong. Just because it's a long time ago doesn't mean that it's too late to do some sort of retroactive exoneration to right a wrong. And it would be for all the relatives. Some people might think, "oh, well that was cool that they were accused of. I like to think that they were really a Witch or something." 
    [00:29:49] I just can't help but think most people, when they find out they had a relative that goes back nine, 10 generations, that's a person just like we are, that [00:30:00] has all the same feelings and fears and loves people. And why would their death be any less meaningful 375 years later? It's still the fact that they were put to death wrongly, undoubtedly wrongly. It's just an injustice that needs to be addressed, even 375 years later. 
    [00:30:24] Caitlin Golden: While most of us look at witch trials as though that's just in my history book, it's still happening today in other countries around the world. And so if we make a good example, maybe it'll stop worldwide.
    [00:30:37] Sarah Jack: I hope that when Connecticut exonerates their accused witches that it'll send a message and a signal to leaders in communities in other parts of the world, where witch-hunts are being tolerated. I want the message to be that we must stand against witch-hunting, that it's [00:31:00] no longer something that is acceptable, that it is murder, that it is destroying families, and it does not need to happen anymore.
    [00:31:12] Josh Hutchinson: What would you like to say to the Connecticut General Assembly about why your ancestor should be exonerated? 
    [00:31:21] Sherry Kuiper: Just do it. Like, seriously, it's really that easy. And I know we can come up with lots of reasons why it's difficult , but just do it. I mean, because people said to me, "well, Sherry, it happened so long ago. Who cares?" I'm like, "well, then just do it. Who cares? Just get up there and say it. Sign the piece of paper and be done with it." 
    [00:31:40] It's the right thing to do and you just gotta do it. And Massachusetts has done it. Salem has fully embraced what has happened to their people, to almost to do a complete 180 or 360 really of what happened there. So I just tell state of Connecticut, just review it, do what you gotta do, but get it done. It's long overdue, and there's no [00:32:00] reason we should be waiting any longer. 
    [00:32:01] Alse Freeman: I think the basic requests we have are acknowledge that the injustice happened, recognize officially the innocence of these 11 victims who are executed, and recognize not only their suffering, but also their families and their descendants. Removing the ill fame from their descendants is one part of it. Reversing the charge is the bottom line.
    [00:32:29] But I would add one extra thing, which is just we need to educate people on this history, not just a little paragraph on Wikipedia, but people need to be taught in schools about what happened in our country. And it's gonna be a long story to tell, but that is part of the way you can get closer to a country that has justice, which we are supposedly a country of justice and a country of laws. So you can't tell that story and then [00:33:00] hide the story where injustice was committed. And so the basic step forward is we need to move on to an education piece after we've exonerated these people, because their story needs to continue to be told. It's not just close the book and never talk about them again.
    [00:33:19] Rosemary Lang: Because Mary Barnes was just a housewife and a mother taking care of her farm and her children. She was accused of something, we don't even really know what, that probably didn't harm anybody, and she should be exonerated. In all fairness, all of them should be.
    [00:33:42] Morgan Leigh Kelsey: If that passes, that to me almost feels like it heals something in my DNA and in the DNA of others and in the DNA of future generations. And I think that can be thought in [00:34:00] a larger view. If you take that same principle and apply that to a whole lot of other things, if you apply that to Native Americans and you apply that to people who have been oppressed, and murdered, that's huge. So what I would say to the Connecticut General Assembly is that that is an important motion, an important movement for the future of all the people.
    [00:34:32] Sue Bailey: The people that were executed were more than likely innocent, and for what comfort it can bring their souls now or their relatives who are still alive. If it can bring them comfort and some measure of closure, I think it's a small task for them. I mean, it would be a really good gesture on the part of the legislature.[00:35:00] 
    [00:35:00] The old Connecticut General Assembly or whatever they called themselves back then, I forgot the management of the colony, maybe they're the ones that voted on deciding that she should die. Now here, this current legislature could vote on freeing those people from that stigma of potentially a Witch or be an evil person. They were put to death. I mean, I think it's still really important. The length of time that's elapsed doesn't mute the wrong. And it's still something that's important.
    [00:35:39] Caitlin Golden: I think I would again say this was a big human rights violation, and it's not fair that even after death, she and as many other people are still considered criminals, even though they were very clearly innocent. And as a descendant, it would mean the world to me to be able to have her name cleared. [00:36:00] And I'm sure she would've been ecstatic, as well as everyone else, to finally be recognized. "Hey, I didn't do anything wrong. I was just a victim."
    [00:36:08] Sarah Jack: I want the exoneration to acknowledge that all the Connecticut accused should not have had their good names defamed. 
    [00:36:15] Josh Hutchinson: What type of memorial do you want to see? 
    [00:36:20] Sherry Kuiper: I would like to see a memorial. I do like them, because I do think it serves as a reminder of things that have happened. I love visiting historical places and everything, so I think it would just really be dependent on where it is. 
    [00:36:33] I think it would need to be Hartford Square there, where a lot of the victims were hanged. Something in a place like that, I think would be ideal, because it's in a place of significance. It's a place where people are gonna see it and actually stop. If you put it in the middle of nowhere, like I love all the small Connecticut towns, my whole family's from up there, if you go back far enough. I think it loses its value. So I think it needs to go in a significant place, where it's actually going to be [00:37:00] seen.
    [00:37:00] I love Windsor, Connecticut. It's a beautiful little town. You're not going there unless you're going there for a very specific reason. Harford Square, it's in the center of town, a popular place where people go, so I think it would be great if it's put in a place that's going to actually reach people. 
    [00:37:16] Just to bear their names and probably with whatever words it is that exonerates them, however the state is going to recognize that, I think would be really important. But definitely to put their names in there, because I'm a big believer that, as long as your name is out there, your legacy will live on. People will be able to look up Alice Young, it's on the internet. They can read about her and know a little bit about her. 
    [00:37:39] Alse Freeman: I would love to be part of coming up with what that would look like, and I would love to be present when it's initiated. My ancestor, she's dead, and she's not gonna ever be able to feel that vindication of being cleared. At least, I don't think she will. But I really like to believe that her story could be [00:38:00] an example of how we as a society can learn to make peace with the past and also learn from our errors. So I would love to see the memorial kind of speak to that, that we are learning from the past, and we are gonna move forward as a country of justice.
    [00:38:17] Rosemary Lang: Well, no brooms or funny hats, for sure. Something beautiful, a little bench for people to sit and contemplate, everybody's name's inscribed. They have something like that in Salem. It's a nice, peaceful area. Something along those lines. Not religious and not halloweeny.
    [00:38:41] Sue Bailey: Well, it shouldn't have a pointy hat, I'll tell you that. It was talked about, I think maybe when I was interviewed for that channel 30 thing that, it was a joke when the legislature, when they were addressing this before in 2008 and the legislature, like they didn't take it [00:39:00] seriously. I mean the people that were in the legislature reviewing it. And I think if you put a pointy hat on the statue, much as it's amusing, it doesn't take it seriously enough. Should it be a woman? Yeah. Why not it, it should be a statue of a woman. I mean, men were accused too, though. I mean, maybe you want a woman and a man.
    [00:39:22] How about this? Is this too much like the Kennedy grave, like an eternal flame? That meaning you could do something like that. It would be cheaper, too. That or something peaceful but something that symbolizes the continuity of life and the fact that that tiny lapsing is of no significance. It's just as relevant today as it was then. Something to show that the memory of what they went through goes on.
    [00:39:54] Caitlin Golden: If there can be like some kind of like plaque or monument maybe, or maybe since she was a mom, maybe it [00:40:00] would be possible to have a little playground. I think that would be nice, so I feel like she would like that, for children to be able to play there, and you can still have remembrance for them. 
    [00:40:11] Sarah Jack: I want their names on it, but I want, if other people are discovered, their names to be able to be added. I want it to be accessible. I don't want it to be a side. I want it to be a monument that is known, so that the history is known, but I want it to represent that a new page has been turned in that book.
    [00:40:35] Josh Hutchinson: What does the exoneration project mean to you? 
    [00:40:39] Rosemary Lang: It's great that all this information is coming out. Witches aren't evil, I don't think. And I think by presenting all this information that you are will help people to realize that they're just people, and people need [00:41:00] to know that they're just innocent women, really, and men, and it was a tough time.
    [00:41:07] Morgan Leigh Kelsey: I guess it's something that I never expected to be a part of that really caught me by a surprise. Just the discovery of the situation and my tie to it. To me, all of it just really feels like it's all about healing. I think whenever you can go and go look back and look at wrongs that were done and try to do something about it. I mean, you can't take it back. But I think when you educate people, when you look forward, when you look at something and say, "this can never happen again." I think that's the most important part of it.
    [00:41:51] Caitlin Golden: I think for me, I always love history, and any chance I can get to volunteer or help for a cause [00:42:00] beyond me always makes me very happy. If I can get the word out and better educate myself on this and help better educate other people, I think it's just making a difference in many people's lives.
    [00:42:13] Josh Hutchinson: Have you felt more connected to your accused ancestor due to the project? 
    [00:42:19] Sherry Kuiper: Yeah, when I do research and find these fascinating people in our history, which I believe everybody has fascinating people in their genealogy, we just have to find it and find their stories. So whether it's Alice Young, or whether it's some of the other really neat people in my history, I think it's just important to remember it and to talk about it and to really understand what their life was like. The more I learned about her and the closer I looked at some of the things and being involved in the Associated Daughters of Early American Witches, it just made me realize that more needed to be done for these folks.
    [00:42:52] Recently, thanks to, to the great internet and social media and stuff, I've been able to support it in a lot of ways from afar, and I find that really important [00:43:00] because even though it's what, 370 some years since since Alice Young was hanged and the ones who came after her, there's really still been no justice for a lot of them. And so it's important it's important to recognize those wrongs, even if it's 300 years later , we still, it's still important for for us to recognize that as a country, well, I guess pre country, but as colonial Americans, these things happened. They happened in Connecticut, and it would be really nice if they would just take the steps to rectify what had happened.
    [00:43:34] Rosemary Lang: Definitely, I do feel connection and I really would like to learn more about her and try to go back.
    [00:43:42] Morgan Leigh Kelsey: Yeah, I do feel deeply connected, and I think it's, when you go back that many generations, it seems so far back, and it's almost like having that knowledge. I guess it's more a piece that's in my heart that I [00:44:00] feel, but you feel like you're able to just reach back into the past and pull that to you. And I guess even just thinking of that's your grandmother and thinking of that female lineage and thinking of how incredibly far back that traces her. It just feels like there's this palpable line to the past and this woman that I feel like is now right here that I never knew about.
    [00:44:27] Caitlin Golden: I would definitely say I feel a lot more connected, and the more I learn about her, the more, obviously, I want to, help get her exonerated, as well as everyone else. Yeah, I do, I definitely feel a lot more connected to her.
    [00:44:41] Sarah Jack: I do, because I'm hearing what the project and the ancestors mean to the other descendants, and it helps me to see that I'm not the only one that feels this way.
    [00:44:55] Josh Hutchinson: Do you think any differently about what you've been taught about [00:45:00] history? 
    [00:45:00] Rosemary Lang: I don't recall ever learning anything in history class about the witches, maybe a little bit of the witch trials. Probably we had to read The Crucible. Other than that, most of my learning has been as an adult, an older adult. I think the history classes are changing in a lot of ways, and that's one way they could present it differently to kids, just like with Columbus and all of those discoverers, supposedly. I think they should change the presentation for witches, as well. Because I think kids still, it's Halloween, it's, you know, pointy black hats and broom and things. So it'd be nice to portray them more as just women that were mistreated.
    [00:45:52] Caitlin Golden: I definitely feel like I haven't learned everything that maybe should have been taught to me, [00:46:00] because I would've never known about the Connecticut witch trials, if I had never found Rebecca Greensmith in my family tree. I definitely feel like a lot of it is not discussed, because of how dark it is, or there's just some things that maybe the school systems don't feel is necessary to teach. But in cases like the Connecticut witch trials, any witch trials, I think it's really important to discuss, so that we don't repeat history ,because it's still happening that people are being accused and executed because of it, and it's wrong, so clearly we haven't learned that lesson. 
    [00:46:32] Josh Hutchinson: Do you feel more hopeful? 
    [00:46:35] Sherry Kuiper: I feel more hopeful, because I think the big shift was there is somebody in the government in Connecticut who has taken up this case. And so that to me was a big thing of hope, because with any sort of legislation of any kind, you need somebody to pick it up and look at it and say, "you know what? I think this is important enough to move forward with it." So that actually is a huge thing. 
    [00:46:57] And so that kind of coupled with[00:47:00] some of the press that we've been able to do over the past few months with that person picking up that piece of paper and saying, "you know what? This is worth it and I'm gonna look into this." It does give me hope, and I think we've got a lot of great forward momentum, and I think we need to keep showing this legislator why this is important, and however we need to show up for her to carry that on, I think this is really going to be it. And I think this is probably the best shot we've had ever to get something done. I am just grateful that somebody finally picked it up and said, "you know what? This is important, and we're going to take a look at it." 
    [00:47:32] Alse Freeman: I'm very excited that thousands of people are working on a collective solution for this one problem, and I hope that we can build off that and develop more collective actions that lift up our country's people, instead of tearing them down. 
    [00:47:50] Josh Hutchinson: And now here's Sarah Jack with an important update on witch hunts happening in our world right now.
    [00:47:58] Sarah Jack: Here is End Witch Hunts [00:48:00] World Advocacy News. You are living in a world with a pervasive belief in harmful witchcraft with a mass occurrence of holding women and children responsible for supernaturally causing death, illness, and misfortune. This deep-seated conclusion is delaying action for protecting alleged witches, promoting witch-hunting behaviors, and blurring the recognition that worldwide historic witch trials executed innocent humans. These are communities that are waiting to be made safe. These are behaviors that have no place in a world that seeks to protect the vulnerable. These historic victims should have their names cleared and their innocence acknowledged by the communities that prosecuted them. When any advocate asks for this, ears should be listening, minds should be realizing, and bodies should be moving to take action.
    [00:48:51] I hope you have had a chance to look up Dr. Leo Igwe of the Nigerian organization, the Advocacy for Alleged Witches. Please find the website link [00:49:00] in our show notes. Here's a quote from a recent message from Leo.
    [00:49:04] " Part of the objective of Advocacy for Alleged Witches is to tackle the misperceptions of witches and witchcraft, whether alleged or not. Advocacy for Alleged Witches seeks to address associated fears and suspicions. It aims to correct the pervasive misconceptions and fears associated with the term witch or witchcraft, because these misperceptions are at the root of witch persecution. Saving alleged witches cannot be realized until Nigerians disabuse their mind and free themselves from fears and suspicions that the term witches or witchcraft, engenders. So the mission of combating witch persecution and supporting victims starts in the mind. It starts by demystifying the term witchcraft or witches. It starts by clarifying misconceptions and misperceptions that are linked to terminologies such as witches, witchcraft, and supposed occult forces."
    [00:49:57] Can you accept this change in thinking? [00:50:00] Consider it a message not just for Nigeria, but also for you and every human. As Leo states, misconceptions linked to the idea of witches, witchcraft, and harmful occult forces must be demystified. It is time to stop obscuring the truth and start diffusing the panic that is ignited by what we fear as malevolent.
    [00:50:19] Last week, I brought attention to a situation in Ireland. The Northern Ireland Borough of Larne wants to commemorate eight Witch trial victims from the Islandmagee witch trial that took place on March 31st, 1711. A borough councillor raised questions of whether the eight women and a man who were found guilty of witchcraft were actually innocent. When criticized for his deferral of action, due to what authority he perceives the council holds, he has stated that actually he feels ambivalent about the matter of innocence. Ambivalent? 
    [00:50:51] He feels the council does not have authority to acknowledge innocence due to obscurity around witches and witchcraft. He is, however, interested in [00:51:00] having tourists play a game of determining guilt of these historical people that are still waiting to have their names cleared. He wants their convictions left alone, but he wants to draw tourists to the historic site by the opportunity to vote for guilt or innocence with tokens. 
    [00:51:14] This incident on the other side of the world from me matters, because I have asked the Connecticut legislature to exonerate the accused witches of Connecticut colony. I cannot imagine a response where the Connecticut legislature embraces ambivalence and suggests a tourist game at historical sites, instead of exoneration and memorials. Please, hear your community and the descendants of accused witches when they say that recognizing innocence matters, it matters to women and children that are being attacked as witches today. Acknowledging their innocence builds the foundation for dismantling witch-hunt mentalities that are destroying lives in our modern world. 
    [00:51:54] While we watch and wait, let's support the victims across the world where innocent people are being targeted by [00:52:00] superstitious fear. Support them by acknowledging and sharing their stories. Please use all your communication channels to be an intervener and stand with them. The world must stop hunting witches. Please follow our End Witch Hunts movement on Twitter @_endwitchhunts and visit our website at endwitchhunts.org.
    [00:52:18] Josh Hutchinson: Thank you, Sarah, for that update. 
    [00:52:23] Sarah Jack: You're welcome. 
    [00:52:24] Josh Hutchinson: And thank you for listening to Thou Shalt Not Suffer: the Witch Trial Podcast. 
    [00:52:33] Sarah Jack: Join us next week.
    [00:52:34] Josh Hutchinson: Like, subscribe, or follow wherever you get your podcasts.
    [00:52:42] Sarah Jack: Visit at thouschaltnotsuffer.com.
    [00:52:44] Josh Hutchinson: Remember to tell everyone you know about Thou Shalt Not Suffer: The Witch Trial Podcast. 
    [00:52:51] Sarah Jack: Support our efforts to End Witch Hunts. Visit endwitchhunts.org to learn more.
    [00:52:56] Josh Hutchinson: Have a great today [00:53:00] and a beautiful tomorrow.
    
  • Katherine Howe on the Salem Witch-Hunt

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    Show Notes

    Presenting New York Times best selling author Katherine Howe. She discusses how we should view the individuals from the Salem, MA  witch trial history. Katherine gives us an exciting preview of her current fiction book project on 17th century female pirates:: A True Account of Hannah Masury’s Sojourn Amongst the Pyrates, Written by Herself: a novel. We continue the conversation inquiring with our advocacy questions: Why do we witch hunt? How do we witch hunt? How do we stop hunting witches?

    Links:

    KatherineHowe.com
    University of VA, Salem Witch Trials Documents and Transcriptions
    Entertaining Satan: Witchcraft and the Culture of Early New England by John Putnam Demos
    In the Devil’s Snare by Mary Beth Norton
    Witchcraft Belief by Boris Gershman
    Islandmagee Witch Trial News
    Leo Igwe, AfAW
    Advocacy Against Witch Hunts, South Africa

    End Witch Hunt Projects

    Please sign the petition to exonerate those accused of witchcraft in Connecticut

    Support the show

    Join us on Discord to share your ideas and feedback.

    Transcript

    [00:00:00] Josh Hutchinson: " Thou shalt not suffer a witch to live."
    [00:00:03] 
    [00:00:24] Josh Hutchinson: Welcome to another episode of Thou Shalt Not Suffer: The Witch Trial podcast. I'm Josh Hutchinson. 
    [00:00:31] Sarah Jack: And I'm Sarah Jack. 
    [00:00:33] Josh Hutchinson: Today's guest is the extraordinary author Katherine Howe. We'll speak with her about the causes of the Salem Witch Hunt and about her new book on pirates. I'm excited to talk about Salem Witch Hunt again and really curious what her book is about.
    [00:00:56] Sarah Jack: Yeah, it doesn't matter what time of year.
    [00:00:59] Josh Hutchinson: [00:01:00] It's always Christmas for pirates.
    [00:01:02] Sarah Jack: Just like Katherine's other books, you are going to be delighted by the characters and the adventure. Fun getting to hear about it, and it's gonna be hard to wait for the publishing.
    [00:01:17] Josh Hutchinson: She has wild swashbuckling shenanigans. But first, on a more serious note, we talk Salem, Witch Trials, what caused them, what didn't cause them, why Katherine Howe it gets fired up about certain topics. 
    [00:01:37] Sarah Jack: We get to a lot of layers.
    [00:01:40] Josh Hutchinson: Peeling that onion. 
    [00:01:42] Sarah Jack: We just take Katherine right into the depths of the mechanics.
    [00:01:48] Josh Hutchinson: We talk about the different spheres that Malcolm Gaskill spoke about that are nested in each other and how each of those [00:02:00] spheres contributed to the witch-hunt. 
    [00:02:03] Sarah Jack: We talk about what kind of perspective do we need to be using when we look back at the individuals that were in a different time in history.
    [00:02:12] Josh Hutchinson: Oh yes, we do that, don't we? Wow, this is gonna be one hell of an episode!
    [00:02:19] Sarah Jack: Aren't they all? 
    [00:02:20] Josh Hutchinson: Yes, but I have a good feeling about this one. It's gonna be something special. 
    [00:02:26] Sarah Jack: It's another dynamic conversation with a phenomenal author and researcher, and she does not hold back.
    [00:02:36] Josh Hutchinson: She does not. The emotions come out. Be ready.
    [00:02:43] I'm going to talk about the before the Salem Witch Trials, what the conditions were in Massachusetts Bay Colony and Salem Village and Andover. 
    [00:02:56] Colonies used to have charters, so they [00:03:00] were officially recognized by the English government to govern themselves without direct supervision from the Crown and Parliament. Massachusetts Bay lost its colonial charter in 1684, when King Charles II revoked it because they had been naughty boys. And when the witch hunt began in early 1692, they still didn't have a charter, so they were in legal limbo. 
    [00:03:34] In addition, they were fighting King William's War and still recovering from King Philip's War, which was the costliest and bloodiest of the colonial wars, occurring between 1675 and 1678. In fact, the Massachusetts economy did not recover to pre-war levels [00:04:00] until the 1800s, after the Revolution.
    [00:04:04] Economic hardship resulting from the wars and the collapse of land speculation were also contributed to by an influx of refugees from the frontier in Maine and New Hampshire, and Essex County, where Salem's located, was especially impacted, due to its proximity to that frontier, being the northernmost county in Massachusetts. Many of the settlers of Salem had moved on to Maine and New Hampshire, only to be forced to return when their villages were burned to the ground.
    [00:04:50] Beyond these issues, in Salem, the town had recently gone through a bit of a separation, [00:05:00] where Salem Village was allowed to begin its own church. In 1689, Salem Village hired the fourth in a series of unpopular ministers, and there were disputes over his contract, so there was a lot of tension in the area. 
    [00:05:23] There was also tension in Andover, which was the hardest hit by the witch trials, with some 45 individuals being accused. There, there was a dispute between two ministers, Francis Dane and Thomas Barnard. Francis Dane was an older gentleman with health issues, who was no longer performing full duties as minister. So they had brought in Thomas Barnard, a younger man to take over some of [00:06:00] his duties, but were still paying both men in 1692, leading to tensions within the community that may have fueled some of the allegations there. 
    [00:06:13] We'll get into these issues further with Katherine Howe, and specifically we'll be discussing Andover in a few weeks with author Richard Hite and get into more of whether the dispute over the ministers did or did not contribute to witch-hunt fever in that community.
    [00:06:35] Sarah Jack: That was good, Josh. Thanks, Josh. 
    [00:06:39] Josh Hutchinson: You're welcome. It was a fun one to do, and we're going to dig into that stuff some more with our guest. 
    [00:06:48] Sarah Jack: I am excited to introduce author Katherine Howe, whose works include The Physick Book of Deliverance Dane, Conversion, [00:07:00] The Daughters of Temperance Hobbs. She's an editor of The Penguin Book of Witches and co-author of Vanderbilt.
    [00:07:09] Josh Hutchinson: We've read that you're actually connected to somebody accused, which is an interesting connection. So can you tell us about who it is that's your ancestor? 
    [00:07:22] Katherine Howe: It's a little bit of a funny story. So my last name is Howe, like, how are you? But with an "e" on the end. And one of the witches who was accused towards the beginning of the Salem panic and who was put to death was Elizabeth Howe. And she was from the same broad region that my family was from also. So it wasn't a huge surprise when my aunt, back in the nineties, she was doing some genealogical research, and she figured out that that Elizabeth Howe is, I think it's like my eighth great aunt. So it's a lateral thing, rather than a direct thing. But at the time, she discovered that Elizabeth [00:08:00] Howe was related to us that way and also that Elizabeth Proctor was also a eighth or ninth great aunt, as well.
    [00:08:07] Just not all that surprising given that those communities were pretty small, and there were lots of intermarriages between different family groups and things like that. So it was in the nineties when I first learned that and thought, of course, it being the nineties and me being a grunge kid, and I thought was like, "oh, that's so badass. That's so metal." thought that was the greatest thing ever. 
    [00:08:27] I didn't give it much thought beyond that, until I was actually living in that region of New England, because my family left New England in the 1930s. I grew up with this sense of it as like the motherland, but I didn't actually grow up there myself. So I arrived in this region with this kind of funny twin consciousness of, oh, this is home, but I'm also a stranger here. And so it was being a stranger in this place that I felt this kinship that probably contributed somewhat to my getting started [00:09:00] writing fiction.
    [00:09:00] My first book was The Physick Book of Deliverance Dane, which was something I started working on when I was in graduate school at Boston University and just trying to think about the humanity of people living in this time and the, maybe a funny little detail. So one of the historians of witchcraft who I really admire the most is a woman named Mary Beth Norton, who wrote a book called In The Devil's Snare, which anyone is interested in Salem has to know Professor Norton's work, cause she's just like the kind of detail that she can bring to it. And she writes in a novelistic sort of way. It's just like the most gripping account of Salem ever. And Professor Norton has said that the more you work on witchcraft, the more superstitious you become. And I have to say that this is true. As evidenced by the anecdote I'm about to tell you. 
    [00:09:54] So my first book was The Physick Book of Deliverance Dane. It asked, "what if one of the Salem witches the real [00:10:00] thing?" But the real thing the way the colonists believe, which is to be not in that pointy hat fantasy, Harry Potter Sense.
    [00:10:07] And I built that story around a woman named Deliverance Dane who's a real person. And she was a minor person in the Salem Witch crisis. She was accused towards the end of the panic. She was not put to death. She really, like, was a footnote, I think, in the real history of Salem. And so I felt like it was okay to build a more fantastical story.
    [00:10:30] Physick Book is a magical realist story, so I wanted room to have kind of a fantastical story around a real person. And so I picked her because of her obscurity, but also because of her name. Her name is so evocative of this particular moment in time of this like subculture that she was living in, Puritan New England, Deliverance Dane. Just amazing. So that is why I chose to write about her. 
    [00:10:59] That book [00:11:00] came out in 2009, and so several years later I was futsing about on a genealogy website because of course, for people who are interested in family history, life's gotten a lot easier. Over the last couple of years, with the advent of digital humanities and so many more ways of doing research online. Like, when my aunt was doing research in the nineties, it was really hard to do, and now it's actually much more accessible, which is a huge gift. 
    [00:11:25] So I'm messing about, point, click, point, click, and I come upon Nathaniel Dane, which is actually the name of a character in the book that I wrote, and I was like, "huh, that's a weird coincidence. Who knew?" Point, click, point, click, point, click. Lo and behold, I learned that it turns out Deliverance Dane, the real one, is my eighth great-grandmother. And so she's more closely related to me, genetically speaking, than Elizabeth Howe, even though Elizabeth Howe and I have the same last name. And I had [00:12:00] zero idea, no idea whatsoever, and I'd written an entire novel about this person and found that there she was, just hanging out, waiting for me. So I definitely have gotten more superstitious the longer I've worked on witchcraft. 
    [00:12:11] Josh Hutchinson: That's a very strange thing to have happen to you. But it turns out that Deliverance Dane is actually my like eighth or ninth great grand aunt, and Elizabeth Jackson Howe is also an aunt, and Deliverance Dane, in her confession, says that she worked with Mary Osgood, and that's my grandmother. I connected to a lot of the people you're connected to. 
    [00:12:39] Katherine Howe: So we're cousins, Josh. 
    [00:12:40] Josh Hutchinson: And Sarah's my cousin through Mary Esty.
    [00:12:44] Katherine Howe: Wow.
    [00:12:45] Josh Hutchinson: Yeah. It's a small world when you get back to those little towns back there. 
    [00:12:50] Katherine Howe: Yes. It really is, for sure. It's still pretty far back there. It's a long time ago. It was very funny. I once did a book event, and someone came out to me very emotional, [00:13:00] and they were, turns out, a descendant of a judge from the Salem trials. And this person wanted very much to personally apologize to me. And I was like, " no, it's really, it's okay". Like he's, this is not something that you need to feel badly about. This is, everything's fine, cool's fine. But it is interesting to me how close people can feel to people who are living in such a distant time period.
    [00:13:26] Josh Hutchinson: We definitely feel connected to our ancestors, and we talk to a lot of descendants of which trial victims, and they have an emotional bond with those ancestors, but that was so long ago. Did you get interested in Salem because of your connection with Howe and Proctor? 
    [00:13:51] Katherine Howe: Partly. I went to graduate school for American and New England studies, which is like interdisciplinary American history. And I actually came to it from an art history [00:14:00] background. I have a background in visual culture, and it's a where for grad school visual culture and also material culture, which is to say, stuff, objects. On a whim, my husband and I moved to Marblehead, Massachusetts, which is a small town on the water close to modern-day Salem.
    [00:14:19] We're having this conversation in October, and there was just an article on Boston Globe about how like a hundred thousand people came to Salem for Halloween and running streets. Salem is a town of 40,000 people. I can't even wrap my head around how many people they cramming in this season. And a lot of people come to Salem for Halloween. It's like Halloween Central, and understandably. 
    [00:14:41] But it was interesting to me while I was living in Marblehead and I was studying history. And I was living in a house that was built in 1705. And so one thing I have to say is people associate me so closely with Salem, because I've written so much Salem fiction. I grew up in [00:15:00] Houston, Texas. Okay. So the oldest building extant in Houston, Texas is a wine bar that was originally built as a bakery, and it's from 1856. So the oldest building in the entire city that I grew up in is six years younger than the new edition of the house that I was living in in Marblehead, Massachusetts. Earlier, when I was talking about having a sense of being home but being a stranger there. I brought my new south eyes to this incredibly old environment, because Marblehead has the biggest collection of century houses in the entire country. They even have more than Colonial Williamsburg, for instance, except that in Marblehead, the houses have been continually occupied. 
    [00:15:46] On the second floor of the house was an apartment, but the house had been a single-family house, been carved into apartments. Pine floors were like foot wide, and the ceilings were incredibly low. Like, you couldn't stretch your arms over your head, cuz [00:16:00] the ceilings were so low. And this is actually when I learned for the first time, talking material culture, that bed headboards actually have a function. They're not just decorative. And I discovered this, because we were so broke in grad school that we would turn the heat down as far as we could manage.
    [00:16:16] And so the room that we used as our bedroom, ice would form on the inside of the windows, because it was so cold, and we were so broke. And so when we were first living there, we had this futon I'd brought with me from Texas, of course. And there was no headboard on the futon. And so we were freezing, just like having your head up by this wall with ice on the window. We were freezing cold. And it wasn't until we got like a bed with a headboard, we like, "oh, this is a lot warmer. This is great." We just only then did I discover that a headboard really is important, at least if you're living in New England.
    [00:16:48] And in this room, the bedroom that we had was tucked under the eaves of the lean-to part of a house. So if you're familiar with colonial architecture, houses tended to be built in stages. You'd have room here and a [00:17:00] room here, and you have maybe you'd add a second floor and you might add a lean-to in the back to add some extra space. So we were in what had been the lean-to, and there was a little door that went into the back stair, and over the back stair, there was this little horseshoe-shaped charm over the back door that had been painted over. And of course, horseshoes are something that I think all over the country, we all recognize what they mean, and they mean that they're there for luck or for protection. And you see this all over the place. This is a piece of folk magic belief that is incredibly widespread, such that we don't even really notice it, as evidenced by the fact that you can buy horseshoe necklaces at Tiffany's, wherever. We don't even think about it anymore. But it was interesting to me to see this little remnant piece of magic. It wasn't a real horseshoe. It was clearly there. It was tiny. It was a charm. It had been made as a charm, sold as a charm. 
    [00:17:54] And so then I started looking around and noticing horseshoes wherever I went. And it got me thinking [00:18:00] between the fact that there was this little remnant magic shred, that there was that and also the fact that I was in this physical space that people had been moving through, who had been present when the trials were happening. Like we were only one town over from Salem, and, of course, when the trials were happening, people were traveling from towns all over the place to come and see, because it was a huge spectacle. People were talking about it. 
    [00:18:26] So there was one day when I was sitting and thinking, like, "someone's foot has been on this board, this actual board under my hand. The same foot was standing and watching what was going on." And something about that tangibility or that proximate tangibility was really moving to me, and it got me thinking about the humanity of people who were living through that very strange moment in time, cuz I feel like much of the time their humanity is elided by our presentist biases or what have you. I feel like in [00:19:00] highly fantasy versions of witchcraft, the humanity of the people in the past is elided, and in, certainly in Arthur Miller, the actual humanity of people is alighted.
    [00:19:12] I started thinking about what became the story in Physick Book from that perspective, from like occupying this very weird, specific physical space as a stranger and trying to think about what it meant to be in that space and like how it felt to be in this space, over this incredible span of years, and how, in one sense, the early modern period is this incredibly alien and remote time. Their understanding of how reality worked is very different from our understanding of how reality works. But at the same time, there are certain common elements of common humanity that persist, like lying in bed and being freezing cold, unless you have a headboard at your head, and so a lot of my fiction, my desire to write fiction came [00:20:00] from thinking about these common points of humanity across really wide, gaping spans of time.
    [00:20:06] Josh Hutchinson: Can you give us a little background on what the situation was in Massachusetts Bay, when the witch trials started? 
    [00:20:17] Katherine Howe: A few things were happening. A question that I get a lot is, what is the proximate cause o f the Salem Witch crisis, what caused it? And the thing that I think is interesting about that question is that it suggests that it would be so much easier if there were just one cause, if we could just point to the thing, and be like, "oh, that's the thing." 
    [00:20:36] When we were corresponding, Josh, you mentioned the ergot hypothesis, that back in the seventies, somebody floated the idea that maybe all the afflicted girls had eaten moldy bread and were suffering from ergotism, and they were all tripping outta their mind. And that hypothesis was actually dismissed, I think, six months after it was first floated. But it still bubbles up periodically in [00:21:00] documentaries and popular discourses about Salem, because, and I think the reason that it doesn't go away is because it's so simple. It's so tidy to be like, "okay, that's the thing."
    [00:21:11] And the truth of the matter is there isn't one thing. The way that I sometimes talk about it is that it's like a Venn diagram, and Salem is the point of the intersection of all the overlapping circles. 
    [00:21:24] So one overlapping circle is the very specific kind of religion that everyone in Salem adhered to. It was a world view that did not hold that there was anything outside of Christianity. So, for instance, the indigenous population that was already living in Massachusetts at that time, by virtue of not being adherents of Christianity in their very specific puritan worldview, that which is not Christian is by definition devilish, and it was actually Mary Beth Norton who's made the point that a lot of the language that the [00:22:00] people at Salem use to describe the devil is language that is used to describe indigenous people. So, one big Venn diagram circle is the specific religious and cultural moment that they're living in. 
    [00:22:15] Another diagram circle that we could point to is the weather, that the first panicky behavior that erupts with Betty Parris and with Abigail Williams, it starts in January, January, super cold in Massachusetts, cold, dark. The sun sets at 4:30 in the afternoon. And I'm not exaggerating, like it is dark AF. And and that's true in the 17th century, as it's today. And also in 1690s, North America was in miniature ice age. It was even colder and more bitter than it is now in Massachusetts. 
    [00:22:50] Another piece is pretty relentless class and gender context. The girls who first experienced symptoms that they describe as [00:23:00] fits are Betty Parris, daughter of Samuel Parris, who's the unpopular minister in Salem Village, Abigail Williams, who's his 11-year-old, she's described as being his niece, although that had a different meaning for them than it does for us today, but she was bound out to service.
    [00:23:17] So can you imagine living in a culture where when you can't afford to feed your 11-year-old, you just give her to somebody to live with, for her to work for them? You just give her away. And so Abigail was this lonely, impoverished, starving, freezing child whose job it was to obey everyone all the time.
    [00:23:42] Oftentimes, I think with great sympathy about Abigail Williams, poor Abigail, who, by the way, in Arthur Miller is turned into a 17-year-old temptress. She's a child. She's a child. And if you look at the descriptions of her behavior that are described as her being in her fits, a lot of her behavior sounds to me like playing, [00:24:00] like running around in circles and flapping your arms and saying, " whish" and saying that you're gonna fly at the chimney.
    [00:24:05] Is that devilish possession, or is it an 11 year old girl being silly? And I feel like that is a, that is something that's worth thinking about. So there's the kind of class and gender politics, that's another big. 
    [00:24:16] So there are a number of different aspects, but you were asking about the politics and the charter. So this is another pretty big circle. So, typically in the early modern period in the colonies, if someone was accused as a witch, they would be accused and have a trial, and if they were found guilty, by the way, it's hard to find people guilty. They actually had a pretty high bar for for evidence at that time. Believe it or not, you could be tried and found guilty, and if you're found guilty, you could be put to death, and that could happen within a matter of weeks. Salem, the panic begins in January, the first hangings aren't until June. That's like a huge long span of time. And the reason for that long span of time is because the Glorious Revolution was unfolding.
    [00:24:57] Back in England at that [00:25:00] time, Massachusetts Charter had expired, so they didn't have the legal wherewithal to hold a trial. That's why the Salem trial trials are conducted by a special Court of Oyer and Terminer. They basically had to convene like a special tribunal to deal with this problem that had come together. In fact, there's some historians who wondered if the Court of Oyer and Terminer didn't just deal with witchcraft. They were supposed to deal with all the rest of the backlog. But we just don't know what that backlog was, cause the records of the witch trials are what have survived. 
    [00:25:28] And then there's another piece of the Venn diagram, and we have to consider it. At the very beginning, the very first person who's accused as a witch is accused by Abigail and Betty and she's the only person who has less social and cultural power than they do. And they accuse Tituba or Titube Indian, who is an enslaved woman in the Parris household.
    [00:25:50] So she's basically the only person who has less ability to protect herself than these children themselves do. And so Tituba's accused. She [00:26:00] has two confessions, and there's some evidence that she is beaten in between the two confessions. And in one of the confessions, Tituba introduces the idea of a conspiracy. She says that there is a group of witches at work in Salem Village. She doesn't know who they are or how many.
    [00:26:20] And so at one point early on, there's actually a sermon is preached in Sermon Village that I'm gonna man the title, but it's something along the lines of "Christ Knows How Many Devils There Are." And so you have this idea of an unknown number of conspirators, who must be discovered. And when you have this undefined, invisible threat and also no legal relief, there's no like pressure valve that this tension could be released by, because of the like, unfortunate timing of the expiration of the charter.
    [00:26:58] So you bring [00:27:00] all of these circles in the Venn diagram together, and that is why Salem gets as big as it does. And by the time Salem was over and done, 19 people were put to death and hundreds had been accused, hundreds in a period of time when a given town would only have a couple thousand people.
    [00:27:16] Josh Hutchinson: That was a great, thorough explanation of how it took all these different factors to create the situation. It wasn't something, a single bullet theory, that you can put to rest.
    [00:27:32] Katherine Howe: But I think one reason that, that we keep craving for simplicity is because with a simple explanation for why than it's easier to consign, to history. It'd be so much more encouraging or it'd be such a relief to be able to say, "Oh, it was air got poisoning. No big deal. That's all." But like the fact that it, what really was at stake was this intersection of circumstances and that everyone who was a participant in [00:28:00] Salem pretty much believed that they were doing the right thing. Not only the right thing, but the necessary thing to save their community. That to me is also a moving but also terrifying thing to remember and to realize.
    [00:28:13] Because certainly we all, we've all lived through moments where we are convinced that we're doing the right thing, only to see ourselves perpetuating horrors, and that is I think that's one of the reasons we as a culture are never really able to let go of Salem.
    [00:28:25] Sarah Jack: You said, " as a culture, we're never able to let go of Salem." Nathaniel Hawthorne wrote, " shall we never get rid of this past? It lies upon the present like a giant's dead body." I'm wondering what you think you would write now about that.
    [00:28:43] Katherine Howe: Hawthorne in particular is someone who, like he personally, so felt the weight of Salem's past in a very personal way, because he was a descendant of Judge Hathorne, obviously. And because he was living there himself, and for many [00:29:00] generations, in fact, much during much of the time period when Hawthorne was living in Salem, the witch trials were not discussed in polite society. This was true into the 20th century, actually. They were not discussed. It was not something that was brought up. It's certainly something my family never talked about until this is something that my, my aunt uncovered. There was a sense of embarrassment attached to it, I think.
    [00:29:23] But I'm also intrigued by the fact that when Hawthorne has tried to grapple with it, and he has tried to grapple with it, he took the line from he, he knew what had happened. Like he took a line from Sarah Good and put it in the mouth of Matthew Maule, in The House of the Seven Gables. 
    [00:29:39] Was it Hawthorne who grumbled about "damn scribbling women?" I think it was. I think it was. And so this is me tweaking his nose a little bit, but Sarah Good. Sarah Good was a beggar. Okay. She was destitute. She was one of the first people accused, because she was in no position to defend herself. She was thrown into jail. She has a baby on her and like [00:30:00] toddler, essentially with her, the baby dies while they're in jail. The toddler, whose name is Dorothy, ends up losing her mind and has to be like supported by the town after the trials are all over. So like this person is in absolutely dire straits and is and suffers mightily at the hands of the community where she lives and who's supposed to be helping them.
    [00:30:23] And when she's on the scaffold, she says the most badass thing anyone has ever said in history of time, my unbiased opinion. She says, "I'm no more than a witch than you are a wizard, and if you take away my life, God will give you blood to drink." And I wish I had that kind of wherewithal, because who has that kind of wherewithal under in those circumstances?
    [00:30:45] And so Hawthorne takes this line, Hawthorne knows it's happened, and he puts this line in a guy, in a guy's mouth. I understand that he's writing in the 19th century. I get it. But at the same time, I think it's impossible to [00:31:00] look at Salem and not consider gender politics in place. The fact that virtually everyone who's accused and put to death was a woman. Any man who was accused cuz he's associated with a woman who was already accused. Giles Corey was crushed to death between stones. He's accused cuz his wife, Martha's accused first, but also the accusers are initially children, but then also women. So there's a really intense gender politics in place here. 
    [00:31:28] So your question was, the past lying with the weight of the giant and what would Hawthorne say today? And I'm actually curious what Hawthorne would say about it today. I think he would sympathize with, or maybe be aggravated by the fact that we're still having the conversation that he was having a hundred and fifty years ago. But at the same time, I feel like we're talking about different things from what he was concerned. And and also I think he would be really annoyed because I write novels. I'm a woman. 
    [00:31:58] Sarah Jack: I [00:32:00] love that you brought up that he took Sarah's words and gave them to a man, because it just dawned on me very recently that Ann Putnam didn't read her own apology. I just assumed, and I think that possibly other descendants, we read that, we think I don't know what we really think about it. We're evaluating what it says anyways, but we're doing that with her voice in our head, and no, it was not.
    [00:32:30] Katherine Howe: One thing that, that continues to interest me, as a history person, about Salem is that it's one of the rare instances when regular people are at the center of the store. So much of history, especially the further you go into the past, the vast majority of people who've been alive in history of ever, have left no record of themselves. They weren't literate, they weren't of sufficient note to have their burial place noted, [00:33:00] and so much of history, even academic history, as it's gotten more serious about excavating stories, just by the nature of the way that archives come to exist, there's still going to be a bias towards power.
    [00:33:13] There's gonna be a bias towards privilege and a bias towards power, and, when it comes to Salem, that is one of the rare instances where the bias towards power falls away, because the people who are at the center of the drama are regular people, and where historians have put the work in to try to excavate what is able to be excavated of these lives that otherwise would've been invisible to us.
    [00:33:40] Would we have known Abigail Williams ever existed, if she hadn't been part of the Salem Witch Trials? We would not have? And in fact, even with her central position at the beginning of the panic, we don't know what happened to her. We don't know where she went. We don't know how old she was when she died. Nobody actually knows for sure.
    [00:33:56] And so particularly talking about people who are not literate, Anne [00:34:00] Putnam had her confession read. If I remember correctly, Anne Putnam wasn't literate. And so you're right in saying here's this apology that she delivered in front of everybody and that it was read on her behalf. To what extent was she the author of her own apology? And it's impossible to say. It's impossible to know. 
    [00:34:19] And it's one of the reasons that you've touched on one of my rant buttons, I'm sorry to report, but as a writer of historical fiction, like I have so little patience for historical fiction about kings and queens. I don't give a damn about kings and queens. Who cares? They get enough attention, they have enough records, they're all literate, everyone documents every single thing that they do. And I do not give a damn, because history pays them enough attention, and I'm so much more interested in trying to excavate the history of people who would otherwise be forgotten. 
    [00:34:54] Sarah Jack: I caught that from you reading Conversion, because [00:35:00] your main character, Colleen, she's getting to give us the firsthand experience like no other afflicted person was able to do. 
    [00:35:09] Katherine Howe: Thank you for saying that. I confess I haven't looked at Conversion in kind a long time. You're making me think I should look at it again, cuz there's actually a group of high school students who are reading it right now and I'm gonna talk to next week. I should read that book.
    [00:35:22] But I appreciate you saying that, because I feel like, like one question I sometimes wrestle with as a history person and someone who's a novelist is what does historical fiction have to offer that nonfiction doesn't have to offer? Like, why not just write a really good history of something?
    [00:35:38] And I feel like in many instances, in the cases where a story cannot be recovered, that's where historical fiction can be a really wonderful intervention. If you can build a credible world with credible material culture, and credible details, and credible politics, and credible ideology, and then [00:36:00] people it with people who are credible people, it is a way of accessing history that otherwise is not extant, where it doesn't exist.
    [00:36:11] Is there going to be some imagination involved? Obviously, but it is, I feel like that's where the opportunity lies. And I realize we've gotten off Salem a little ,bit and I apologize, but it's something that I think about a lot. Like, particularly for some, a story that's as revisited as often as the Salem story is, what does fiction have to offer? Like why tell a fictional version of this story? I feel like fiction gives you permission to fill in and shade in stories that where there just is no other shading available. And that to me seems like the real area of opportunity for storytelling.
    [00:36:52] Josh Hutchinson: I wanted to ask you about the afflicted girls. Do you think it's plausible that conversion disorder could [00:37:00] explain some of the fits?
    [00:37:01] Katherine Howe: Yes and no. I'll explain that hedge of an answer. For one thing I find it always a little bit tricky to apply contemporary psychoanalytic categories to people in the past. Like on the one hand, I believe very urgently in, the shared humanity of people in the past, but at the same time, like we take as natural so many habits of mind that are actually very historically contingent. The fact that you and I might casually talk about what our dreams mean or what our subconscious motivations might be for something like that is indicative of post-psychoanalytic. And I think it's tricky to try to access the interior light of people who are living in a different moment, especially a moment like the early [00:38:00] modern in Massachusetts. It's even hard for a scholar of that time period to really grasp the extent to which Christianity informed every, single aspect of existence. 
    [00:38:15] So for my second novel I was working on. No, it's Physick Book. I was reading up about alchemy, and like we know about alchemy as this pseudoscientific practice in early modern practice in which someone tries to turn that into gold. Okay, fine. But that's actually not what it was. It is actually a way of understanding the order of the universe that took as scientific fact the perfectability of the human soul.
    [00:38:41] There's this tense layering of religion and materiality and mirroring of structures and images like, like as soon as I would get close to thinking I understood alchemical thought, it would slither out of my grasp. And I would realize this because I'm just [00:39:00] too much of someone born in the 20th century to, to I will never actually really understand that intellectual landscape.
    [00:39:09] So when you ask can conversion disorder explain the girls' behavior? Like in a way yes. But in another way I don't know that we can actually really understand their selfhood, the way that these girls thought about themselves or understood themselves as individuals.
    [00:39:28] It's just very different from the way that we think. It's very different. So that there's that qualification. With that qualification in place, I would say that, so conversion disorder is where you are under so much stress that your body converts it into physical symptoms. And then mass psychogenic illness is when a group of people experience strange behavior together.
    [00:39:56] And there are many examples of mass psychogenic illness [00:40:00] or mass psychogenic illness expressions of conversion disorder, and many examples of it across cultures, across time, across continents, across ethnicities. And it very often happens among adolescent girls, for whatever reason. Maybe cause we are conditioned to be more like socially engaged with other people. Who knows? You can try to explain it a number of different ways. 
    [00:40:22] But it's not only adolescent girls. I think that it is, this is gonna be a controversial thing to say, but like the recent incidences of Havana Syndrome are pretty clearly an example of mass psychogenic illness. Now it's important to say that mass psychogenic illness is real. It counts as a real thing. It's not just people like, it's not all in your head. You know what I mean? Like the fact that it is, that it has its origin in mental disorder doesn't make it any less real to the body. Conversion disorder is a disorder. It is your body being sick. It's just that the sickness originates [00:41:00] from inside your own organism. That doesn't make it count less. You know what I mean? 
    [00:41:03] All of which is to say, did a group of girls start exhibiting strange behavior? Yes. Did it spread from girl to girl on networks of kinship and friendship? It did. But at the same time, their behavior, when you say "fits" today, that has a very specific connotation. And it sounds like a epileptic seizure or something like that to, to us today. If I say, "Oh my gosh, I just saw this person have a fit." You'd be like, "Oh no." And you'd imagine that they fell down twitching and foaming at the mouth, but that's not what they were doing.
    [00:41:32] What they were doing was behaving out of the ordinary. So like earlier we were talking about Abigail running around flapping her wings and saying, her arms, and saying, "whish, whish, whish." That is her in her fits. Or like another instance of Abigail in her fits is when she challenges Deodat Lawson to name his text. She like gets up in the middle of church and like mouths off to this very famous divine and rolls her eyes about how boring it's gonna be when he reads his text. That's [00:42:00] not her having a fit. That's her misbehaving.
    [00:42:02] But her behavior was such a challenge to the gender and economic power structure that was in place while she was living. It was so out of the ordinary that her community could only chalk it up to devilish influence because it was that unimaginable that she would behave this way.
    [00:42:20] So was there a social illness aspect to the afflicted girl's behavior? I feel certain, yes. So that, that's my long and qualified example about or discussion of conversion disorder.
    [00:42:34] Josh Hutchinson: Do you think that they were really afraid of witches and that the fear of witches might have also translated?
    [00:42:43] Katherine Howe: Sure. Oh, for sure. Yeah. I think the fear was real. I think it is a mistake to either chalk it up as craven opportunism or as naked stupidity or superstition. One of [00:43:00] the things that I think is important, I like to give people the benefit of the doubt who live in the past and that is that like absolutely they were afraid.
    [00:43:08] Can you imagine, what does it feel like to live in a world where you really, actually, honest to gosh believe that the devil can go walk about on the earth, as a real person and that he can disguise himself as people you know and love and trust? That at any given time, I could be talking to you right now, Josh, and you could be the devil in disguise, and I wouldn't know it.
    [00:43:30] That's a and if you really believe that, you really do believe that, and you actually really believe that hell is a real place that you can go there if you make a mistake. That there is no, this is another like aspect of puritan belief, that like they believed in the elect. The idea that you have no way of saving yourself. That your being saved was only up to God, and you had no control [00:44:00] over it whatsoever. Like what? You couldn't go to confession. You couldn't do penance. You could try your best to behave, but it was ultimately just up to God. 
    [00:44:10] What an existentially dreadful way to live your life, to have no certainty. It's a little, a really hard life, first of all, and to believe that there was such a thing as paradise after death, but to have no idea whether or not you got to go there and that nothing you did made any difference. And that everywhere, at every turn, the devil was waiting to trip you up. Like that would be a difficult and impossible mental landscape to occupy. 
    [00:44:44] So yes, if your question was did they really believe in witchcraft and was that fear, could not fear contribute to their behavior? Like absolutely. What a terrifying way to live, and also what a relief. Like one of the reasons that I think witches [00:45:00] was such a persuasive idea for so many people at that time was wouldn't it be great if something was going bad in your life, to be able to not try to see it as a sign of God's Ill favor, but instead to have someone to blame for it? To be like, "it's not me. I'm not messing up here. Someone's doing this to me."
    [00:45:20] I think that's also very human, that human feeling. It's not just bad luck or misfortune or like the luck of the draw, and it's so much more of a, "no, this person doing something to me. They wish me ill, and that's why my life is hard." I think that's a very human way to be.
    [00:45:39] Josh Hutchinson: Yeah. We talked a little about Anne Putnam, Jr.'s apology earlier, and she still does that in her apology. "The devil made me do it." 
    [00:45:49] Katherine Howe: And Samuel Sewall does the same thing, like the two big apologies that come about after Salem is over after everything's done are Ann Putnam's and [00:46:00] Samuel Sewall's apology. But Samuel's apology, too, is weird where he like, first of all, he comes to it. It's not that he stops believing in witchcraft or stops believing that there is an invisible world. He comes to it after a series of wonders and marbles, including, if I remember correctly, like his house being tilted with stones. Who knows what really happened? And maybe there was like a passing hailstorm is how it took it. 
    [00:46:22] But he comes to it after a series of wonders and marvels, and he comes to believe that the devil tricked them all. That it wasn't that that the devil wasn't luring people into witchcraft. Instead, the devil obscured the minds of the people who are supposed to keep the community safe. And but also what a horrifying thing to, to come to believe about yourself. To look back at your actions and think you're doing the right thing, and think that you are saving your community from the most threatening presence that your imagination can come up with, and instead to conclude that, no, what happened [00:47:00] was that threatening presence tricked you. That you were so weak that you were fooled. Like what a, what a heinous thing to believe about yourself. It's a very punishing worldview that they subscribe to. 
    [00:47:16] Josh Hutchinson: Do you see any modern parallels to the Witch hunt? 
    [00:47:20] Katherine Howe: Sure. A few years ago a historian of witchcraft named John Demos published a book about witch hunting, in which he has a chapter about the 1980s daycare satanism thing that happened, much of which I was only dimly aware of, being a small person in 1980s myself.
    [00:47:41] But what happened was, a group of people were put on trial, actually put on trial and actually convicted of having you run a daycare center and used the children in satanic rituals. And at the time that it was happening, and this is preposterous, like I, it's actually just like on the surface of it, I [00:48:00] think preposterous. I think, taken out context, any of us looking at this would say, "this makes, this is ridiculous. Obviously this did not happen." And at the time that it was unfolding, John Demos saw it unfolding and he was like, "Oh my God, it's Salem all over again." Like the same pieces are in place, like the idea of a conspiracy, the idea of trusted people that you cannot trust, the idea of children being at risk.
    [00:48:24] And I think that you see some of the same hysteria and language. I don't like using the word hysteria, cuz it's such a specific word, but you see some of this in like contemporary corners of the conspiracy internet, where I try not to spend any time, but Isn't that Pizzagate? Isn't there some like thing not too long ago about worrying a particular pizzeria was like putting kids at risk in this same kind of way? Like you see the same kind of like at any time that someone worries that children are at risk, there will be a lot of open-mindedness about it. 
    [00:48:55] But of course, here's me getting political. Like, of course, children actually literally are at [00:49:00] risk by, by school shooting, right? Like the one thing that would really keep children really safe in places where they're supposed to feel safe and trust people around them, is if they restricted access to military assault weapons. That's my opinion. My opinion is that if we really care about keeping children safe, we take those guns off the street, right, full stop. But feel free to send me hate mail. I can be reached to KatherineHowe.com/contact.
    [00:49:21] Sarah Jack: So I think asking the question about are there parallels, we have these modern parallels that are popping into our heads. We have our strong feelings, but what can the understanding of the Colonial Witch trials and those before do to help us with these parallels? Can it help us? Will it help? 
    [00:49:43] Katherine Howe: I'd like to think that it can. One of the things that I like to say when talking about Salem is that I feel that one of the reasons we can't let Salem go. As a culture, like we come back to it and we, like we can't let it go.[00:50:00] 
    [00:50:00] And I feel that the reason that we can't let it go, among the many reasons, but I think one of the big reasons is that it forces us to confront how fragile our ideals really are. We are an unusual country in that in many respects, we are, notwithstanding those of us who were brought here against our will, which is many of us, but broadly construed, you could argue that we are something of an intentional community.
    [00:50:26] That the only thing that really holds us together is this set of shared ideals, and that some of our shared ideals include religious freedom. They include a social safety net. That we value people who are different from us, that we value people who are vulnerable. " Bring us you're tired, your poor, your huddled masses." Like that, that arguably this is an ideal that we hold in common. This is an organizing principle of the culture in which we live. 
    [00:50:52] And yet Salem is this instance where everybody, believing they were doing the [00:51:00] absolute right thing, instead put to death, the state put to death 19 people. That, in the course of doing the right thing, the state did the absolute wrong thing, and they also put to death people who were, many of them were vulnerable in their community. People who were more likely to be accused were those who were at the most vulnerable, who were the most out step vulnerable in community. And so I feel like Salem is an instructive moment for that, because here's this moment where, in the course of being convinced of our total moral authority and correctness, a huge miscarriage of justice took place.
    [00:51:41] And I think that's a really difficult thing to reconcile. And I think especially for a country like ours, where also so many of us are brought up to look to the colonial period for our origin, that we're told, rightly or wrongly, that we are taught to look into the 18th, and to a lesser [00:52:00] extent the 17th century, and see in it the seeds of the country that we would become.
    [00:52:04] Maybe that's another way of thinking about it. Like another way of thinking about it, is it more productive to think about what we want the future to look like than it is to try to think about what the past has to tell us? That's a question. That's a question that I think is interesting. One, particularly for an intentional community like ours. We have, we get to reinvent ourselves as a country, and we get to decide, and what kind of place do we want to be? Do we want to be the kind of place that protects vulnerable people? Do we want to be the kind of place that protects people who are at risk, who are different from us, who are angry, who are grumpy, who read too many books? I would prefer to live in a place that protects those kinds of people. But we get to choose We choose who we protect. 
    [00:52:47] Sarah Jack: We can make that choice, and not only is it going to stop suffering here, there are places in this world that are still totally captured [00:53:00] by doing the wrong thing, thinking they're doing the right thing, witch hunting. This discussion it is about us here, but it's about us there. 
    [00:53:10] You have referred to time so much. That is such a strong piece of this. Even in Conversion, one of the simple quotes you have says, "any number of things could happen in the time it took to go down the hall." You like go right to the time thing. And today when you started talking, you talked about time. And I look at the history, I look at us now, how do we all get caught up on this witch-hunting mentality and start looking out for humanity and protecting other?
    [00:53:42] Katherine Howe: It's a hard thing. It's a really hard thing. And I wish I had easy answers for it. I think simply the act of reflection and awareness is an important one. Stopping to interrogate what our assumptions are. 
    [00:53:56] Josh Hutchinson: We've talked about a lot of heavy things. [00:54:00] I wondered if we could switch and discuss your new book project. What can you tell us about it? 
    [00:54:06] Katherine Howe: Oh, so many things. So I'm obsessed with pirates, who isn't? Hopefully, the answer is everyone is obsessed with pirates.
    [00:54:13] So I have a book coming out in fall, and I think they're gonna let me keep the title. And you. Okay, Josh, Sarah, you guys have to tell me what you think of the title. You ready? So get comfortable, here it is: A True Account of Hannah Masury's Sojourn Amongst the Pyrates, Written by Herself. That's the title. It's a mouthful. 
    [00:54:30] It starts in Boston in 1726 at a very real an actual pirate trial that really did happen. Like most of my stuff, it's, it is grounded in actual facts and then becomes what I'm describing as a little bit like Gone Girl meets Treasure Island. And I had so much fun with it, and I'm really excited about it. And it is a little bit of a departure from what I've done, but it is about a girl, Hannah Masury, who has to disguise herself in order to escape some pretty heavy circumstances. And [00:55:00] she ends up basically stealing away on what turns out to be a pirate ship. And we have to follow her on her adventures.
    [00:55:06] And I have so much fun with some basic pirate tropes. There is treasure, there is a parrot. It's so much fun, and there's also some, a little bit of romance, and I have the most fun ever. 
    [00:55:18] Josh Hutchinson: Sounds like a fun one to read.
    [00:55:22] Katherine Howe: I really hope so. 
    [00:55:24] Sarah Jack: I'm so delighted by what I just heard.
    [00:55:28] Katherine Howe: That makes me very happy. Makes me very happy. It's weird because it's one of the, it's probably the most violent book I've written. If y'all have read my stuff, then you know I'm a teensy bit squeemish and shy away from. So there's some violence in this book, but what's strange about it is, I didn't invent any of it. It is actually all from historical record. I take no responsibility whatsoever for any of the stuff that happens in this book, because it all ripped from the headlines. It all really happened. 
    [00:55:55] Josh Hutchinson: And was Hannah herself based on a real person?[00:56:00] 
    [00:56:00] Katherine Howe: Hannah is based on a couple of people. She's inspired in part by real accounts of Anne Bonny and Mary Read, who are two working-class women, who ended up disguising themselves as men and going raiding in Jamaica at the end of the 17th century. They were real people ,and there was a real Hannah Masury ,who I talk about a little bit in the author's note of the book. She was a 19th-century person, and she ended up, I was inspired when I came across her. She was the wife of a ship captain. She was married to a ship captain, and she ended up putting down a mutiny by herself, armed only with a pistol, in the Pacific Ocean.
    [00:56:39] And so I read about her, and she didn't have any children, and I was like, "oh my gosh, I am obsessed with you." And so I decided to name my awesome pirate after her. Hannah, Hannah comes from a couple of different sources, but I really like her as a person. She's a tough character . 
    [00:56:56] Josh Hutchinson: Sounds like it. You said that it's set [00:57:00] around a pirate trial in Boston?
    [00:57:03] Katherine Howe: Yeah, it starts, the action starts in Boston in 1726, and in 1726, it's the end of the golden age of piracy. It's actually funny that the Salem period, like the witch craze, the end of the witch craze and golden age of piracy are at the same time period, which I think is interesting. And a guy named William Fly was tried as a pirate, and the person who ministered to him and preached about him was none other than Cotton Mather . 
    [00:57:32] So Cotton Mather by then was this like hugely famous, successful cleric. He was really rich. He was, like, had a very popular ministry and so he had taken it upon himself to crusade against piracy. So he tries to bring William Fly and his compatriots back to God, and he's there when they're hanged. William Fly was hanged, and then he was gibbeted. He was, his body was hung in chains on a tiny island in the Boston Harbor Islands and [00:58:00] left there to rot. He was really avid as a warning to other people who might go out on the account, which is a way of describing going, turning pirate.
    [00:58:09] And so I was fascinated by this. It was only a hundred years later that excursion boats are starting to leave Boston. Like steam boats are going from Boston to Nahant. This is no time all. To think that you could go by Nixes Mate, which is where William Fly was hanged and chained. You could go by there and to see you remnant oft remain dangling there.
    [00:58:29] So that's where the action begins at William Fly's trial, and things even crazier. 
    [00:58:36] Josh Hutchinson: Sounds like a fun ride. . 
    [00:58:38] Katherine Howe: I'm excited for it. I'm not sure when it's coming out. I think it's gonna be November, 2023. So it's coming up. 
    [00:58:46] Josh Hutchinson: Here's Sarah with an important update on what's happening now in your world. 
    [00:58:51] Sarah Jack: Thank you for listening a few minutes longer to hear End Witch Hunts World Advocacy News. How many innocent world citizens [00:59:00] is it okay to accept as suffering from violent brutalization, due to harmful practices related to accusations of harmful witchcraft and ritual attacks? These attacks are happening now to thousands of innocent people, who are not causing supernatural harm but are being punished by their community, as if they are the ultimate explanation.
    [00:59:20] They are innocent, not dangerous witches. These attacks are happening across countries of Africa and Asia. Please see the show notes for links to read about how some countries have advocacy groups working to intercede. When there is not an answer for unexpected bad luck, unfortunate death, or personal misfortune, blaming others for supernatural malevolence is the actual crime. This witch fear is still causing unfounded, violent attacks against women, children, and sometimes men. Listen and watch for the reports. These attacks are reported on. 
    [00:59:55] The Northern Ireland borough of Larne wants to [01:00:00] commemorate eight Witch trial victims from the Islandmagee Witch Trial that took place on March 31st, 1711. A borough counselor raised questions very recently of whether the eight women and a man who were found guilty of witchcraft were actually innocent. In the trial era, using witchcraft was a covenant with the devil against the victims. When this counselor questioned if it is within the counsel's capacity to say they were innocent, he's questioning if the accused were indeed working with the devil himself to cause harm. 
    [01:00:32] Is it within human capacity to not assign witch harm guilt onto others? I want to answer that question right now. Yes, it is within our capacity to stop questioning other people about their status as a supernaturally harmful witch. It is our duty to stop questioning accused witch innocence, past or present. These accused people were not, and today's accused witches are not, causing the supernatural harm that is feared of them.
    [01:00:59] [01:01:00] This week, academic research was published that is "a new global data set on contemporary witchcraft beliefs ." It has determined that witchcraft beliefs cut across sociodemographic groups, but are less widespread among the more educated and economically secure. Country-level variation in the prevalence of witchcraft beliefs is systematically linked to a number of cultural, institutional, psychological, and socioeconomic characteristics. Altogether, the resulting data set covers more than 140,000 individuals from 95 countries and territories and 5 continents. Over 40% of all survey respondents claim to believe in witchcraft. Stay tuned for a discussion on this research outcome. Find a link to the report in the show notes.
    [01:01:48] While we watch and wait, let's support the victims across the world where innocent people are being targeted by superstitious sphere. Support them by acknowledging and sharing their stories. Please use all your communication channels to be an [01:02:00] intervener and stand with them. The world must stop hunting witches. Please follow our End Witch Hunt movement on Twitter @_endwitchhunts. And visit our website, endwitchhunts.org.
    [01:02:11] Josh Hutchinson: Thank you, Sarah, for that eye-opening update. 
    [01:02:16] Thank you for listening to Thou Shalt Not Suffer: The Witch Trial Podcast.
    [01:02:21] Sarah Jack: Join us next week for a special Connecticut witch trial victim descendant episode. 
    [01:02:31] Josh Hutchinson: And join us in our efforts to end modern witch hunts. Go to endwitchhunts.Org. 
    [01:02:38] Sarah Jack: Subscribe to our podcast wherever you listen. 
    [01:02:41] Josh Hutchinson: Visit thoushaltnotsuffer.com.
    [01:02:44] Sarah Jack: Remember to tell your friends that you love what you've been hearing on Thou Shalt Not Suffer, so that they will not miss out.
    [01:02:52] Josh Hutchinson: Have a great today and a beautiful tomorrow. 
    [01:02:56] [01:03:00] 
  • The Putnams of Salem with Greg Houle

    https://feeds.buzzsprout.com/2045153.rss

    Show Notes

    Presenting author and communications professional Greg Houle. He discusses his upcoming novel, “The Putnams of Salem”. Listen as he gives us a glimpse of what he imagines the first person perspective could have been for Ann Putnam Jr, and her father Thomas Putnam. What role did they play in the trials? His fictional short stories are linked below. We continue the conversation inquiring with our advocacy questions: Why do we witch hunt? How do we witch hunt? How do we stop hunting witches?
    Links:
    Greg Houle Website

    Short Story: The Putnams of Salem by Greg Houle

    Short Story: A Tie is Never Just a Tie by Greg Houle

    Short Story: Oomancy by Greg Houle

    University of VA, Salem Witch Trials Documents and Transcriptions

    End Witch Hunt Projects

    Please sign the petition to exonerate those accused of witchcraft in Connecticut

    Support the show

    Join us on Discord to share your ideas and feedback.

    Transcript

    [00:00:00] Josh Hutchinson: "Thou shalt not suffer a witch to live." Exodus 22:18.
    [00:00:05] 
    [00:00:26] Josh Hutchinson: Welcome to another episode of Thou Shalt Not Suffer: The Witch Trial Podcast. I'm Josh Hutchinson. 
    [00:00:33] Sarah Jack: And I'm Sarah Jack. 
    [00:00:35] Josh Hutchinson: Today's guest is Greg Houle, an author currently working on a novel about the Putnams of Salem.
    [00:00:43] Sarah Jack: Because you like the show, please share it with your friends, family, and followers.
    [00:00:47] Josh Hutchinson: We hope you're enjoying a wonderful Thanksgiving. Have a slice of Turkey for me. 
    [00:00:53] Sarah Jack: Share the mashed potatoes.
    [00:00:55] Josh Hutchinson: Pass that gravy.
    [00:00:58] Sarah Jack: This is a great topic for [00:01:00] Thanksgiving. I'm looking forward to talking to a Putnam of Salem descendant. 
    [00:01:06] Josh Hutchinson: Yes, and we hope this episode gives you lots of conversation ideas for your Thanksgiving dinner. 
    [00:01:15] Sarah Jack: Especially if you've been having boundary disputes with your friends or family.
    [00:01:21] Josh Hutchinson: Make a peace offering, and be sure to watch Planes, Trains, and Automobiles, the best Thanksgiving anything ever made, hands down.
    [00:01:33] Sarah Jack: But only after you watched Holly Hunter's Home for the Holidays. 
    [00:01:36] Josh Hutchinson: Then get back to your Walking Dead marathon. That's what you're really watching. Or House of the Dragon. 
    [00:01:42] Sarah Jack: And now Josh is gonna tell us some history about the Putnams of Salem.
    [00:01:47] Josh Hutchinson: The Putnams of Salem Village were instigators of the Witch Hunt. Thomas Putnam and his brother, Edward, were two of the four men who [00:02:00] filed the first complaints against Sarah Good, Sarah Osborne, and Tituba. Thomas went on to make 35 complaints, testify against 17 people, and record 120 depositions, including those of his daughter Ann Putnam, Jr., who was the first villager outside of the parsonage to be afflicted. Later on, she was joined by her mother Ann Putnam, Sr. and their maid, Mercy Lewis, among the ranks of the afflicted. The Putnam family was an important family in the village for three generations. 12 out of the original 25 villagers to sign the church covenant were Putnams, and they ranked among the top taxpayers in the village, along with the Porters.
    [00:02:55] After accusing many people and going through [00:03:00] all her theatrics in the courtroom, Ann Putnam, Jr. did apologize in 1706, specifically to Rebecca Nurse's family, but also to the whole village, as she joined the church under the new minister, Joseph Green.
    [00:03:17] Sarah Jack: Thank you for introducing us to the Putnams of Salem. I cannot wait to get more of these details from Greg. 
    [00:03:23] Josh Hutchinson: You're welcome. I'm also looking forward to hearing this family covered in depth. They were so heavily involved, what they did in the witch trials, which was so much. So many Putnams were involved in so many ways.
    [00:03:40] Sarah Jack: I'm so happy to welcome Greg Houle, writer of short fiction and author of The Putnams of Salem, coming 2025.
    [00:03:49] Greg Houle: So I came into this story, the story of Salem and the Salem witch hysteria like a lot of people do, with a personal family connection to it.[00:04:00] My mother is a Putnam. She is a direct as descendant of Thomas Putnam, Jr., who, along with his oldest daughter Ann, were probably two of the most prolific accusers during the Salem witch hysteria. But yet, despite that connection, I really didn't have any interest in exploring the story as I was growing up. And in spite of having a really intense, lifelong interest in history, I really didn't care, and I think part of that was because of the fact that Salem is such a huge story, and it has a life of its own, and it's become this kind of larger than life almost true crime story.
    [00:04:44] And I think a lot of times what has happened is it's deflected a lot of the attention away from the important things, the victims, why it happened, how can we prevent it from happening in the future, that [00:05:00] sort of thing. It was always an interesting thing to be connected to, so many of us are.
    [00:05:04] Everything changed in the summer of 2021. And that is that summer, I live in LA now, and my wife and daughter went back east to visit our family, and my wife's family lives in Boston. And while we were there, we decided, let's go to Salem. And we went there, I thought, "Okay I really want to connect my daughter to my, her grandmother's side of the family. I really ought to understand the story better and really dig into it. "And that's really what I did. 
    [00:05:35] And as soon as I did that, I became immediately enamored by what was going on in the heads of someone like Thomas Putnam, Jr. and Ann. So you have someone who's accusing all of these people, and then you have another one who is said to be afflicted. And I started exploring [00:06:00] that. And this is the part that's unknowable for a historian. So we all wish we could be inside their heads and understanding what's going on during that time. I thought the best way to explore it would really be to look at the environment in which they were in, the things that led to Salem and what happened there and then really just use fiction at that point to tell the story, and, of course, no historian would ever use conjecture , but the beauty of fiction is you can do that. And I think what I tried to do initially in this short story and then now to much greater depth in the novel, is really explore that and look at the forces that created this really tragic event.
    [00:06:54] The short story and the novel, at least a tentative title of the novel is The Putnams of Salem. [00:07:00] And there is a sort of subtitle that I'm throwing around. That's really The Fall of an American Family. Not sure how my family will feel about that, but it's what we find out in this story.
    [00:07:14] And I think it's really quite fascinating when you think about all the different forces involved in the world that they were living. One of the major themes of the short story and the novel is really fear and the way in which fear drives a lot of what happens and the various types of fear and various sources of fear, from the fear that's inherent within the Puritan religion to fear of the native population. In the case of Thomas Putnam, there's fear of losing your place in society. The sense that throughout history there's the common case of [00:08:00] the patriarch of a family kind of building something, the second generation making it stronger, and then the third generation messing it up somehow. Thomas Putnam Jr. was the third generation of the Putnams in America, and it really does follow that trajectory. And I think it's really interesting when you insert this man into these circumstances and you see the way in which it drove him to do some pretty awful things.
    [00:08:30] Josh Hutchinson: You've touched on it already, but how did you go from where you were doing your research into your family to deciding to write stories and then a novel about them?
    [00:08:43] Greg Houle: Yeah, it's a great question. I, again, a lot of the impetus for this was my 12 year old daughter at the time and really wanting to connect her to this story in a way that I thought was meaningful. For me it was about really trying to get behind any [00:09:00] lore that existed within our family to the actual story, and it's not always easy to do when you're dealing with 17th century America. You can't always get every detail. 
    [00:09:14] In my family, there was not a lot of detail. I think there was always the sense of we are connected to this great American story, "great" in quotes, by the way. And isn't that fascinating? But I think, for me, my interest in history has always been about the fact that it is multi-dimensional and dynamic. I think what tends to happen with history is over time we flatten it out, and it becomes very one dimensional. So the sort of typical story of Salem is that it's these sort of fundamental crazy puritans who experience something one [00:10:00] day, start accusing women of witchcraft, and then put them to death. And while the basic facts may be true, there's so much more involved in that story. They lived in a different world than we live in today, obviously, but they still wanted to succeed.
    [00:10:21] They laughed sometimes. They cried. They had fights, and they, wanted to be successful. And I think a lot of times we forget that. And in looking at the story, the part that really fascinated me was thinking about the context of this tragedy within that parameter.
    [00:10:43] And so for me that's my entry point into this. And so when I really thought about both Thomas and Ann, I kept thinking, " what must be going on in our heads?" I think a lot of times our simple answer is Thomas [00:11:00] is a devout Puritan, and he believes wholeheartedly that all these people he's accusing are witches. And isn't that crazy? But the reality of the fact is that's probably not true, right? He was very strategic in his efforts. Again, we don't wanna have too much conjecture here and assume that we know everything that was going on, but, for me, I was fascinated by that.
    [00:11:26] And then you also have Ann, who, in my writing of her, tried to present her as the sort of typical, idealized Puritan girl who's really trying to do all the right things and failing because of her affliction. We know that her afflictions are probably not a real thing, but they are something, and it's it's a sort of interesting juxtaposition between [00:12:00] the two of them. And that was what really fascinated me.
    [00:12:03] Josh Hutchinson: For our listeners who aren't as familiar with the Putnams, can you explain Thomas's role in the trials? 
    [00:12:11] Greg Houle: The sort of patriarch of that family was John Putnam, who came over during the great Puritan migration, came over from England probably in the early 1630s. He was one of, not the initial group of settlers that settled Salem, but he was there a few years later. Pretty prominent landowner. But one of the things that the Putnams at least say that they always wanted to do was create this kind of communal society in Salem, where it was a little bit more, " we're not worried about individual wealth, we're gonna just try to bring everyone up."
    [00:12:51] But again, this was at a time where everyone, where Puritans were much more sanguine about their prospects and in the new [00:13:00] world. And I think by the time we get to the witch hysteria 60 years later, everything, the shine has come off a little bit. But so John was the initial patriarch of the family, and then Thomas Sr. was, of course, Thomas Jr.'s father, and he built their land holdings. They were farmers. He was pretty privileged person, but things were different for him, and they weren't quite so easy. By the time we get to 1692, Thomas is still doing pretty well, and his family is pretty prominent. 
    [00:13:39] He was known as Sergeant Thomas Putnam, because he fought in King Philip's War, which was, some say, the bloodiest war in colonial American history, where it was, in many ways, almost like a akin to a world war in some respect. [00:14:00] It was fought throughout New England between the colonists and their Native allies and other native communities. I think by the time of the Salem witch hysteria, 1692, Thomas was a much different person than his father and his grandfather. 
    [00:14:21] I think that there are a couple of things that, that are going on. One is the realization that the Puritans are not going to have a shining city on the hill like they initially thought. Now, that doesn't mean that, that they weren't still trying, or they didn't still believe that they were superior in many ways. But I think they realized at that point that wasn't gonna be easy.
    [00:14:49] The relationships that they had with the native populations in New England had really soured to the point where that [00:15:00] had created a lot of fear. You may have talked about the fact that they that Massachusetts did not have a charter at that time, had lost its charter. So there's a lot of uncertainty there. So I think, the way I portrayed in the novel and the short story, to some extent, is that Thomas is really this fading patriarch but family that is still prominent, but like a lot of people with power, he wants to do whatever it takes to keep that power, and this opportunity arises, and he takes advantage of it.
    [00:15:35] Josh Hutchinson: What were some of the things that he did during the witch-hunt that stand out to mark him as a prominent figure? 
    [00:15:43] Greg Houle: So he accused many people of witchcraft. He also pretty much wrote all of the documents that needed to be submitted to court for Ann, so he was really orchestrating a lot of that. There [00:16:00] was also, as I'm sure you're aware, quite a rift in the community and had been for generations about who leads the church, and Thomas was very much in favor of the head of the church, Samuel Parris, but others were not. There was a lot of choosing sides there, and that became a big part of it as well.
    [00:16:26] In terms of his actual role, he was there during the very first examinations of the first three witches when they were examined by the magistrates. The first three were Sarah Good, Sarah Osborne, and Tituba, who were three kind of outcasts. But he was there and playing a very prominent role. I think that he saw himself as a leader. He was, a military [00:17:00] leader and a fairly wealthy person with land, and I think he saw his role as being someone who should take a prominent role during a time like this. And he certainly did. And I think, certainly, as I explore in the novel, he uses that as an opportunity to really reshape the nature of his relationships.
    [00:17:26] Sarah Jack: What you had just said about growing and securing their wealth with that land, I think that was a really big part of the fight, as well as having a stake in what was happening with the church.
    [00:17:40] Greg Houle: That's a great point. I think that another interesting component with Thomas is his father, Thomas Sr., remarried at a very older age, so Thomas had a half brother who ended up inheriting a lot of what he was expecting to inherit. In many [00:18:00] ways, he comes across by 1692 as really just having this series of just one after another of what he would think are tragedies. But again, the thing I kept coming back to and what was fascinating to me was this idea that, you have this privileged person who's then throwing a fit because he's not getting his way every time.
    [00:18:23] Maybe I'm projecting something that's 330 years old to today, but I really, that was the thing that I kept coming back to, and a lot of it is tied up in those land disputes and the endless lawsuits and the just no way to ever solve these problems, either in court or outside of court. And it really brought it to the forefront that you realize that they have a lot of these kind of frivolous and difficult problems that we all deal with [00:19:00] today. And I think, again, going back to what I said earlier, we tend to just have this very one dimensional view that they were this sort of whole community block that just all did, were in lockstep with each other, and it's just not like that.
    [00:19:17] The other thing I explore in the novel and have fun with is their desire to gossip and just really spread these, rumors and innuendo and all of this other stuff. Obviously, a lot of it was part of the driving force of the accusations of witchcraft, but it's really tied up in the same disputes, those family squabbles. They were a big deal obviously, but they go back generations. When you start digging into it, you realize, you know, what a mess it actually is. 
    [00:19:56] Sarah Jack: And it sounds like getting to look inside [00:20:00] the Putnam family the way you are doing it with your novel is a way to redeem them. 
    [00:20:05] Greg Houle: That's a really great point. I hope so. There's a lot of redeeming that needs to be done. The one thing that I've never really been able to quite put my finger on, and I think it's really difficult, because we don't have full knowledge in the historical record, and that sort of thing is what role someone like Thomas really did play. I think, obviously, it's clear he made a lot of accusations.
    [00:20:34] I'm making a lot of conjecture that was purposeful and political and driven by anger and annoyance and all these other things, but we don't really know how true that is. And we don't know if he got caught up with the people on his side of the argument. And so it's really one of those things where I want to be a little [00:21:00] careful. I certainly don't pull any punches and protect my family members, but I don't really know, and I've never really been able to pinpoint the role precisely that the Putnams played. 
    [00:21:15] And, for me, what's more interesting actually is to think about the role that Ann played as a 12 year old , because, you imagine a scenario where she is really believing that she has done something wrong, or she, like a lot of Puritans at the time, thinking that they've let the devil into their being and into their world. But then there's a part of me that thinks, "or was she just doing what her father wanted her to do?" so it becomes one of those things where those are the unknowable questions that I think are challenging for us to understand. 
    [00:21:55] But you can certainly, looking at the history, looking at [00:22:00] the situation of the Putnam family, you can see where they may have said, "hey, let's just make this thing happen. Let's just keep pushing it forward and see what we can do." And perhaps that was what happened, and that's what's so challenging about this, because we never really will know. But part of what's fun about writing historical fiction is you can then tell the story the way you want to tell it, right?
    [00:22:27] Josh Hutchinson: I think the way that you're telling it is so important, because to understand how witch hunts happen, we need to get into the head of both sides of them. So we need to know the people who were making the accusations, what were they thinking, what was going on in their minds, so we can learn from that, and I think it's just terrific that you are exploring, getting inside the heads of Thomas and Ann in the way that you [00:23:00] are. 
    [00:23:00] Greg Houle: Thank you. I think you're right. That's the part that is just so fascinating. I think a lot of it, and certainly the work that you're doing here with the podcast is really touching on this as well, but I think we live in modern times, and I think we can't help but think about the way that works today, the way, you know, people are exposed to certain media and develop certain beliefs, and then that manifests itself in certain actions. And so I think the whole time that I've been working on this, that's always been in my mind is it's easy for us in a one dimensional world to say Thomas was just a leader in the community. He was a devout Puritan. He firmly believed that these women were evil, and he just [00:24:00] wanted to cleanse Salem, which, by the way, the novel is a dual narrative between, first person narrative with Thomas and Anne, and he's basically saying that the whole time, he's saying, "no, I'm just trying to cleanse our community."
    [00:24:14] But I think as intelligent people, we know that cannot possibly be the case, that it isn't just black and white, that there may be an inkling of that there. We don't want to completely dismiss it, but it's just too convenient for him not to have taken the opportunity to, essentially, engage in behavior that resulted in the deaths of many needlessly.
    [00:24:45] Josh Hutchinson: I like the way you frame it as, in the terms of, dimensions that we look at, history as this one dimensional black and white thing. And I like how you're getting into [00:25:00] the persons of these complicated people, getting into their minds and their characters to analyze them from a human perspective and make them three dimensional. I think that's very important to our modern understanding of how we operate today. 
    [00:25:18] Greg Houle: Yeah, that's right. I think it's a really important component anytime we look at history, I think, for anyone, and I'm sure you both feel the same way. Anyone who has real interest in history tends to be interested in the fact that it's really about people, right? And it's about decisions they make and then how those decisions affect other decisions. And this kind of long stretch of what occurs. And I think, a lot of times, people think of history as a series of events and things that happen at certain dates. And it really is about taking that three dimensional or [00:26:00] multidimensional view and really trying to understand what was going through the minds of people when these things were happening.
    [00:26:07] I think the probably any legitimate historian listening to me would be very angry, because without actual historical record or information, you can't extrapolate what is actually happening. But I do think the value of something like historical fiction, in this case, is really trying to use your knowledge and the information you have to make those leaps a little bit and try to understand it.
    [00:26:39] One thing I'll say about the novel is that I really tried hard to make it plausible. Obviously, I wasn't privy to what was going on inside of Thomas or Ann's mind, wasn't privy to a lot of conversations that they may have had with other people, but the world in which they lived [00:27:00] and the thinking that they had were, it's legitimate, and I'm trying to create something is realistic in terms of, how they would respond to those things. And I think, when you look today, at similar manifestations of persecution, you really do the same thing.
    [00:27:23] Josh Hutchinson: What can you tell us about Ann Jr. And her struggles during all of this? 
    [00:27:31] Greg Houle: She, very early on, was afflicted, and I'm using the air quotes, and struggled a lot with various manifestations of that affliction. But one thing about Ann that you can tell from what sparse information is available about her, is that she was pretty well liked. And she seemed to, at [00:28:00] least the way I present her is, she was a good girl, I guess you could say, for lack of a better way of putting it, that she tried to live the way Puritan girls were meant to be living. 
    [00:28:15] What is very interesting, though, about Ann is in 1706, when she went back to the church in Salem and requested to take communion and become a member of the church. And that was when she essentially apologized, although it was a semi apology. 
    [00:28:42] Sarah Jack: I think readers would love to hear what she was thinking around that. We have the apology, but I wanna know what she was thinking. I've seen so many family researchers or descendants of the accused talk about that, and they have different [00:29:00] perspectives, which I always enjoy reading. Some feel that it was very acceptable, especially based on what her beliefs of the devil's work in her life would've been. Others think it was not really good enough. Getting to hear what was going on in her mind around the apology would be really interesting. 
    [00:29:20] Greg Houle: I agree. It's a very rare example for us to hear from someone who was involved so early on being also involved at the end like this. My view is that Ann was a broken woman at that time, and my thinking, and again I wanna preface this by saying, "of course I could be completely wrong here," but my thinking is that, by that point, everyone knew, of course, that what happened in 1692 was this horrible thing, and she was this last vestige of that. And so [00:30:00] my read of the situation is that she is this outcast, and at the end of the novel, there's a sort of epilogue where this comes up, and the pastor, Pastor Green at the time, is hesitating and thinking, "do I really wanna let this person back into the church? I worked so hard to try to bring us back together." And, ultimately, of course, does, because she really has nothing else.
    [00:30:29] Both her parents died the same year, in 1699. She never married. By all accounts, her experience was the kind of thing that basically ruined her life. And by the time 1706 rolls around, she basically just realizes that the only thing she has is the church, and she'll do anything to be a part of it. So that's my read. Now, whether or not it is sincere,[00:31:00] I think it's really hard to speculate about. I think that it's very plausible that it was not, but it's also plausible that, there is a way of thinking about it where Ann truly was an innocent victim. Not saying that's the case, but she may very well have manifested all of these afflictions and challenges and that she was encouraged by her father and others and that by the time they were all gone, she thought it was safe now to beg for mercy and try to live a life where she could be member of the church again.
    [00:31:43] Sarah Jack: I had mentioned family researchers and descendants. I'm wondering, are you ready for other Putnam descendants and other descendants to reach out to you about the book you're writing?
    [00:31:54] Greg Houle: You know, I really would love to hear what they have to say. I'm sure I could learn a lot [00:32:00] from those folks. So I really am interested in that. You know, I'm not someone who wants to defend the Putnams or what occurred here. So I'm happy to have those discussions. I think that's a very dangerous thing, so I would not wanna do that at all, but I would definitely love to hear what others know, and the Putnam family has a very important long legacy in New England, and there's a lot to be proud of, but this is not one of those events that anyone should be proud of.
    [00:32:33] Sarah Jack: One of the things that you can be proud of is that there were seven Putnam that signed Rebecca Nurse's petition. 
    [00:32:41] Greg Houle: I think, you know, it speaks to another aspect of the Salem witch hysteria that really fascinates me, is how quickly it seemed to go south, right? The whole collection of events took place in a very short period of time, but it was like [00:33:00] all of a sudden the bottom fell out and everyone realized it was as if they woke up and realized what were we doing? And so that's something that I'm not really that knowledgeable about, would love to know more about, because I think it's really like a community of people realizing at that moment that they were on the wrong side of history and saying, "what are we doing? What have we done? How can we get out of it?" And I think, that's why we see some of this stuff happening so quickly after, and even maybe why we saw Ann petition to, to want to join the church again. 
    [00:33:40] Josh Hutchinson: I can totally relate to that. I'm a descendant of, among others, Joseph Hutchinson, who was one, along with Thomas Putnam, who complained against the original three suspects, but then later on he changes sides and defends Rebecca nurse. [00:34:00] So I've been exploring that a lot in my own mind, how you start off believing in this witchcraft and then at some point you realize you are on the wrong side of history. 
    [00:34:14] Greg Houle: The one thing I'll add to that is, when you think of the first three women who were accused, they were clearly outside the norm of late 17th century Puritan society. Tituba is a slave from the West Indies. Sarah Good is essentially homeless, for the most part. Sarah Osborne was always outside of the norms. In the beginning you think, "of course they're gonna be the ones who were accused." But it's interesting as the accusations continue to fly going forward. When you get to someone like Rebecca Nurse, who is not like those folks, and that she was [00:35:00] well respected, it's almost like the fire burned out of control, and you had a point where maybe people realized, "what are we doing at that point?" I think maybe some of that was what was happening, and that's where you get people switching sides ,and there are multiple cases of that sort of thing. And I think part of that has to do with the fact that, I don't know if anyone really expected it to become this kind of inferno that ended up really engulfing the entire community. 
    [00:35:39] Sarah Jack: Yeah, I think about that too, cuz I think about when I first realized that people were writing testimony and defense of Rebecca and signing some petitions for her, and there were a lot, I remember thinking, "how was this not enough?" And also, [00:36:00] when her verdict was changed on her. I just remember, I'm like, "how could that happen?" And it's just another tell of how out of control, when a fire takes off, sometimes you just don't have enough water to put it out right then, and that was definitely happening. 
    [00:36:20] Greg Houle: Yeah I think in many ways this goes back to the kind of perfect storm that existed, where you have, you know, a community appearance that is moving away from their original purpose, or they know that they're not as pious as they should be at this point, three generations on, you have fear of, " what's gonna happen to our charter? Are we going to remain a colony of England?" And then you have this really burgeoning concern over the native population and the conflicts that were existing there. You have just the [00:37:00] inherent concern that exists within the Puritan religion of, " am I going to heaven?" This idea of predetermination and that you don't even really know and it's all determined. "Am I on God's path? I don't know." 
    [00:37:15] And I think it was almost like this perfect storm, where some things happen. Some people who are outcast get accused as. One would expect in a case like this, and then it just took off from there, and I would contend that people like Thomas Putnam were fanning the flames. There were others, as well. But I think that is part of what speaks to this, is that convergence of all of those different things and the kind of fear and concern about the future and what their world was gonna be like.
    [00:37:54] I think, also, this may be a reach, they're going into a new century soon, and I think there was a [00:38:00] lot of concern about, " who are we gonna be?" There was, after King Philip's War, there was a lot of concern that it was so gruesome that, "are we turning into these savages, who we claim they are?" So there's all kinds of components here, and I think it's interesting how they all play together.
    [00:38:18] Josh Hutchinson: It was a grand conflagration. In previous witch trial cases, you'd have one, maybe two people get accused at a time. And I think that's what they expected in the beginning, when you had those first three outsiders accused. But then you get things like Tituba's confession, where she says there's nine witches, and you have people like Samuel Parris fanning the flames every week in church. And, like you said, a perfect storm of ingredients had to come together for it to continue and to expand the way it did.[00:39:00] 
    [00:39:00] Greg Houle: Yeah. And I'm glad you brought up Tituba, because I think that was really the linchpin of a lot of this. And that scene is portrayed in the novel, and the way I portray it is they, it's almost like boiler plate. Sarah Good, Sarah Osborne, of course they're gonna deny it, but we know they're witches. And then Tituba comes and says, "yeah, the devil came to me. Yeah, he wanted me to kill these girls. Yes, there was a yellow bird," and saying all this stuff that they are suddenly thinking, "whoa, wait a minute, we weren't expecting this."
    [00:39:36] So I think in many ways her saying the things that she said to the magistrates really helped get the wheels turning in the heads of a lot of people like Thomas Putnam. Again, it's conjecture, I know, but I think that it's an interesting concept to think about that, that really helped turn the tide a little [00:40:00] bit and fan the flames further. 
    [00:40:02] Sarah Jack: And, like you said, there was this uncertainty with the charter. We know there was deceit with the new charter that ended up coming, but the court that was opened that, that was certain, that had procedure. It gave the powerful men power. So you had that piece sliding in when everything else was uncertain. 
    [00:40:27] Greg Houle: Yeah, that's a really important point. It was a sense of certainty at a time of great uncertainty. And that helps push the process along. And, also, and maybe we're gonna touch on this, but the other aspect that really fascinates me is how, the new governor's wife suddenly gets accused and everything falls apart at that point. So it also is a nice button to the story in the sense that you realize these external forces [00:41:00] are really what is driving this, rather than the Satan, the underworld, these dark forces. It's endlessly fascinating, but there are all kinds of those markers along the way that you see, where you realize, "okay, this is why this happened, or this is why this didn't happen, and et cetera."
    [00:41:21] Sarah Jack: Yeah, I'm thinking, when would've the devil have got his foot in the door on some of this? It was already full. 
    [00:41:28] Greg Houle: I don't know. Yeah. I think again, looking at it from our eyes now with everything we see and just seeing the, maybe some of it, and it's not, not trying to be political, and the novel is not political in that regard, but I think it's, we see divisions in our own society and you see how those divisions are further exploited. And so it's very easy to look back through that lens and [00:42:00] see where that is happening. And I think I was doing a lot of that as I was researching and writing this, this novel.
    [00:42:08] Josh Hutchinson: So what does it boil down to? What you are trying to say through your writing on the Putnams?
    [00:42:16] Greg Houle: That's a really great question. For me, the biggest thing that I want to say, I think about the Putnam's is that it's the story of this privileged family who was losing its privilege. And in many ways, as that happened, you see what the family did in order to try to retain that power. For me, that's what I kept coming back to, is that there is this sort of multi-generational, pretty powerful family that is losing its power in [00:43:00] that moment, and the years leading up to the Salem witch hysteria, it's a fading family. That's why I said earlier that a good subtitle for the book would be The Fall of an American Family, because I think it really is that kind of story, and so for me it's about telling that story through this sort of famous American tragedy. And that's, I think, probably the biggest thing that I want to try to do. 
    [00:43:32] Sarah Jack: When you talk about their fall, and when one reads about all of their tactics with what was happening with all the families and the boundaries and stuff, they were really put trying to push forward. They were really fighting tooth and nail to not lose footing.
    [00:43:51] Greg Houle: That's something that I really try to explore through various flashbacks and so forth. And the novel is just the [00:44:00] idea that Thomas Jr., In particular, has the weight of the world on his shoulders. His father did so much to try to build it up, and now it's all on him, and you can feel it slipping away. But he's very arrogant, and he's got a lot of hubris, and he just is gonna keep saying that he's great. And what's interesting about how it appears during the witch hysteria at Salem is that you see there, you witness the fall, you witness the way in which he was trying to take advantage of this opportunity and failing, ultimately. 
    [00:44:44] And that's what I really enjoyed exploring, even though it is a tragic story within my own family. And of course, again, a lot of this is fiction. I don't wanna sound like I know everything that went on inside his [00:45:00] head, but I do think that it's all plausible, and I think, the way the story sort of progresses before and after Salem, you see it, as we already talked about with Ann, you see what happens to her. She fades from history at that point. And that's, in many ways, a metaphor for the entire family. Now, I don't mean to say that my Putnam family no longer exists. They're fine. They're all over the country, but it's not the same. So that is what I was trying to tell that story through this major event. 
    [00:45:38] Josh Hutchinson: What do you hope people take away from your stories and your novel?
    [00:45:43] Greg Houle: I think the biggest thing I'd like for them to take away is realize that what we've been talking about in terms of the multi-dimensional aspect of history is real. When we think of [00:46:00] the Salem witch hysteria, we often think about it as, "well, there was witchcraft and these, this monolithic group of puritans then went crazy and accused witches and then put them to death," but the reality, of course, is that there were a lot of things that led up to that and a lot of things that happened after it. And I think for me the biggest takeaway's for people to see this story as a larger story, as the story of various things occurring at the same time, rather than just this one snapshot of an event.
    [00:46:46] Because, going back to what I said earlier, my feeling with Salem is that it is often almost like a caricature of what we talk about, this idea that this thing happened [00:47:00] and isn't that crazy? But the reality is it happened for a variety of reasons. And to me the biggest takeaway that someone reading the novel would get would be, "wow, I understand that there are multidimensions to this. And isn't that an interesting way of thinking of it? 
    [00:47:20] Sarah Jack: I think right now as a society, there's a growing number of people who are learning to look at history dimensionally. So many of us were taught it as a snapshot, and I think everyone is ready. Not everyone, I think the amount of people ready to take a deeper look is now, and I think that's why historical fiction is important, and the history's important, but I think it's great timing. I think your book is coming at a great, I know it's, you still have a little while before it's released, but that just means more people are gonna be ready to receive it.
    [00:47:56] Greg Houle: I think the same is true with podcasts. I think that's why we're having a [00:48:00] moment with podcasts. I think that's why, even when you look at like true crime series and things that really take a deep dive into these stories that were often very flat and one dimensional, I think that is, you're right that we're at a time where a lot of people are interested in that, and for me that was really what I was trying to do here is create some dimension to this story. Now, I don't claim to be the first person ever to do that, many others have, but I think that there needs to be as much of that as possible, in order for people to be able to connect to the elements that we hopefully will learn from and avoid, as we go into the future.
    [00:48:45] Josh Hutchinson: I think your writing is so important to help people understand what really happened. I know it is fiction, but it gets people into the right mindset to [00:49:00] start exploring possibilities of what happened and to reflect on what's happening now. So I highly recommend that everybody read it. How can people access your writing currently? 
    [00:49:14] Greg Houle: I guess the easiest way is they can visit my website, which is greghoule.info, that's g r e g h o u l e.info. There are links to some of my writing about the book, and I'll continue to build that up prior to publication.
    [00:49:32] Josh Hutchinson: Thank you. We very much appreciate you and your wisdom, and you've gone a long way towards answering the fundamental questions that are behind the podcast. We like to get in every episode part of the how do we hunt witches why do we hunt witches, how can we turn away from hunting witches? And your [00:50:00] answers have been quite elegant, speaking on those questions.
    [00:50:05] Greg Houle: Obviously, it was much different, but they had the same sensibilities. They wanted to succeed. They wanted to defeat their enemies, and they wanted to make sure that their kids succeeded. And there were a lot of the same fears that they had that are very familiar to us today.
    [00:50:27] Josh Hutchinson: Yeah. I like to point out that witch hunting in one form or another has been going on as long as humans have been around, because we, though the technology evolves and our beliefs evolve, at the core of us, we still have those same insecurities and fears that you point out. 
    [00:50:51] And now Sarah's here with another update on real-life witch-hunts happening in the present day. 
    [00:50:58] Sarah Jack: Welcome to this [00:51:00] episodes Witchcraft Fear Victim Advocacy Report, sponsored by End Witch Hunts News. Today's Thanksgiving 2022 in the United States. I thank you for tuning into our weekly End Witch Hunts News. Thank you to the advocates across the globe standing in the gap. For those who can't, thank you for being an activist against witchcraft.
    [00:51:21] On its 47th session, the United Nations Human Rights Council adopted a resolution on July 12th, 2021 for the promotion and protection of all human rights, civil, political, economics, social, and cultural rights, including the right to development. Here is what they resolved regarding the situation of the violations and abuses of human rights rooted in harmful practices related to accusations of witchcraft and ritual attacks. It requests the United Nations High Commissioner for Human Rights to organize an expert consultation with states and other relevant stakeholders, including the United Nations [00:52:00] Secretariat and relevant bodies, representatives of subregional and regional organizations, international human rights mechanisms, national human rights institutions, and non-governmental organizations, the result of which will help the office of the High Commissioner to prepare a study on the situation of the violations that abuses of human rights, rooted in harmful practices related to accusations of witchcraft and ritual attacks, as well as stigmatization and to inform further action by existing mechanisms at the United Nations and to submit a report thereon to the Human Rights Council at its 52nd session.
    [00:52:39] Mr. Volker Turk is the current United Nations High Commissioner for Human Rights. He took up official functions as high commissioner on October 17th, 2022. His Twitter handle is @ V O L K E R _ T U R K. Let him know you support his taking a suggested action on the [00:53:00] resolution. Let him know people like you stand against these violations and support finding solutions. Thank him for his work and accomplishments. 
    [00:53:07] Next, support the Connecticut Witch Trial Exoneration Project. You can support the project by sharing @_endwitchhunts, CT Witch Hunt, and CT Witch Memorial social media, and especially the news interviews in the first three Thou Shalt Not Suffer Podcast episodes. You can support the project by signing your name on the change.org petition. All these links are in our show episode notes. Go to the links, learn, support, and share. 
    [00:53:36] When the state of Connecticut moves forward with an exoneration for their accused witches, they're taking state action that stands with the promotion and protection of all human rights. Their exoneration decision is for Connecticut, but it is also for Africa and Asia. Their decision shows where they stand on violations and abuses of human rights, rooted in harmful practices related to accusations of witchcraft and ritual attacks, as [00:54:00] well as stigma. 
    [00:54:01] While we watch and wait, let's support the victims across the world where innocent people are being targeted by superstitious fear. Support them by acknowledging and sharing their stories. Please use all your communication channels to be an intervener and stand with them. The world must stop hunting witches. Please follow our End Witch Hunt movement on Twitter @_endwitchhunts and visit our website at endwitchhunts.org. 
    [00:54:25] Josh Hutchinson: Thank you, Sarah.
    [00:54:26] Sarah Jack: You're welcome. Join us next week.
    [00:54:29] Josh Hutchinson: Like, subscribe, or follow wherever you get podcasts.
    [00:54:32] Sarah Jack: Visit thoushaltnotsuffer.com often.
    [00:54:35] Josh Hutchinson: And join our Discord for rousing discussions of the show. 
    [00:54:41] Sarah Jack: Follow us on social media, links in description. 
    [00:54:45] Josh Hutchinson: Remember to tell your friends, family, and anybody else you run into about Thou Shalt Not Suffer: The Witch Trial Podcast. 
    [00:54:53] Sarah Jack: Catch you next time. 
    [00:54:55] Josh Hutchinson: Have a great today and a beautiful tomorrow.
    [00:54:59] [00:55:00] 
    
  • Documenting the Exoneration of the Last Witch of Salem

    https://feeds.buzzsprout.com/2045153.rss

    Show Notes

    Presenting The Last Witch documentary filmmakers  Annika Hylmo and Cassandra Roberts Hasseltine. We discuss the exoneration effort of Elizabeth Johnson Junior, who was a Salem Witch Trials convicted witch from Andover, MA. She was overlooked during previous exonerations but has now been cleared after 330 years.  The Last Witch documents how the community came together for the effort, including  North Andover Middle School teacher Carrie LaPierre and her students,  historian Richard Hite, and MA State Senator Diana Dizoglio.  We look for answers to our advocacy questions: Why do we hunt witches? How do we hunt witches? How do we stop hunting witches?
    The Last Witch Website
    The Last Witch- A documentary 330 years in the making
    Kelly Clarkson covers Johnson’s exoneration
    Contact The Last Witch
    State Senator Diana DiZoglio Facebook Page
    George Gerbner, Media Scholar
    Marilynne K. Roach, The Salem Witch Trials: A Day By Day Chronicle of a Community Under Siege
    Richard Hite, In the Shadow of Salem: The Andover Witch Hunt of 1692
    University of VA, Salem Witch Trials Documents and Transcriptions
    End Witch Hunt Projects
    Please sign the petition to exonerate those accused of witchcraft in Connecticut
    Leo Igwe, AfAW
    Advocacy Against Witch Hunts, South Africa
    Support the show
    Join us on Discord to share your ideas and feedback.

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    Transcript

    [00:00:00] Josh Hutchinson: "Thou shalt not suffer a witch to live." Exodus 22:18
    [00:00:05] Welcome to another episode of Thou Shalt Not Suffer: The Witch Trial Podcast. I'm Josh Hutchinson.
    [00:00:31] Sarah Jack: And I'm Sarah Jack.
    [00:00:34] Josh Hutchinson: Today we're talking to Annika Hylmo and Cassandra Roberts Hesseltine. Their documentary, The Last Witch, covers the exoneration of Elizabeth Johnson Jr., the "Last Witch" of Salem to have her name cleared.
    [00:00:49] Sarah Jack: Because you like the show, please share it with your friends, family, and followers. 
    [00:00:54] Josh Hutchinson: I'm looking forward to today's episode. I think we'll have a deep, [00:01:00] powerful conversation with Annika and Cassandra, and looking forward to diving into how and why we hunt witches with them, what they've learned from doing their documentary.
    [00:01:15] Sarah Jack: Yeah, I'm really excited to get to talk to them directly. I've really enjoyed their Facebook Live updates on their work, but we're gonna get so much more tonight. 
    [00:01:27] Josh Hutchinson: We are, and speaking of getting more, Thanksgiving is next week.
    [00:01:31] Sarah Jack: I have my turkey. It's not thawed yet, but I have it. 
    [00:01:36] Josh Hutchinson: Yeah, don't thaw a week ahead of time. I wouldn't wanna eat a week old Turkey.
    [00:01:41] Sarah Jack: There's this movie that I watch every Thanksgiving if I can get it. It's Home for the Holidays with Holly Hunter and Dylan McDermott and Robert Downey Jr.
    [00:01:54] Have you seen it? 
    [00:01:55] Josh Hutchinson: I think I've seen that. I don't remember it though. 
    [00:01:58] Sarah Jack: Love that [00:02:00] movie. And it's all about frustrating family dynamics, and the sister brings a Neutra bird. 
    [00:02:09] Josh Hutchinson: What is a Neutra bird?
    [00:02:11] Sarah Jack: I I have no idea, but it was like a special health. They called it a Neutra bird or Neutry bird, and she ends up wearing it.
    [00:02:18] Josh Hutchinson: Oh, like Joey and the turkey in Friends? 
    [00:02:21] Sarah Jack: Oh yeah. See that's what we should talk about is Friends. 
    [00:02:25] Josh Hutchinson: I wanna talk about Planes, Trains, and Automobiles. That's my favorite Thanksgiving movie.
    [00:02:30] Sarah Jack: That is up there. That is up there. 
    [00:02:34] Josh Hutchinson: That's the classic Thanksgiving movie. 
    [00:02:38] Sarah Jack: Josh, let's hear some history about Elizabeth Johnson Jr. 
    [00:02:42] Josh Hutchinson: Elizabeth Johnson, Jr. was an unfortunate victim of the Salem Witch Trials. Elizabeth Johnson Jr. was the granddaughter of Reverend Francis Dane of Andover, but, more importantly, she was the first cousin, once removed of Martha Carrier, who Cotton Mather described [00:03:00] as the Queen of Hell and whose family were basically all arrested during the Salem Witch Trials.
    [00:03:09] Elizabeth Johnson, Jr. was 22 at the time of her arrest. Her father Steven Johnson had died in 1690, due to a smallpox outbreak that was blamed on Martha Carrier. Elizabeth Johnson, Jr. was arrested shortly before August 10th, 1692, along with her second cousins, Sarah and Thomas Carrier, children of Martha. 
    [00:03:34] Elizabeth was examined by magistrate Dudley Bradstreet on August 10, and she did confess. She was alleged to have afflicted Sarah Phelps with the help of Sarah and Thomas Carrier. Sarah Phelps was the daughter of Samuel Phelps and the niece of recently deceased Elizabeth Phelps Ballard, the woman for [00:04:00] whom the Andover witch-hunt really started, when her husband invited afflicted girls from Salem Village to come up and detect witches. Elizabeth confessed to afflicting Sarah Phelps, Ann Putnam, Mary Walcott, Lawrence Lacey, Benjamin Abbott, a child of Ephraim Davis, two children of James Fry, the children of Abraham Foster, and Elizabeth Phelps Ballard, who died.
    [00:04:28] Elizabeth stated that she had been a witch for four years. She became a witch at her cousin Martha Carrier's house, and in 1689 she was baptized by the devil by having her head dipped in Martha Carrier's well. She also scratched the devil's book with her finger to sign the covenant with him. She was present at a witch sacrament, where red bread and blood wine were served. All the witches there pledged to pull down the Kingdom of Christ and [00:05:00] set up the Devil's Kingdom. 
    [00:05:02] While she confessed, she also accused Martha Carrier, George Burroughs, Martha Toothaker's two children, Richard Carrier, Sarah Carrier, Mary Lacey, Sr., Mary Lacey, Jr., John Floyd, and Daniel Eames. She confessed to using puppets and she showed a place on her knuckle, where her familiar suckled her and said that there were two more places that she couldn't reveal. So women searched her body, and they found one behind her arm, but didn't mention any other.
    [00:05:36] And now after 330 years, her name has finally been cleared, the last of the convicted Salem witches to have that done. 
    [00:05:48] Sarah Jack: Thank you for all of that information on Elizabeth Johnson, Jr.'s life and for making her experience something that we know about. 
    [00:05:58] Josh Hutchinson: You're [00:06:00] welcome, and I forgot one detail. She sold her soul to the Devil for one shilling, which is just a bunch of pennies, 5 cents worth, a nickel. She sold herself to the devil. And she never got paid. The devil never paid up anybody who confessed to covenanting with him during the Salem witch trials. Never once did the guy actually do what he said he would do. 
    [00:06:28] Sarah Jack: That sounds like him. 
    [00:06:30] Josh Hutchinson: Yeah, he's a rascal. 
    [00:06:33] Sarah Jack: Yeah, he's a liar. 
    [00:06:35] Josh Hutchinson: The Prince of Liars.
    [00:06:36] Sarah Jack: Welcome to Annika Hylmo and Cassandra Roberts Hesseltine of The Last Witch, a documentary about the work of a middle school teacher and her students to exonerate Elizabeth Johnson Jr., the last person convicted during the Salem Witch Trials to be cleared.
    [00:06:53] We would like to start out by finding out who was the last witch.
    [00:06:58] Annika Hylmo: The last witch, it depends on [00:07:00] how you see it, depends on what you consider to be a witch. But the last convicted witch from the Salem Witch Trials was Elizabeth Johnson Jr., who was just exonerated on July 28th, 2022, three hundred and twenty-nine years after she was convicted. So with that, I guess you could say that she was the last witch from the Salem Witch Trials, and that kind of ended the Salem Witch Trials.
    [00:07:28] Sarah Jack: When I saw how you listed that on your social media, the end of them, I thought that's really a strong statement and thought, and that's a wrap. So that's really powerful. 
    [00:07:41] Cassandra Roberts Hesseltine: Yeah, we felt that way too. I think Annika came up with it first, and she said that, and it was like, "wait, you're right."
    [00:07:46] Oh my gosh. It's, it made history and it like closed a chapter in history. Not all the way, there's still more obviously other people that haven't been exonerated, like in Connecticut and other places around the world, but also and still the lasting effects of it. But [00:08:00] definitely that particular chapter felt like it had come to a close.
    [00:08:04] Annika Hylmo: It's incredible when you start to think about it that it's been almost 330 years, right? And that for all this time that somebody could be considered to be a witch. And it raises, I think, a lot of questions about what we believe to be a witch, who is a witch, who isn't a witch, who's culpable, and how we treat people, as well as all the issues that you can trace back to the Salem Witch Trials. History and present are so intertwined, and we tend to forget that history is, it's happening now, and we're a part of all of this.
    [00:08:42] So the fact that this took 330 years for simplicity to get taken care of makes me wonder sometimes what things we're dealing with now that it will take 330 years to clear and set things right. 
    [00:08:58] Sarah Jack: None of us are gonna allow that. [00:09:00] Are we ? 
    [00:09:00] Annika Hylmo: Let's hope not. 
    [00:09:02] Sarah Jack: Can you tell us a little bit about where she lived, how old she was, how long she was in prison, a little bit about her experience?
    [00:09:10] Annika Hylmo: We don't know an awful lot about her, to be honest. We have snippets of information about her. We know that she lived in what is today, North Andover, Massachusetts, which is outside of Salem. We know that she was about 22 at the time of the witch trials, and we know that she was not married. She did not have children.
    [00:09:32] And we know that she may have been a little bit different. There was talk of her being simplish. She, there was talk of her being simple-minded, and that came up on a couple of occasions in some of the documents. We also know that she was the granddaughter of Reverend Dane, of Reverend Francis Dane, who was the elder clergyman in town at the time.
    [00:09:56] But as far as any other specifics, we [00:10:00] know very little. We can assume things. We can assume that she probably lived with family, for example. We do know that she was examined, and that's another word of being like really threatened, because these were very threatening circumstances. In 1692, early fall of 1692, she was then in prison, we assume, but we don't know because some of them were let out temporarily, so we don't know the exact circumstances, but until January of 1693, when her grandfather wrote a letter where he stated that she was simplish at best, but about a week after that she was convicted and sentenced to hang. At the time, the governor of Massachusetts had already pardoned everybody, so she wasn't going to actually hang, but she was imprisoned, from what we understand, a little bit longer.
    [00:10:59] We do [00:11:00] have a sense that she was supposed to hang early February. That did not happen because of the pardon, but it wasn't like people let go of this thing about witch hunts and witch trials and witchcraft. It was just that the governor had said no, and there's an end to it. From there, we don't know much about her.
    [00:11:16] We know that she probably owned some property. She tried to get restitution for the time that she was in prison. Basically, people had to pay their own way, and she tried to get that money back at one point. We know that she sold some property at one point and that she probably died when she was, I think, in her seventies.
    [00:11:35] But we know very little about her circumstances after the trials, before the trials. She was, in many ways, one of us. Most of us, you don't know exactly who we are, what we do, even with social media, That's our modern day version of gossip, but you don't really know that much about each one of us. And for many of us, once we are gone, we're gone, as much as we'd like to think otherwise. So [00:12:00] she's somebody that could be anyone of us at the time and now, and that's what makes her so compelling. One of many reasons. 
    [00:12:09] Josh Hutchinson: That reputation sticks with the person through the rest of their life and well beyond.
    [00:12:15] Annika Hylmo: And the interesting thing about that is that the whole connection to the witch trials is profound. When you look at people that have some kind of connection and who you are related to, there's a big difference when you talk to people who consider themselves to be related to somebody who was a witch compared to somebody who was an accuser compared to somebody who was a judge. That still is part of modern day community, and that has not let go.
    [00:12:45] Cassandra Roberts Hesseltine: And, unfortunately, I'm related to all three , so I'm confused with my feelings. But yeah, it is true. When we met descendants who were descendants or relatives of people that were accused or witches that were actually executed, [00:13:00] the pain is still pretty strongly, especially with ones that grew up on the east coast, knew about their heritage their whole life.
    [00:13:06] And then you have the accusers. I'm a direct descendant actually of an accuser, joseph Ballard, who actually, because of him and his wife, who was ill at the time, is why the Salem girls were brought over to Andover and why people were then accused in Andover's from my grandfather.
    [00:13:21] And I'm actually a cousin through marriage of Elizabeth, as well. So I'm related, and then I'm related to a few that were executed, and I'm related to Judge John Hathorne, which he wasn't the nicest of people. And it can be confusing and also feel, wow, what a timeframe of what went through with all these people.
    [00:13:39] I can't imagine being a direct descendant of someone who accused and caused more people to be accused than in Salem itself. There is a guilt that came on when I first learned about it, but I wasn't raised with this. I had to learn about it about ten years ago. Until then, it was a story that happened to someone else.
    [00:13:56] But yeah, as Annika says it's interesting when we've talked to other descendants, [00:14:00] relatives of what that has carried on for them.
    [00:14:03] Josh Hutchinson: Sarah and I are both descendants. Sarah's a descendant of Rebecca Nurse and her sister Mary Esty. I'm a descendant of Mary Esty and found family connections to several dozen people involved. So I have that thing of being related to judges and jury and accusers and everyone, and it brings up conflicting feelings.
    [00:14:30] You try to understand what each of those people was thinking and what their experience was, and that fear of witches was so real back then that kind of understand where they were coming from, but it still doesn't make it better. 
    [00:14:47] Cassandra Roberts Hesseltine: Josh, when we first started our project, it was actually a narrative feature film that we were working on, a story of about Andover and what happened there. A lot of people have done stories on Salem, so we were wanting to make a movie [00:15:00] about a different version or portion of what happened. And Annika had actually brought that up, and I thought that was really lovely of seeing the humanity, cuz I had the guilt of, oh no, my grandfather, did this horrible thing.
    [00:15:11] And she's, " but he was in love with his wife and she knew, and they had real fears and this was their religion and their beliefs". And that really actually helped me. So thank you, Annika. With that portion. At the time as well, when we started, I didn't realize actually I was related to so many other people at the time. I only thought it was related to the accuser. But as Annika says, they all, they all had to marry each other and everything. It was such a small town. And and so you end up, if you're related to one, you're probably related to a few.
    [00:15:35] Josh Hutchinson: Does the film explain why she was overlooked? 
    [00:15:40] Annika Hylmo: That's one of the big questions why she was overlooked, and there's really no good answer, except that it makes for really good drama, because once we discovered this story, it came about because there was an article about school teacher Carrie LaPierre and her middle school students who were [00:16:00] working to study the case of Elizabeth Johnson Junior and to exonerate her from the witch trials and working together with Senator Dizoglio to get that.
    [00:16:08] So in digging into this story and asking people who were in some way connected to Salem, in some way connected to the witch trials and go, "so why do you think that she was not cleared?" Because there were others who have been exonerated various phases as we know. The last group before her was in 2001.
    [00:16:31] And so the question is, why was she left out and why is there only one? Why is she the last one? And the response that inevitably came up was that they just forgot about her, and it became an echo. They just forgot about her. They just forgot about her. They just forgot about her. And it got to be a little bit eerie.
    [00:16:50] Almost there's a conspiracy theory around this, which opens up a number of questions, right? So why would you forget somebody who was a [00:17:00] member of your family? Why would you forget somebody who was convicted of witchcraft during such an important time and that's been studied so much. And there are probably a number of reasons why she was forgotten, overlooked, and ultimately considered to be unimportant, which is a critical part of this when we're gonna be going into some of this, during the story, during the documentary, and obviously dig deeper.
    [00:17:29] But for our purposes today, and remembering the contemporary side of this is that she did not have kids. She was a single woman who was a little bit different in some way. We don't wanna go back and give her a diagnosis because that's not fair to her. It's not fair to history. And back in the day, people did not have psychiatrists and other people to help them out, but she was different in some way.
    [00:17:58] And you take all of [00:18:00] those elements, plus the fact that this was a big, dark shadow that was cast over the communities. Nobody really wanted to talk about it. Nobody really wanted to talk about the Salem witch trials. People tried to figure out how to move on through marriage, in some cases by moving away, in some cases by running away. We have a lot of people that disappeared after the witch trials. 
    [00:18:24] And for Elizabeth, she probably lived with her family afterwards for a while, but she didn't have descendants. And when you don't have descendants, you're much easier to forget. It's like society is saying that you don't matter if you don't have descendants. So that's a really big and important thing for us to look at is when do you stop mattering? And if you don't have kids, do single people matter less than people who are married or people who have kids? We know that women then and now are still more likely to be struggling financially, economically, for [00:19:00] example.
    [00:19:00] So some of those issues that she would've been dealing with then that would make her less important to people around her are probably the reasons for why she kept being forgotten. All the people that have been exonerated since have had family members that have been speaking for them. We know Rebecca, Nurse's family, for example, have been integral in making sure that she was never forgotten.
    [00:19:26] Some of the other families tried to move on and just forget, but Elizabeth didn't have anybody speaking up for her, and to me that is one really important question and lesson to be taken away from this is who are we as individuals today when we are overlooking people, where we're not paying attention to that one person who's alone by themselves, when we walk by somebody who is not connected, who doesn't have a family, the same way, somebody who doesn't have kids, who [00:20:00] might need a little bit of support, and how often do we do that without stopping to think about it? Because that's probably what happened to Elizabeth back then.
    [00:20:09] Sarah Jack: Yeah, that is very powerful. I just think about how unfortunate for her experience that the exoneration didn't happen for her and during her lifetime or even in a quick amount of time, but it's really giving us a lot of power today to do something with it for these people that are getting looked over. And also, when I saw the exoneration news popping up, it was right before the anniversary of Alice Young's hanging. And I like anything you guys put out, I pushed out and talked about Alice, and I feel like it really was important during the very beginning of the exoneration for the Connecticut witch trials, when that group was forming this [00:21:00] spring, what you guys were doing, about sharing what was happening with Elizabeth with the legislator. That's like another powerful thing. This is one of those things that it was, a grave oversight, but it's also something very powerful today. 
    [00:21:15] Annika Hylmo: Yeah, it's very much something that's holding up a mirror to us. And for me, that's why it's important to tell this story, because it's asking us to take a look at a lot of the same questions that were happening back then that are happening again today. Historically, we know that Massachusetts didn't have a charter at the time. We know that people were coming out of war. There was a lot of war going on at the same time. They just had a smallpox. This was a community that was settling, and so economically, there was a lot of instability and it was a community that had a lot of young people and not so many elder people, older people. So it was like a pyramid if you look at it that way, in terms of the numbers of people. [00:22:00] And again, a very unstable time when people were trying to figure things out. People were trying to build a new community, and people were trying to recover from famine, from misfortune when it came to crops and trying to find a way to create a new society. And in some ways did, and in some ways they failed. 
    [00:22:25] And if we look at what's going on around us right now, we're very much at that precipice again, that we can either do what people have done over and over in time, right? Which is to look around and blame somebody else, and point a finger at somebody else, and continue with this black and white thinking where whatever is wrong in the world is somebody else's fault, while we watch and we look around and we see war, we see climate change, we see all sorts of destruction going on around us, we see families being torn apart, we see death [00:23:00] and dying and pandemics taking over regardless of what you think may or may not be. We are seeing a lot of lot similar changes as we're taking place back then.
    [00:23:12] And the question for us is really what can we learn from what happened in 1692 so that we don't push ourselves toward the same kind of apocalypse that happened for them at that time? And so that we can really think about what kind of world do we want to live in and create that world, as opposed to jumping on the bandwagon of the latest rumors and misfortune and catastrophe. So what do we wanna do as individuals and as our society? And I think that's a big lesson to think about, because otherwise we're gonna land in the same kind of apocalyptic underworld that they felt like they were in at the time. 
    [00:23:54] Sarah Jack: Were you surprised at the impact your work is [00:24:00] having, even in the stage, like your research stage and now in a new stage of the film? Has the power of your work been a surprise? Was it your hope to get things rolling in people's minds now at this point of your project? 
    [00:24:15] Annika Hylmo: That's part of the fun, isn't it? To shake people up a little bit and to get people to think a little bit, and obviously this story is about a story that was already in motion.
    [00:24:25] Carrie LaPierre was already working on this based on the work of Richard Hite, who was the one who discovered that Elizabeth was still not exonerated and the wonderful Diana Dizoglio state senator, who pushed this through the Massachusetts Senate. And as you start to look at the story, obviously there's a reason for why we picked doing this.
    [00:24:49] It's like this, there's curiosity behind this. This is crazy. There's this, how could this be? And how could this be that there is somebody that's still convicted as a witch from [00:25:00] 1692? And that became the impetus. But as you start to pull at it and things happening in real time, then you start to realize how much there is to this story.
    [00:25:13] So then it becomes, how can we have fun with this and challenge people to be a part of it? Because that's, it's fun to challenge people to be a part of it and to listen to people and hear their stories. It's a lot of fun to do that. But as we went on, this, the bill, the initial bill went through this Massachusetts State Senate and then it stalled.
    [00:25:37] So there are these moments that you come up against where you go, "this is crazy. Why would they not just sign up on this?" So when other people are starting to step up and saying, "yeah, we also think this is crazy, this is nuts," then you start to feel that community, and when you start having that community that's doing something good or starting to realize that there's something good about this, then [00:26:00] you go, "okay, this is fun."
    [00:26:02] And filming the kids, and even seeing the kids in the classroom go from, "yeah, this sucks. We gotta do the school project," which we expected because they're eighth graders. If they weren't like that, then I'd be really worried. But they went from that to go, "yeah, I guess this kind of maybe important."
    [00:26:19] And then you realize that they go, "yeah, we're doing something that adults aren't doing. This is cool." So it shifts along the way, and seeing them and seeing everybody else take on and let it grow, I think has been affirming more than anything else. This is something that matters. It's, beyond just the surface level of the story, which is great, like teacher kids exonerating, but the impact, seeing all those accounts start to pop up.
    [00:26:55] This was especially in July, when we were doing a ton of social [00:27:00] media outreach, and I know you were both part of that and then responding and answering and everything like that. We did a ton of social media outreach in July, and seeing more and more accounts pop up and more and literally around the world and say, "yeah, we too." So it went from me too to we too when it came to the witches. Was incredible power, incredibly powerful, seeing the story spread, not just here in the US but literally spread around the world, which the original story had as well, when Carrie first started with the project, or when the first articles came out about it that also went around the world, but nothing like this. 
    [00:27:42] But it's also, I think, giving us hope that we can come together as a community and do the right thing when it comes to many of the people who were convicted back in the day, but also to move forward and really ask [00:28:00] those profound questions about what does this tell us about who we are, about what we need to do? Because we can't stop. If we stop here, we will have more tragedy. And that's what the witch trials, I think, can teach us and tell us.
    [00:28:16] Josh Hutchinson: You've touched basically on the central premise of why we're doing this show and our questions that we're looking to have answered as we do this, which are how do we witch-hunt?
    [00:28:31] Why do we hunt witches? And how can we possibly stop this behavior because it does continue today. So I thank you for getting into so much detail on that. That was wonder. 
    [00:28:44] Cassandra Roberts Hesseltine: And I think, in a way you just want everyone to look at your movie and support it, right? We wanted to be able to make the movie. We loved it. We loved the topic. We were already working on a project prior to it. When Annika had discovered what was going on, I said, "oh my gosh, let's work on this."
    [00:28:56] So we absolutely were honored when people started [00:29:00] paying attention and when you, yourself, when both of you started paying attention to our project and then it connected us to other witch trials, that was such an honor. I think that's how I look at it now. And as Annika said, the community of building everybody and coming together.
    [00:29:13] And I think also one more part that I wanted to mention from earlier, your question earlier was just that, and Annika's mentioned this as well. She, as the director, she points out a lot of these things, and so that's why I keep referring to her, which is great. I'm so honored to have her be able to be so intelligent about it.
    [00:29:26] But the middle school news often nowadays is a school shooting. And how amazing is it that this is not that, that this is success, that this is them standing up for someone's rights? This is changing history. Even if they were bored and didn't understand it at times, they did get it at times, and especially, when the senator came to visit them and getting when they were able to do it. And one of the young girls even actually ran into the governor before he even signed off and was like, "you should do this." So it was pretty amazing, to have them fight for something like this. 
    [00:29:59] Sarah Jack: [00:30:00] It's definitely planting very important seeds. 
    [00:30:04] Annika Hylmo: And that's how you stop it. 
    [00:30:05] Cassandra Roberts Hesseltine: Josh is saying, "how do you stop some of this?" And it's I think we do have to start young with this. And inspiring others. Annika's talked about, that the movie being an inspiration to get you to see how can you help, how can you be part of changing history or the story or what story do we wanna write, because if it happened then, and it's echoing now and paralleling, then where are we going? Are we going to a second apocalypse? Are we going to have a situation where people are gonna be collected and told they're witches and hanged? That's seems so unimaginable, but it must have been very odd then too. 
    [00:30:40] Annika Hylmo: Stop to think about it a little bit, though, this whole thing about witches and witchcraft, which there's a whole question of who is a witch and who isn't a witch. And I think witches are something. We've always had witches around us in some way, whatever, because we designate, we put a label on people, and they happen to be the witches of the time. Even the Bible has [00:31:00] stories about witches, and those, the Bible is based on oral traditions. I think it's something that we've always had with us. And it's something that's morphed at that community. It's a community that's morphed in different ways, and we can go into whole conversation around the connection to theology and spirituality and religion.
    [00:31:20] But it is a very interesting phenomenon to look at. Back in the day, in the 1600s, they were superstitious, just like we are superstitious today. So I think that's one place to start really considering how close are we to this? They were very superstitious. They used an almanac, which is basically astrology, and anybody that's ever read their astrological horoscope or something like that, that could have been you.
    [00:31:47] They would do little rituals, they will do things and they would have sayings just like we have now. There were some stories of people dying very suddenly and nobody understanding why, and so people came up with an [00:32:00] explanation. So there's a whole range of what that might be. There were, they would sell little booklets about palmistry, about how to read somebody's hand to tell their fortune, that kind of thing.
    [00:32:10] During the pandemic, I saw some statistics about Tarot cards, and apparently the sale of Tarot cards went way up during the pandemic. So I would say that anyone who's listening to this, who's got a deck of Tarot cards at home, if we consider that to be your local poppet or your local whatever it might have been back in 1692, this is how close it is. Little things that we say and do, little superstitions that we all have in different ways, like throwing salt over your shoulder for one thing what, whatever it might be, everyone's got something that we do. That could potentially mark us as a witch. Somebody that's really intuitive could be marked as a witch.
    [00:32:59] It [00:33:00] happens easier than we think, so that's when it comes to the whole idea of witches, and of course people go into see a psychic, which Salem is these days, very famous for that. It's become a safe haven for people who are psychics and who are spiritually minded, and it's wonderful that it is a safe space in many ways, but it's also telling us how easily this could be potentially be repeated, if we look just at spirituality and women's spirituality in some way.
    [00:33:30] And we take the same thing, and we can look at any other community that's different in some way, and how easy it is to say that's you, not me. And then we start to build those walls, and the same challenge comes up. We just had it during this entire pandemic where we had people say, "I believe there's a pandemic. I believe there's a virus." And we had people who said, "no way there is a virus, absolutely not." People are saying that, "of course I'm gonna get [00:34:00] vaccinated and it's the right thing to do." And then people are saying, "no. It's almost like it's the devil's work, right?" It's closer to us than we think, and we can take that image and place it on so many different social issues, so many different circumstances that are very close to us.
    [00:34:18] So the whole idea about witch hunts, it's here. That's the thing that, witch hunts are here. Look at politics. Every single time there's an election, somebody's gonna say something and be called a witch or being called a witch hunter, or something along those lines. There's a witch-hunt on this, there's a witch-hunt on that. It happens consistently, and we're all a part of it. The question is, what are we gonna do about it? And then I think another question is, are we doomed ? For want of a better word, are we doomed to constantly repeat this? Because if we've done this for thousands and thousands of years, is this something that's just by [00:35:00] nature, a part of humanity?
    [00:35:01] And that I don't know the answer to, and I don't know that I want to know the answer to it either, to be honest.
    [00:35:09] Sarah Jack: We've been looking more and more at the modern witch killings that are happening in other parts of the world, and there is a very strong religious superstition tied to it. And so not every community in the world is in the same place as far as the understanding or the tools they have to start changing that next generation. So I just really hope that these powerful words that you're saying today, the power of your documentary the historical part of the documentary is so important. It's interesting cuz you brought up the safe, the safeness of Salem today for those that are practicing, and [00:36:00] it's so how does this all come together without the fear? I just, I want the fear to be. dissipated and yeah, I just really thinking, I've just been really thinking.
    [00:36:13] Josh Hutchinson: We haven't in many ways changed very much, but we're hoping that somehow a way to intervene can be found, and these witch hunting behaviors can be stopped.
    [00:36:27] They have been going on since basically the beginning of humanity in various forms. Labeling the other, the one you want to scapegoat for all your problems. We saw that with World War II. We've seen that so many times in our own lifetimes. I wanted to thank you for bringing that up.
    [00:36:51] Annika Hylmo: It's very real. Yeah. I think we all have superstitions and I think it's it's a big part of psychology and our [00:37:00] superstitions and our fears. They're there for a reason as well. They're there to protect us, so it's not like we want to get rid of it altogether, but to learn to question it and to learn to take action. Too often do we look at something further away, as opposed to looking at what's really close at hand and even how we're talking to each other, how we're expressing things. I've been called a witch. I've been called witchy, and there's probably some truth to that. Do I identify myself as a witch? Not particularly, but depending on what the other person sees in me, then I may well be a witch.
    [00:37:39] I think the question though, of how it's expressed and how we're talking to each other, how we're talking about one another, not just when we're in the room, but also when we're not in the room with one another. How do we express respect for somebody else? How do we talk about, [00:38:00] again, going back to that person who's alone, but talk about that person in a respectful way to a point where it feels like, "oh my gosh, that's somebody that I want to invite into my world," as opposed to, "poor so and so that are by themselves." So instead talking about something amazing that they're doing or great sense of humor or whatever it is that person has.
    [00:38:25] It's often those little things that where it starts. And that's a personal responsibility that we have, I think each one of us. And probably should find something that really matters to us and stand for that and stand up for it, not be afraid to express an opinion. But would that also take the responsibility of learning about it? So it's not just because somebody said or because you picked it up on the news or social media or something, but really take the time to discover different sides to it. Be curious about [00:39:00] that issue, and then stand up and speak for it, and find somebody that you're going to protect when you're doing it, somebody who might not be as good at speaking about it as you are, but bring them into your fold. So it's certainly, I think, a lot about personal responsibility in this that needs to come out. What can we do as individuals? How can we talk about questions in ways that we might not feel comfortable talking about?
    [00:39:26] Cassandra Roberts Hesseltine: And to speak to that, Dr. Samuel Oliner, who I was very fortunate to get to meet. He taught here locally at the university. He really helped foster and coin the phrase of altruism. And he was a teenage boy and during World War II and had to pretend to be German on a, at a ranch that he stumbled upon after his whole family was killed in a mass grave.
    [00:39:48] And he, the woman he found out later had always known he really actually was Jewish and saved him and didn't turn him in. And so he studied. Instead of studying the negative [00:40:00] side, which we've been talking about, that energy of that happening, he studied the opposite, which is the answer, some of the answers, I won't say it's the answer, but what Annika was saying of us taking responsibility and caring about someone else. So he studied altruism, and he created a whole facility. He wrote a plethora of books on it. And what he found was that it was a lot of times somebody who, people had more empathy and were more altruistic the more that they were able to see outside their little world.
    [00:40:29] So if they traveled, they were the person that was gonna come to a bridge. If they saw a car go over the bridge, they would be the person who would jump into the water to go save someone, versus the spectators who stood and watch. And what made that difference? How do we get more of those people who jump in the water, or who write the letter and say, "no, this is ridiculous? We're not gonna hang or burn people for playing with Tarot cards, things like that." And it basically came down to just be more worldly and be more experienced so that you would have more empathy and realize there's people that do things [00:41:00] different than you. And that's okay.
    [00:41:02] They can still exist and we can still coexist and not have to feel so threatened and blame them for the things that we are confused about or don't understand. But how do you teach that to everybody? And some people don't have that, they're not in the space, the mindset, I think, as Annika said, psychology, they're going through a tough time.
    [00:41:19] Annika Hylmo: It brings to mind somebody that I met when I was working on my PhD. And my PhD is in communication, which is basically storytelling. That's the simplest way of explaining it to everybody. But I met a researcher back then, his name was George Gerbner, and he studied the impact of mass media, and people who are always watching a lot of news, taking in a lot of the bad news, often feel like it's a very dangerous world of life, bad living in, and as a result, refusing to interact with other people, refusing to make contact with other people and thinking that the world is a lot worse than it actually is.
    [00:41:59] [00:42:00] And it strikes me that we had another event, just 2020, and that was the Black Lives Matter movement, which came up very suddenly and not suddenly. It was interesting to talk to people who are very different. I'm very pale skinned in comparison to the vast majority of this world. I have blue eyes, I've got brown hair, and I found that I had such rich conversations with people who didn't look like me and with people who looked like me, and I learned so much about myself and about the world through those conversations. That's something that's open to anyone to have those conversations, to do that outreach.
    [00:42:45] And that's also where a lot of this is going to start. It's dared to have a conversation who isn't like you, who doesn't have the same belief system as you, who might be [00:43:00] different, whether it's economically, it's spiritually, it's sexually, it's ethnically, whatever it might be. Those conversations are so powerful because they teach you something about you at the same time as it opens up to the rest of the world.
    [00:43:17] So I think, just like what Cassandra was saying, it's that really that connecting and seeing how you can connect with other people. There's a lot of psychology in this and a lot of opportunity for us to step across those boundaries, to step outside of that fear zone a little bit and go, "hey, this is fun. I like hanging out with you. Let's do this."
    [00:43:40] Josh Hutchinson: Yeah, that's such an excellent point about connecting with people who could alternatively be seen as the other and avoided. One thing, one big step towards getting rid of this witch hunting behavior is exactly that, embracing [00:44:00] people with different beliefs, different appearances, different backgrounds and connecting. But it's still the problem of how do we get everyone to embrace that?
    [00:44:12] Annika Hylmo: I think that we need to open up to curiosity a lot more in this world compared to where we might have been. And I actually think that's a lesson, too, that we have to learn from the 1600s, because their experience was very different with the world compared to ours. Theirs was one of all the senses, and we are not using all of our senses anymore. And with that, we've lost some curiosity. And I think this is actually a really important point that we need to not just go, "oh, we don't wanna be at all like the 1600s" But there are some ways, at least for me, that I wanna be more like the 1600s and that use of all the senses, to me it's really tied to curiosity.
    [00:44:54] It's like it's stepping outside, being outdoors a little bit and just check in with your senses. Being curious [00:45:00] about that. What does it feel like? Is it warm? Is it cold? Is it windy? What am I tasting? And sometimes if you're lucky enough that you come across something that you could get a bite of along the way, or that experience that you're touching something touch is so incredible. I love walking up and down the street, and sometimes I'll just grab a bit of rosemary, and I'll smell it, and I'll touch it, and it feels a little bit oily, and it smells really good, and it just pops me, wakes me up a little bit.
    [00:45:27] That sense of curiosity with the natural world is something that people had back in the 1600s, because that was part of their life. They didn't have streetlights the way that we do, and so they had to be curious about the shadows at night. They had to be curious about how to grow their crops, about all of those things.
    [00:45:49] And I think that kind of curiosity at a very basic level is something that we've lost. But it's a step toward connecting, [00:46:00] cuz that lets us connect with ourself and then connecting with other people as well. That, and that's something that we all have. That's something that people, you're never gonna be able to take that away from us, but as long as all we do is look at a screen all day long, then we'll forget how to do that.
    [00:46:15] Cassandra Roberts Hesseltine: I think that there is that connecting, like what she said. And then there's also not labeling too, so there's a thing that we should be doing and something maybe we need to also stop doing. I had to take a whole class as part of my degree on labels and what it does to a society when we label.
    [00:46:29] Besides being, through my mother's side being related to the witch trials, I'm also half Mexican through my biological father's side, but a lot of people look at me and think, You're not Mexican. Where's your accent?
    [00:46:41] I've actually been told, "where's your accent? Were you born in Mexico?" And I giggle, and I'm like, "no, I read white, I appear white, but I am Mexican too." And stop having these labels and then be curious, as Annika said. Be able to wonder what's going on and inquire. And those same [00:47:00] exact elements that she was talking about with nature. We could do with people too. Find out more about them. Find out what makes them, instead of labeling them as this thing, and then that thing becomes bad.
    [00:47:08] Annika Hylmo: The labeling thing is actually a really good thing to look at, and it's an opportunity to look at a little bit for each one of us as individuals, because there's a whole movement now that lets people self identify and self label, right? So do you want, what pronouns do you wanna use? And how you react to that has a lot to do with, or tells you a lot about how comfortable you are in a world that isn't so clear, so specific.
    [00:47:37] Again, this is what happened in 1692, that things were not clear, crystal clear to people, something as small or big, depending on your worldview and how, what your comfort level is as having people label themselves, self-identify, and/or asking you what your pronouns are and/or getting [00:48:00] comfortable using those pronouns when you're not comfortable, you've never done it before. It's something completely new to you in a small way. 
    [00:48:10] That encapsulates what people were dealing with back in 1692, because there was so much ambiguity around them. And taking that opportunity to really think about that and then to act on it to say, "maybe I am gonna be making it a little bit more effort to step up and use the pronouns that someone else wants me to use and embrace." That's a really small, large step that everybody can take. And that's the kind of thing that I think we need to look for. It's what are the small things that we can do as individuals and hold ourselves personally accountable for.
    [00:48:51] Sarah Jack: And when everybody goes out and does these very important things that Annika and Cassandra are [00:49:00] recommending, talk about that experience. I think that once you've had a new experience, be brave enough to talk about it with other people.
    [00:49:09] Annika Hylmo: And if you feel like you wanna go to church, if you wanna go to synagogue, you wanna go to mosque, please do. If you wanna be out in nature, if that's where you find your spirituality, please do. If you find that doing something creative, artistic is your spirituality, please do. Whatever it is, talk to animals, go for a long walk, sit on the beach, yoga. Whatever it is, take the time to experience spirituality every day. That will help us a lot too.
    [00:49:38] Josh Hutchinson: I personally, I just wanna say I love talking to animals. I find that to be very therapeutic, if nothing else, engaging with them and I love engaging with nature in general. So I'm glad you brought that up and the curiosity with our senses that we need to engage all five again. That's a good [00:50:00] point.
    [00:50:00] I think what you're doing with the film and what you've done with the conversation so far today is just so important in so many ways. How can people support the documentary?
    [00:50:14] Cassandra Roberts Hesseltine: There's a couple different ways they can. As Annika said, definitely, reach out to us, tell us their stories. It helps educate us, helps us know more of what's going on. We can't be everywhere at all times. We weren't fully aware of everything that was going on in Connecticut until you reached out to us, so helpful. That is so helpful. So that's one way. Following us on all the social medias. If people do that, obviously we hope that everyone uses it for the right reasons, but following where the project is, commenting participating. Facebook, Instagram, we do a little Twitter. And then we have a website. People can, stop and check out and see where we are with the project. 
    [00:50:48] And then, if inclined, we always understand this is the awkward part, but we are self-funding as of right now and the contributions and we're working on our funding for the bigger project. So [00:51:00] that's obviously a big way would be help us get it made, help us get the word out by helping contribute to actually the process of making the film. 
    [00:51:08] Annika Hylmo: And I would add to that, that if there are nonprofits out there that would be interested in learning more about this project and to see where there is a cause, where there might be an overlay, reach out to us because this is a community effort and there may well be a way that we could partner on this.
    [00:51:27] Josh Hutchinson: Great. And we'll have links in the show notes to your website and to your contact form on there, as well. 
    [00:51:36] Annika Hylmo: Thank you, and a huge shout out to these kids in Massachusetts. They are incredible, amazing. Were it not for these middle school kids, two years worth of middle schoolers from North Andover Middle School.
    [00:51:50] If it weren't for them and the work that they did together with our teacher, Carrie LaPierre, we would not be sitting here today. We would not be making the documentary, and we wouldn't be [00:52:00] having this conversation. So guys, thank you to North and over Middle School, cuz you guys are amazing.
    [00:52:07] Josh Hutchinson: This has been such a great conversation. In many ways don't want it to end. I thank you both for your powerful insights into humanity and the things that we can be working on to improve ourselves. Thank you for that.
    [00:52:24] Sarah Jack: Welcome to this episode's Witchcraft Fear Victim Advocacy Report, sponsored by End Witch Hunts News. You have been hearing Witch Hunt Happenings in Your World from me. Who has heard about these crimes from you? Have you looked up any news? Have you checked out the Africa advocacy links in our episode show notes? Who did you say you have mentioned it to? 
    [00:52:45] This week I attended the Colorado Podcaster's Meetup events sponsored by Podfest Expo and others at the Great Divide Brewery in Denver. I enjoyed meeting other creative conversors out here in the West who run various podcasts of their own. Check Thou [00:53:00] Shalt Not Suffer's podcast social media to see all of us. 
    [00:53:03] I had the chance to tell these podcasters that witch hunts are a very relevant conversation. I talked about the Connecticut Witch Trial Exoneration Project, and that Alice Young, the first accused Witch, executed in the American colonies, died in Hartford 375 years ago and is still waiting for her good name to be restored.
    [00:53:23] She was not using witchcraft to harm others. Neither were the dozens of others accused in the Connecticut colony. If she and the other 10 hanged for witchcraft are exonerated by the state of Connecticut, it will be because we advocated for them. Also, those who have been cleared and memorialized by Massachusetts were not harming others with witchcraft. This week, our episode was about Elizabeth Johnson, Jr. of Andover, Massachusetts, and how she was finally advocated for after she remained overlooked in previous Salem Witch Trial exoneration efforts. Each of these exoneration efforts happened because of advocacy from humans like you. It didn't just occur [00:54:00] for Elizabeth because she was actually not a harmful Witch, but it happened because a mighty, collaborative effort from the community spanning young and old came together to make it happen. Likewise, efforts to stop the witch attacks in Asia and Africa must come from other people, people who can use their voice to talk about it and to stand against it. 
    [00:54:20] This month, a woman lost her life due to superstition fears in the Gaia District of Bihar in the Jarkhand state of India. She was burned alive at her home after neighbors accused her of being a witch. She was 45. You can find a news link in our episode notes. 
    [00:54:38] Pre-pandemic, Global Journalist reported this, "for many, witch trials may seem like a relic of early colonial America. But in fact witch-hunting is still a feature of rural life today around the world. One place where it's prevalent is India. On average, an Indian woman is killed every other day after being accused of witchcraft, according to government [00:55:00] statistics. Many are tortured or publicly humiliated before being burned, stabbed or beaten to death."
    [00:55:07] I will be researching and reporting more in India. While we watch and wait, let's support the victims in India and across the world where innocent people are being targeted by superstitious fear. Support them by acknowledging and sharing their stories. Please use all your communication channels to be an intervener and stand with them.
    [00:55:24] The world must stop hunting witches. Please follow our End Witch Hunts movement on Twitter @_endwitchhunts. And visit our website, endwitchhunts.org.
    [00:55:35] Josh Hutchinson: Thank you, Sarah, for that moving and powerful update.
    [00:55:39] Sarah Jack: You're welcome. 
    [00:55:41] Josh Hutchinson: And thank you for listening to Thou Shalt Not Suffer: The Witch Trial Podcast.
    [00:55:45] Sarah Jack: Join us next week for our guest, Greg Houle, an author writing a book about the Salem Putnams.
    [00:55:53] Josh Hutchinson: Subscribe or follow wherever you get your podcasts. 
    [00:55:56] Sarah Jack: Visit thoushaltnotsuffer.com often.[00:56:00] 
    [00:56:00] Josh Hutchinson: And join our Discord for discussion of our episodes. Link in the show notes. 
    [00:56:06] Sarah Jack: Follow us on social media, links in description.
    [00:56:11] Josh Hutchinson: And remember to tell your friends and family and coworkers, and shout it from a mountaintop, about Thou Shalt Not Suffer: The Witch Trial Podcast.
    [00:56:22] Sarah Jack: So long for now.
    [00:56:23] Josh Hutchinson: Have a great today and a beautiful tomorrow. 
    [00:56:27] 
    
  • Witch-Hunts in Great Yarmouth and Salem with Dr. Danny Buck

    Presenting Dr. Danny Buck, Norfolk research historian who examines how witch-hunting was tied to the rise and fall of Presbyterian religious and political hegemony in Great Yarmouth.  Join us now as we discuss the English community of Great Yarmouth and its ties to the New England Salem Witch Trials. We discuss how the two communities show sometimes similar and other times unique witch trial dynamics.  We look for answers to our advocacy questions: Why do we witch hunt? How do we witch hunt? How do we stop hunting witches?

    Daniel A. Gagnon, A Salem Witch: The Trial, Execution, and Exoneration of Rebecca Nurse. Yardley, PA: Westholme Publishing, 2021.
    Dr. Danny Buck, Presbyterianism, Urban Politics, and Division: The 1645 Great Yarmouth Witch-Hunt in Context 
    Petition of Mary Esty and Sarah Cloyce
    Petition of Mary Esty
    Petition of Rebecca Nurse to the Court
    Appeal of Rebecca Nurse
    Petition of Isaac Esty for Restitution for Mary Esty
    Petition of Samuel Nurse for Restitution of Rebecca NurseTowne Cousins, Family Association Facebook Group
    Richard Hite, In the Shadow of Salem: The Andover Witch Hunt of 1692
    Marilynne K. Roach, The Salem Witch Trials: A Day By Day Chronicle of a Community Under Siege
    University of VA, Salem Witch Trials Documents and Transcriptions
    End Witch Hunt Projects
    Please sign the petition to exonerate those accused of witchcraft in Connecticut
    Leo Igwe, AfAW
    Advocacy Against Witch Hunts, South Africa
    Join us on Discord to share your ideas and feedback.
    Website
    Twitter
    Facebook
    Instagram 
    Pinterest
    LinkedIn
    YouTubeSupport the show

    Download the Transcript of Witch-Hunts in Great Yarmouth and Salem with Dr. Danny Buck

  • Malcolm Gaskill on the Ruin of All Witches

    Presenting Malcolm Gaskill, one of Britain’s leading experts in the history of witchcraft.  He has authored several highly acclaimed books including: Witchfinders: A Seventeenth-Century English Tragedy,  Between Two Worlds: How the English Became Americans and The Ruin of All Witches: Life and Death in the New World. Enjoy this interview that will inform your mind and engage your imagination.  Join us now as we discuss the founding community of Springfield MA. including dialog on its founder, colonist William Pynchon, neighbor fallout, and the circumstances around the witchcraft accusations in the community. What will you find out about the real-life fairytale of Mary Lewis and brick maker Hugh Parsons? We look for answers to our advocacy questions: Why do we witch hunt? How do we witch hunt? How do we stop hunting witches?

    Books by Malcolm Gaskill

    Order The Ruin of All Witches by Malcolm Gaskill

    Books by William Pynchon

    Settlement of the Connecticut River Valley

    Timeline: Settlement of the Colony of Connecticut

    End Witch Hunt Projects

    Please sign the petition to exonerate those accused of witchcraft in Connecticut

    Leo Igwe, AfAW

    Advocacy Against Witch Hunts, South Africa

    Support the show

    Join us on Discord to share your ideas and feedback.

    Thou Shalt Not Suffer: The Witch Trial Podcast links

    Website

    Twitter

    Facebook

    Instagram

    Pinterest

    LinkedIn

    YouTube

    TikTok

    Discord

    Buzzsprout

    Mailchimp

    Transcript of Malcolm Gaskill on the Ruin of All Witches

  • Preview – Malcolm Gaskill on the Ruin of All Witches

    Enjoy this special preview of our next episode featuring an engaging interview with Historian Malcolm Gaskill, the author of the book The Ruin of All Witches.
    This greatly anticipated Springfield, Massachusetts witch trial history book releases November 1, 2022 in the United States. Pre-order yours today.

    Pre-Order The Ruin of All Witches by Malcolm Gaskill

    Show Notes

    Support the show

    Transcript

     
  • Folk Magic and the Salem Witch Trials with Maya Rook

    Josh Hutchinson and Sarah Jack present historian Maya Rook. She is a cultural historian, educator, and host of Illusory Time and Salem Oracle, and a yoga and meditation instructor.  We discuss Salem Witch Trials folklore, divination, and magic facts in depth, along with the pop culture portrayal of the witch.  Find out what can be known by the records about accused witch and slave Tituba. What is Sympathetic Magic? Was Counter Magic being used? We also look for answers to our advocacy questions: Why do we witch hunt? How do we witch hunt? How do we stop hunting witches?

    Citations

    Marilynne K. Roach, The Salem Witch Trials: A Day By Day Chronicle of a Community Under Siege

    Elaine G. Breslaw, Tituba, Reluctant Witch of Salem: Devilish Indians and Puritan Fantasies

    Links

    University of VA, Salem Witch Trials Documents and Transcriptions

    Salem Oracle by Maya Rook

    Illusory Time by Maya Rook

    Advocacy Against Witch Hunts, South Africa

    Tickets for Salem Ballet, Ballet Des Moines 

    Join us on Discord to share your ideas and feedback.

    Please sign the petition to exonerate those accused of witchcraft in Connecticut

    Thou Shalt Not Suffer: The Witch Trial Podcast links

    Support the show

    Transcript

  • Connecticut Witch-Hunts and John Winthrop, Jr. with Dr. Scott Culpepper

    Josh Hutchinson and Sarah Jack present Dr. Scott Culpepper. He is a historian, storyteller, author and Professor of History at Dordt University in Sioux Center, IA.  We discuss the Connecticut Witch Trials in depth, including dialog on Governor John Winthrop Jr,, alchemy, and specific accused witches. We look for answers to our advocacy questions: Why do we witch hunt? How do we witch hunt? How do we stop hunting witches?

    Citations

    “Records of the Particular Court of Connecticut, 1639-1663.” Collections of the Connecticut Historical Society. Vol. 22. Hartford, CT: Connecticut Historical Society: 1928.

    John Putnam Demos, Entertaining Satan: Witchcraft and the Culture of Early New England, Updated Edition. New York: Oxford University Press, 2004.

    Paul B. Moyer, Detestable and Wicked Arts: New England and Witchcraft in the Early Modern Atlantic World. Ithaca, New York: Cornell University Press, 2020.

    Walter W. Woodward, Prospero’s America: John Winthrop, Jr., Alchemy, and the Creation of New England Culture, 1606-1676. Chapel Hill, North Carolina: University of North Carolina Press, 2013.

    Matthew Hopkins, The Discovery of Witches. London: For R. Royston, 1647.

    Dr. Culpepper’s Blog, The Imaginative Historian

    Youtube – Connecticut Witch Trials with Dr. Scott Culpepper

    Dr. Scott Culpepper Professor Profile

    New London Connecticut Historical Society

    CT W.I.T.C.H. Memorial

    Please sign the petition to exonerate those accused of witchcraft in Connecticut

     CT State Historian, Walter W. Woodward

    New Haven Colony History

    Regicide History, New England Historical Society

    Leo Igwe, AfAW

    Winthrop’s Journal (Sr.)

    Tickets for Salem Ballet, Ballet Des Moines 

    Saltonstall’s Trial Play Tickets
    Join us on Discord to share your ideas and feedback.

    Thou Shalt Not Suffer: The Witch Trial Podcast links

    Transcript of Connecticut Witch-Hunts and John Winthrop, Jr. with Dr. Scott Culpepper

  • Should Connecticut Witch Trial Victims be Exonerated?

    Retired police officer Tony Griego and Author Beth Caruso return with witch trial advocate and historic tour guide Mary-Louise Bingham.  We discuss the Connecticut Witch Trial Exoneration Project’s efforts to clear the names of those accused of witchcraft in colonial Connecticut.

    Show Notes

    Join us on Discord to share your ideas and feedback.

    Citations

    John Putnam Demos, Entertaining Satan: Witchcraft and the Culture of Early New England

    Paul B. Moyer, Detestable and Wicked Arts: New England and Witchcraft in the Early Modern 

    Cotton Mather Magnalia Christi Americana

    CT State Library Samuel Wyllys Papers

    CT State HIstorian Walter W. Woodward

    Links

    Windsor Historical Society

    State Representative Jane Garibay

    Please sign the petition to exonerate those accused of witchcraft in Connecticut

    Mary-Louise Bingham’s YouTube video at Proctor’s Ledge about Connecticut victims

    CT W.I.T.C.H. Memorial

    Salem Witch-Hunt

    The Witch Trials Hysteria History of the American Colonies

    Diana DiZoglio Senate Floor Speech Exoneration of Elizabeth Johnson, Jr. 05/26/22

    AfAW

    Historical Sites with witch trial ties

    First Church in Windsor

    Connecticut’s Old State House

    Barnard Park also known as South Green

    Hartford Ancient Burial Ground

    Activism Timeline:

    2005: “ad hoc committee”

    2008/2009 attempted legislation

    2016 CT W.I.T.C.H. Memorial  Witch Interrogations Trials Colonial Hangings

    2022 Connecticut Witch Trial Exoneration Project

    Thou Shalt Not Suffer: The Witch Trial Podcast links

    Transcript of “Should Connecticut Witch Trial Victims be Exonerated?”

  • Saltonstall’s Trial, a Salem Witch Trials Play

    Listen as we talk with actor and playwright Michael Cormier and Punctuate4 president and artistic director Myriam Cyr about their upcoming play Saltonstall’s Trial.

    This is a cover up story. It’s the story that takes a look at a Salem Witch Trial Judge that most people have never heard of, Nathaniel Saltonstal. He stood up against social injustice and questioned the legitimacy of the trial proceedings. Due to his intervention, he was able to bring prevailing common sense into the accused witch hunt debate.

    Don’t miss the Boston Massachusetts staged-reading of the updated script on October 27, 2022 at 7 pm. It is at the Modern Theater, 525 Washington St, Boston, MA 02111. Thanks to the Ford Hall Forum admission is free. Registration for free tickets available at link below. Limited tickets. Wheelchair accessible entrance.

    Tickets

    Join us on Discord to share your ideas and feedback.

    Saltonstall’s Trial Sponsors

    Ford Hall Forum at Suffolk University

    Thou Shalt Not Suffer: The Witch Trial Podcast links

    Links

    Tickets

    Saltonstall’s Trial the Play on Facebook

    Punctuate4 Productions

    Special Guest, Author Marilynne K. Roach

    Transcript

  • Connecticut Witch Trials with Beth Caruso and Tony Griego of CT WITCH Memorial

    Joined by author Beth Caruso and activist Tony Griego, we discuss the history of witch trials in colonial Connecticut. We talk about the first person to be hanged for witchcraft in the American colonies, Gov. John Winthrop Jr, the link between illness and witchcraft accusations, how a Christmas party led to accusations, and more.\

    Show Notes

    Join us on Discord to discuss the episode, share your ideas, and give us your feedback.

    Sign the petition to clear the names of those accused of witchcraft in Connecticut

    Beth Caruso,  One of Windsor: The Untold Story of America’s First Witch Hanging

    Beth Caruso, The Salty Rose: Alchemists, Witches & A Tapper In New Amsterdam

    Annie Eliot Trumbull, “One Blank of Windsor”, Literary Section, Hartford Courant, December 3, 1904 (requires newspapers.com subscription or free trial) 

    John Putnam Demos, Entertaining Satan: Witchcraft and the Culture of Early New England

    Paul B. Moyer, Detestable and Wicked Arts: New England and Witchcraft in the Early Modern Atlantic World

    Mary-Louise Bingham’s YouTube video about Connecticut victims

    CT W.I.T.C.H. Memorial https://www.facebook.com/ctwitchmemorial

    Salem Witch-Hunt https://www.facebook.com/SalemWitchHunt/

    The Witch Trials Hysteria History of the American Colonies https://www.facebook.com/groups/witchtrialshistory

    Samuel Wyllys Papers https://cslib.contentdm.oclc.org/digital/collection/p15019coll10

    A Note on Numbers

    45+ total accused

    14 convicted

    11 executed

    15 acquittals and 14 convictions (includes Elizabeth Seager (acquitted twice and convicted once)). The other cases did not go to trial.

    Activism Timeline:

    2005: “ad hoc committee”

    2008/2009 attempted legislation

    2016 CT W.I.T.C.H. Memorial

    2022 Connecticut Witch Trial Exoneration Project

    Thou Shalt Not Suffer: The Witch Trial Podcast links

    Support the show

    Transcript for Episode 1 – Connecticut Witch Trial History

  • Hocus Pocus and Hocus Pocus 2 Review with Historical Commentary

    Join us for a fun bonus episode, as we review both Hocus Pocus movies and share our thoughts on the real history of the Salem Witch Trials, as it relates to the films. 

    SPOILER ALERT. We take a deep dive into the details of Hocus Pocus and Hocus Pocus 2. 

    We discuss:

    • What we like, as well as what we’re not so fond of.
    • How events in the movie compare to events in the real-life Salem Witch Trials and other witch-hunts.
    • The identity of Sarah Jessica Parker’s ancestor who was accused of witchcraft during the Salem Witch-Hunt.
    • Theories about the origins of the Sanderson sisters.
    • Easter eggs. 
    • Modern-day witch-hunting.

    The case of Esther Elwell
    Discord
    thoushaltnotsuffer.com
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    TikTok

    Support the show

    Transcript of our Hocus Pocus review

  • Ballet Des Moines – Salem

    We interview Ballet Des Moines artistic director Tom Mattingly and creative director Jami Milne about their new ballet, Salem, which will be performed October 20-22 and October 27-29, 2022 at Stoner Studio Theatre in Des Moines, IA. The ballet tells an original story, based upon the Salem Witch Trials, with attention to historical details.

    Transcript of Ballet Des Moines – Salem

  • Samples of the Thou Shalt Not Suffer: The Witch Trial Podcast

    We share witch trial news
    We interview a wide variety of guests
    We discuss both famous and lesser-known witch-hunts
    We discuss witch-hunts around the world
    We discuss the impact of witch-hunts
    We discuss the societal effects of witch trials
    We discuss the historical background of witch trials
    We discuss the toll of witch-hunts
    Each episode includes an update on witch hunts happening in your world today