Category: Magic

  • Service Magic with Tabitha Stanmore

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    Show Notes

    This new episode of “Witch Hunt” features Dr. Tabitha Stanmore, discussing her research on service magic in 14th to 17th century Great Britain with Salem witch trial descendants Josh Hutchinson and Sarah Jack. She explains the concept of service magic, its practices, and the difference between service magicians and witches. Dr. Stanmore also touches on the impact of religious changes and laws on magic practices. Various aspects of magic, including healing methods, divination techniques, and the use of magic in daily life are delved into. Additionally, she shares about her soon to release book, “Cunning Folk: Life in the Era of Practical Magic” and her collaboration on the Seven County Witch Hunt Project, which looks at the Matthew Hopkins witch trials of the 1640s. The discussion concludes with a reflection on the legacy of witch hunts and their impact on families and communities. Anyone can submit written testimony for MA Bill H.1803. Simply write a short letter stating why this bill is important to: Judiciary Committee at 24 Beacon Street, Room 136, Boston, MA 02133 or by e-mail to michael.musto@mahouse.gov. 

    Recommended Reading

    Cunning Folk: Life in the Era of Practical Magic, by Dr. Tabitha Stanmore

    Seven County Witch Hunts Project Blog

    United Nations Human Rights Council Resolution 47/8. Elimination of harmful practices related to accusations of witchcraft and ritual attacks  

    Papua New Guinea Sorcery and Witchcraft Accusation-Related Violence National Action Plan

    Pan African Parliament Guidelines for Addressing Accusations of Witchcraft and Ritual Attacks

    Report of the Office of the United Nations High Commissioner for Human Rights: Study on the situation of the violations and abuses of human rights rooted in harmful practices related to accusations of witchcraft and ritual attacks, as well as stigmatization

    Websites of Note

    End Witch Hunts

    Film: Testimony of Ana

    Why Witch Hunts are not just a Dark Chapter from the Past

    The International Network against Accusations of Witchcraft and Associated Harmful Practices

    Grassroots organizations working with The International Network

    International Alliance to End Witch Hunts

    Stop Sorcery Violence

    Storymap explaining the dynamics of sorcery accusation related violence

    Transcript

    Josh Hutchinson: Welcome to Witch Hunt, the podcast that asks how and why we hunt witches and how we can stop. I'm Josh Hutchinson.
    
    Sarah Jack: And I'm Sarah Jack.
    Josh Hutchinson: I'm a descendant of several people accused of witchcraft during the Salem Witch Hunt.
    Sarah Jack: And I have grandmothers who were tried for witchcraft in Salem, Boston, and Hartford.
    Josh Hutchinson: On Witch Hunt, we talk about the witch trials of old and the epidemic of witch hunts today.
    Sarah Jack: Witch hunts have occurred in all parts of the world, and they've never stopped.
    Josh Hutchinson: Today, witch hunts continue to occur in all corners of the globe, resulting in banishment, torture, and even death.
    Sarah Jack: In this episode, we're focusing [00:01:00] on the witchcraft of the past.
    Josh Hutchinson: Specifically we're dialed into the service magic of 14th to 17th century Great Britain.
    Sarah Jack: Our guest, Dr. Tabitha Stanmore, tells us about her upcoming book, Cunning Folk: Life in the Era of Practical Magic.
    Josh Hutchinson: She explains what service magic is and how it was used in the past.
    Sarah Jack: Listen on for a great discussion about what types of service magic were practiced and who practiced them.
    Josh Hutchinson: Dr. Stanmore even explains the methods used.
    Sarah Jack: And we hear about what she is working on next.
    Josh Hutchinson: So sit back and enjoy another mind-expanding episode of Witch Hunt.
    Sarah Jack: We welcome Dr. Tabitha Stanmore, author and social historian of magic, witchcraft, and researcher at the University of Exeter, working with Professor Marion Gibson on the Seven County Witch Hunt Project.
    Tabitha Stanmore: My name is Dr. Tabitha Stanmore, [00:02:00] and I am a research fellow at the University of Exeter, currently researching the Matthew Hopkins Witch Trials of the 1640s. But my PhD research was in service magic or practical magic in the late medieval, early modern period stretching from 1350 to 1650, which is what my first academic book was about and what the book that I have coming out this year is also about.
    Sarah Jack: Does your new book have a title?
    Tabitha Stanmore: Yes, it's Cunning Folk: Life in the Era of Practical Magic.
    Josh Hutchinson: So looking forward to that. That comes out in May?
    Tabitha Stanmore: It comes out in May, May 2nd in the UK and May 28th in the US. and yeah, it should be very exciting. I hope it's going to be very exciting. I've seen the book covers and I'm going to get the actual, physical copies in my hand at some point next week, which is, I just can't believe it's real, actually, it's great.
    Josh Hutchinson: Excellent. Yeah. I've pre ordered a [00:03:00] copy, and I'm just waiting and waiting.
    Tabitha Stanmore: Oh, that's so kind.
    Tabitha Stanmore: Thank you.
    Sarah Jack: What do we need to know about the time period and location of your service magic research?
    Tabitha Stanmore: So my research focuses on the 14th through 17th century. So that's roughly 1350 when more records start becoming available, and so it's much easier to trace the line of magic in society from that point. And I finish up in 1650 because that is the period where the world really starts changing again in a dramatic way, and after the end of the 17th century, or even middle of the 17th century, society has changed so much that it's not a very useful comparative point anymore, especially in the location that I look at, which is England. And, obviously, 1650, that is the end of the English Civil Wars, which saw the beheading of Charles I, and the, the beginning of the Commonwealth, or, the [00:04:00] Commonwealth, the brief point where England didn't have a monarchy.
    Tabitha Stanmore: So I decided it was a good point to stop because at that point we get a real, massive change in society and a massive change in the way that people were living their lives and approaching things and this kind of rise of, I suppose science isn't quite the right word, but skepticism in a new way, which means that the idea of magic changes at that point.
    Tabitha Stanmore: But also, 300 years is enough to be getting on with, so 1350 1650, is a, it's a really formative period, I think, for English society, but also a really key point for magical practice in England, and where it starts, it really features very strongly in how people live their day to day lives and try to incorporate both the supernatural and religion and, I suppose, rational skepticism in their daily lives, as well.
    Josh Hutchinson: What exactly is service magic?
    Tabitha Stanmore: Service [00:05:00] magic is a term that has, I suppose it's relatively new. It's only about 10 years or so that we've been using the term service magic. And it's basically magic, practical magic, that was sold to people in exchange for a fee. So it's literally what it sounds like actually. It's something that you buy and sell. It's a commodity, but it's a supernatural commodity. Basically it's the kind of thing that you use in order to solve everyday problems.
    Tabitha Stanmore: Let's say you've had your favorite horse stolen and you don't know who's taken it and you don't know where it's gone. You might go to a magician or somebody who has very strong sort of magical or supernatural skills and ask them to perform a spell to locate either the horse or the person who stole it, so that you can then confront the supposed thief and demand your horse back. Or maybe you'll even ask a magician to perform a spell to force the horse to return, by whatever magical means necessary.
    Tabitha Stanmore: It sounds quite [00:06:00] fantastical, but it was something which was incredibly common for people in the medieval and early modern periods, becauseinsurance hadn't really been, hadn't become a widespread thing at that point. A lot of people were living in a very sort of subsisting kind of way, which meant that if you lost something that was valuable, you needed to get it back, and there weren't many other ways of doing it, and you couldn't afford to just lose something. Turning to magic and having people who had the skills to use magic in this way were very, very highly prized.
    Sarah Jack: How does service magic differ from witchcraft?
    Tabitha Stanmore: That's a great question. If you asked a modern magical practitioner how they differed, I would probably expect them to say that there isn't very much difference at all, because I think with terms like cunning folk or magician or witch, they're almost synonymous in most people's minds nowadays. They are people who are wise, they're people who have supernatural powers that most people don't have access to, [00:07:00] they're people who embrace the supernatural powers that other people fear.
    Tabitha Stanmore: But in the 17th century, 16th century, 15th century, the service magicians and witches would have been seen as very, very different people. And the reason for that is because in the medieval or early modern mind, there was an idea that there are two sources or maybe three sources of power that you can tap into if you deal with the supernatural. The first one is religious or divine power. And that's the kind of thing that priests are using on a daily basis, because they have this incredibly powerful supernatural entity, which ultimately that's what God is. He is literally above nature, can break the laws of nature at will. And that's something that religious people, priests especially, can tap into and use in order to change the world. Cunning folk would often say that they used the same kind of power.
    Tabitha Stanmore: They'd [00:08:00] say that their spells were prayers. They're calling on the divine, or they're calling on saints to make things happen. They might also say that they were using fairies or pixies or some other kind of pseudonatural, but also supernatural entity to help them do whatever they were doing, especially if that was something like finding stolen goods. Going and asking the fairies was a very common way of finding out where your stolen spoon or your stolen horse had gone.
    Tabitha Stanmore: So they're using very benign practices in order to do useful things,these cunning folk, and also priests. Witches, on the other hand, were seen as people who were using dark forces to do bad, negative things. So a witch was seen as somebody who had probably sold their soul to the devil, or at least was using demonic forces, and they were using these demonic forces to do harm in some way, whether that was killing people, destroying crops, in one case making somebody's mill fall down on a completely [00:09:00] still day when it shouldn't have happened at all, and all of a sudden the mill just collapses right in front of the miller. How does that happen? There is no logical explanation. It must be demonic, and it must be somebody bearing a grudge and using their demonic power to cause this harm.
    Tabitha Stanmore: So there was a very clear separation in people's minds most of the time between a beneficent cunning person and a malevolent witch. That does all get very muddied when you start looking at theologians and particularly zealous priests and especially when you get into the Puritan movement of the late 16th and 17th centuries, where priests andvery, very godly people would argue that there is no in-between.
    Tabitha Stanmore: Basically, you can't have somebody who's using supernatural powers that clearly aren't being brought by God, unless they are using demons, and people like George Gifford, who was a Puritan preacher living in the late 16th century, argued very strongly that nobody who claims to be able [00:10:00] to just heal by, I don't know,just saying some words over somebody could possibly be using God's divine intervention. So they must be using demons. And therefore you do get this mixing of cunning folk and witchcraft, but for most people they would be very, very separate things.
    Sarah Jack: Thank you so much.
    Josh Hutchinson: I like the period that you cover, because it's so dynamic. There's so much change in it, referenced a little, the change in attitudes toward the source of magical power that a service magician might get. And, in addition to the attitudes, the laws changed. When the Acts Against Conjuration or Witchcraft came in, how did that impact the service magic industry?
    Tabitha Stanmore: That's a great question, and it's super interesting, because in some ways, not very much. The Acts Against Conjuration and Witchcraft, and you've absolutely, you're right to use those terms, because they're often called the [00:11:00] Witchcraft Acts, and actually, witchcraft only gets mentioned in the second half of all of these acts, and the first part is very much about conjurations and practical service magic.
    Tabitha Stanmore: So some of the things that service magicians would commonly be asked to do was healing, finding lost goods, treasure hunting, making people fall in love. And three out of those four things are mentioned in the Acts Against Conjuration. Treasure hunting was seen as a massive no no, partly because officially any gold or silver found in the ground belonged to the crown. So using magic to be able to dig this stuff up was actually stealing from the crown, which is one of the reasons I think it got mentioned in these acts. So that was very, very heavily penalized in the first act against conjurations, brought in under Henry VIII. It was actually punishable by death,as well as provoking people to unlawful love, and finding lost goods and receiving money for finding lost goods through magical meansis, name checked as very, very bad things that people shouldn't be doing.
    Tabitha Stanmore: From my own [00:12:00] research, it doesn't look like anybody actually stopped doing any of these things as a result of this legislation, partly I think because some of the law, the first law against conjurations say under Henry VIII, was so harsh that even magistrates weren't particularly keen on prosecuting this because nobody wants to be sentenced to death for, digging up a field, but also because these services were just so useful.If people don't have any other way of finding their stolen horse, then prosecuting that and stamping out that kind of service just isn't going to last very long. So yeah, it didn't really stop anything from happening in that sense, but there is still a growing sense of concern about what sorts of powers cunning folk might have, because they are lumped together in the Witchcraft and Conjurations Act with witches. And then there's that question of, oh, if you can do this kind of magic, then can you also do this negative kind of magic? So that sort of brings a cultural shift. But in terms of [00:13:00] how often magic was practiced, it probably didn't change it very much.
    Tabitha Stanmore: What I will say is that one of the other massive changes that happens in this period between 1350 and 1650 is the Reformation, so the change of the state religion from Catholicism to Protestantism or Anglicanism, as it later becomes. And that does spark a big change in magic, basically because orthodox or acceptable Catholic practices all of a sudden become seen as superstition.Appealing to saints, using prayers to heal, that kind of thing, they all start being seen as quite suspicious under Protestant, doctrine. at that point you start seeing priests potentially who were doing perfectly orthodox things five years ago suddenly being seen as potential magicians who are using their nefarious, popish knowledge to form spells and possibly being in league with the devil as a result of that, because obviously there's a very heavy idea among different Protestant sects that the [00:14:00] Catholics are actually in league with the devil. So that's a really interesting way that the kind of religion suddenly becomes sacrilege and therefore possibly magic, at least in the eyes of some people.
    Josh Hutchinson: I'm wondering if that change influenced the number of service magician, magician service practitioners out there, because before the Reformation in the Catholic Church, you can go to the priest for certain things to have objects blessed and your home blessed. And now you can't go to the priest for that anymore. He's not going to do some of the Catholic rituals. So you have to go to somebody still. So I'm just wondering, did that have an influence maybe on increasing the number of lay practitioners?
    Tabitha Stanmore: It's a really interesting question. there's some really interesting research by Francis Young, about what happened to monks After the on both before and after the Reformation, because the monasteries are dissolved. All [00:15:00] of a sudden you have a lot of very highly trained religious people who have an ability to read Latin, they understand things like exorcism rituals, they understandall the rituals that, around essentially conjuring and appeasing God. And they are released into society. Some of them obviously go to the continent andjoin monastic institutions in Catholic countries.
    Tabitha Stanmore: Other ones stay in England, at which point, you know what, what does happen to them? And it's very possible that some of them did, yeah, end up going out to become magicians for hire, essentially. Whether that's how they saw themselves is debatable. I mean, probably not. But it does mean that, yeah, you do have an alternative option to this kind of like orthodox I'm sure you're all familiar with the idea of Protestant priests, that people obviously turn to for religious help, but also potentially magical help as well.
    Tabitha Stanmore: And you do also see a very strong competition going on both before and after the Reformation between cunning folk and priests, with priests going, ' please [00:16:00] can my parishioners stop visiting all of these cunning folk?' They're taking away my business. Because obviously one thing that priests often did wasadminister to the spiritual needs of their community, and that includes the things like blessing fields, helping people to be fertile again, possibly by blessing water and letting people drink it, which kind of borders on superstition even for the Catholicism, but if people are going off to a cunning person instead to get this help or to get healing or spells or prayers, then it is actually taking away from both the income and the use of the church, which was dealt with in two ways.
    Tabitha Stanmore: One way was priests complaining and saying, no, this shouldn't be done. We should be stopping this. We should be trying to stamp out this kind of magic. Or priests leaning into it and just selling spells themselves. Which I just, I love. I think it's really wonderful. It's got the adaptability of people and the kind of the grey area between religion and magic. But really clearly shouldn't come through in those kind of examples.
    Sarah Jack: What are some [00:17:00] other primary uses of service magic?
    Tabitha Stanmore: Healing is definitely the most common, by a long way. And again, before we started recording, we mentioned that everybody on this call currently has a cold, and they don't seem to be going anywhere. and that's, that's obviously true of all of history, right? There's always been sickness. There's always been annoying illnesses that can't be shifted or life-threatening diseases. And especially before the advent of things like antibiotics or vaccines, there is a sort of an endemic sickness, among the population.
    Tabitha Stanmore: So a medicine isn't particularly effective a lot of the time. It's very good at treating symptoms. It's not necessarily very good at treating disease. So turning to magic again, kind of makes a lot of sense in that situation, especially when you're using prayer spells. So you're very much appealing to a higher power to say, St. Justinian, for example, please, cure my toothache.It might be the only thing that works, frankly. [00:18:00] So healing was incredibly common. That was one of the things that cunning folk were asked to do the most. Another one was protection, protection in battle, protection for sailors when they are out at sea, to protect them from storms.And I think the most touching one is the amount that magic was used in love spell in. in situations about spells used for love, whether that's making people fall in love with each other or actually breaking people up, potentially, because you're so in love with somebody and they've gone and married somebody else. What are you going to do about that? It's probably a spell that you can use to break that couple up so that you can get that person. And, yeah, again, that's a very, very common use, which was very likely prosecuted a lot of the time, because a lot of the time love magic, it's about community cohesion. It's about keeping people together, especially the number of spells that are often, directed at making a husband and wife get along better, whether that's making the husband less cantankerous or making the wife fall in love with her husband again.[00:19:00] Those kinds of things, they were often available and very simple spells a lot of the time, which kind of, again, I think shows quite how common they must have been.
    Tabitha Stanmore: There's one woman in the 15th century who apparently used to wash her husband's shirts in holy water because apparently that made him meek and pliable for the rest of the week. And she must have heard that spell from somewhere. She was also sharing it with her neighbors and passing on that knowledge, which I guess isn't so much service magic. But it is a very obvious use of magic that people needed, and I don't know how many people took up her advice, but she certainly seemed to think it would work, and had been doing it for years by the time she finally got reported to the authorities as potentially not using holy water in the way it was intended.
    Josh Hutchinson: One of the uses you talk about is divination. What are some of the key methods used to divine?
    Tabitha Stanmore: There are so many, and again, it's fascinating to see how much things [00:20:00] evolve and get adapted according to people's needs, and clearlythey're in trial and error with these spells. One of my favorite forms of divination, which sounds deeply impractical but I love, is the bread and knives method, and that's basically where you take a loaf of bread, and you stick two knives into the sides of the loaf in a cross shape, and then you put a peg in the top of the loaf, and then you, I think you turn it upside down, and then you hold the peg between your hands, and you ask a yes or no question, and basically the bread will spin one way for no and one way for yes. I've only found two instances of it being used. And I think, again, it's because it's so impractical. I did try it once to see if it would work. And you need some really stale bread, you need some very sharp knives, you need a very short hand, so you don't just drop it on your foot. But it's really interesting, because it's a method that is [00:21:00] replicated with different tools, but they all sort of work on the same principle, which is, you ask a binary question, as I say, a yes or no, or is my child going to be a boy or a girl, so one way for boy, one way for girl, or, I don't know. Am I going to get married soon? Yes or no? That kind of thing. And the cross shape I think is quite important, because it's again, it's drawing on that higher power and in this case, probably Jesus. And it's something which is simple, but only certain people, again, could possibly practice it, because you do need somebody who's got that sort of power within them, much like anybody could buy a pack of tarot cards today, but only some people are very good at reading them and have an affinity with them. You get the same kind of thing going on with divination methods. So as I say,the loaf and knives method fell out of popularity probably quite quickly. It appears in the 14th century, doesn't really appear in any other centuries, and mostly around the London area, as well, and doesn't seem to have spread very far after that.
    Tabitha Stanmore: More common versions of the same [00:22:00] basic principle are the Sieve and Shears, which is, again, lots of different methods, but basically you take a pair of kind of sheep shearing shears or large scissors and put a sieve on top of those and then ask questions once the sieve is balanced on the top. And again, the sieve will tilt one way for yes, one way for no, and this is much more practical. You're not going to destroy a loaf of bread every time you attempt it. And you're also going to be able to, pretty much anybody will be able to use this method because everybody would probably own a pair of shears and everybody would own a sieve.
    Tabitha Stanmore: The fancier version of this divination method is the book and key, and that is one that pretty much only priests used or people who had a very high level of education, because it would use either a Psalter or a Bible, and you'd place a big heavy key inside of the book. And you'd hold the book in between your two bald fists, and then you would ask your [00:23:00] question. And often if it was finding stolen goods that you were trying to find out with this method, then you would start by saying something like, 'by St. Peter and St. Paul, Tony's stolen my horse.' And if the key fell out, then that would be the right answer.But yeah, as I say, this is something that only some people will be able to do, because not everybody had access to printed works and especially not something as sacred as a Bible. And that's by St. Peter and St. Paul, you're definitely summoning divine intervention to make this work. Again, condemned by the church. Still used by the church . And again, a simpler method of that, is just taking a Bible and just opening it at a random page. And the first line from the gospel that you see is the answer to your question, which,some will call that just basic religion or just guesswork, but people would definitely see it as a very reliable form of divination, depending on the answer. So these are some of my favourite ones. I could go on about this forever as you can probably [00:24:00] tell, so let me know if you want any more.
    Josh Hutchinson: Yeah, I'm so glad you explained the Sieve and Shears and the Book and Key. Those actually turn up in New England in the Salem Witch Trials. Both of those methods are said to be used.
    Tabitha Stanmore: Yeah, it's definitely an import, that.
    Josh Hutchinson: And what are some key methods of healing?
    Tabitha Stanmore: One of my favourite methods, which probably wouldn't have worked very well at all, comes from the 14th century, and it's probably quite a lot older than that. And it's basically, again, very strongly religious, it involved saying a short phrase in Latin, something similar to, 'as Mary sufferedin the birth of Jesus, may this person's suffering end,' essentially, or something like that. And while saying that, you would put your fingers into the wound that somebody had sustained, and [00:25:00] make the sign of a cross. Which, given that a lot of these spells do actually have a very strong logic behind them, this one makes no sense to me, because you're just going to be opening up that wound. But I suppose the idea is that you are also inserting some sort of um, ,cleansing in it, because of the, the mercy that Christ showed, to humanity, and the idea of the cleansing of sins and that kind of thing. You might be trying to cleanse the wound by putting the power of the cross inside it.
    Tabitha Stanmore: More effective methods, potentially, were ones that involved writing spells onto food, pieces of food, sometimes things like communion wafers, sometimes bread, sometimes cheese, and giving that to the sick person to eat.
    Tabitha Stanmore: And I say it would be more effective partly because we all recognise that the placebo effect exists, and so that kind of, that knowledge that you are being cared for and that sort of hope that will be attached to that spell, might well be exactly what you [00:26:00] need, basically, to kind of power you through and overcome your illness.
    Tabitha Stanmore: Again, it is something that not everybody could do, sometimes you need to know the right words, and some people just had a better understanding of healing and whether or not this was a lost cause, and often, spells would be combined with other healing methods as well. And that's something that you see with magical drinks, which were also given as a method of healing. Again, they would normally come with some kind of chant that you would do over the the potion.
    Tabitha Stanmore: But the things that went into the potions were often things which would be very helpful for curing the disease in the first place. So things like honey, things like garlic, aqua vitae, which is a catch all term for all sorts of different sort of medical concoctions that involve a lot of different herbs. And and often these herbs would have either anesthetic effects or antibacterial effects, as well. So they could genuinely do good, even without the kind of the placebo effect or without the magic that's been [00:27:00] mixed into them.
    Tabitha Stanmore: Often healing spells do combine belief, that kind of, the idea of divine power or some other kind of higher power, as well as very strong experience that the cunning person would possess and use as part of their healing. And again, you see that combination in diagnostic services. A lot of cunning healers would try to diagnose somebody's illness, especially if it was something which had come on very suddenly or was just not going away and there wasn't an obvious cause for it. They'd try to diagnose whether or not somebody had been touched by a fairy or whether they'd been bewitched by a malevolent witch. And they do this by taking the patient's belt or girdle and measuring it. And they basically measure it between their extended thumb and their elbow and see, they actually never explain exactly what they see when they're measuring this girdle.[00:28:00]
    Tabitha Stanmore: But what I'm guessing is that they're seeing how much weight the person has lost,and if it has been a dramatic weight loss over a very short period of time, then often they would come to the conclusion that this person had been touched by a fairy and they had some kind of terrible wasting sickness. And in that case the cure would be to try to appease the fairies, it would be to try to drive out the curse that somebody had put on the person or try to somehow otherwise fortify the person so they could get through the illness, but they'd use this diagnostic tool to say what the illness is in the first place and also whether the person had any hope of survival.
    Tabitha Stanmore: And cunning folk would choose their cases accordingly. If they didn't think this person had any chance of surviving, they would be honest about that. They'd say, 'look, I'm sorry, this person's too far gone, the fairies have got him, there's nothing I can do.' But if there was some hope that they, a person could be saved, and they suspected that it was [00:29:00] witchcraft especially, then one of the things that they would start by doing is potentially performing counter witchcraft.
    Tabitha Stanmore: So a very common method for that would be to take a flask of the patient's urine, and this is from the 17th century onwards, it's not particularly common in the 16th century, but it's a continental European import into England. But yeah, you take a flask of the person's urine, you'd put pins and a piece of red fabric or potentially something in the shape of a heart into that flask and then you would stopper it up and you would boil it in the fire or bury it somewhere, and the idea is that that would cause so much pain to the person who would cast the spell in the first place that it would basically rebound and then the witch would be obliged to lift the curse, or at least you'd be able to identify who the witch was and then force them to lift the curse, either by scratching and drawing blood, because that removes some of their power, or by just [00:30:00] intimidating them until they lifted the curse.
    Tabitha Stanmore: So there's lots and lots of different tools in a cunning person's arsenal.
    Sarah Jack: Would somebody inquire for the services of a magic practitioner to do a curse or harm their neighbor or family or spouse?
    Tabitha Stanmore: Yes, although it very much depends on the intention behind it, whether your community would condemn you as somebody who is trying to use witchcraft or not. Again, going back to the stolen goods example, it would be relatively common to say, 'oh, my horse has been stolen, I am going to go to a cunning person and get that cunning person to curse the thief until the horse comes back.' And that wasn't seen as witchcraft, because it's more like restoring justice than doing harm for no reason. And that's quite an important distinction in people's minds. Because again, if you're doing something, if you're causing harm for the right reason, then you [00:31:00] can potentially ask for God's intervention in that, you can potentially ask fairies or whatever. You don't need to be using devilish or malevolent powers to be able to do that.
    Tabitha Stanmore: So yeah, so if you're using a cunning person to, even if you're causing, you want them to cause real serious harm or pain, so long as it's for a good reason, it's okay. If you're just doing it because you're just filled with spite, that's when it tips into witchcraft, which does take a little bit of moral arithmetic, but it kind of works.
    Josh Hutchinson: I'm not gonna lie, when I started this research, I did not expect it to go in the direction it did. And I, it's really changed my perspective on, on the early modern period, on the witch trials, on witchcraft and people's belief systems and everything else, because it's so different to what I expected.
    Tabitha Stanmore: And I didn't realize quite how much magic there was going on, until I started this.
    Josh Hutchinson:
    Josh Hutchinson: You talked earlier about some [00:32:00] of the healing. They would write things down on food or paper and swallow it. And what were some of the other ways that Christian scripture and teachings were used in magic?
    Tabitha Stanmore: I suppose one of the most famous ways, when you think about it, is exorcism rituals, because one of the things that ritual magicians in particular, so very learned magicians who had knowledge of Latin and other sort of sacred languages, one of the things that they could do with their knowledge was repurpose Orthodox Christian knowledge,and, as I say, rituals.Exorcisms obviously are intended to conjure a demon out of a person or an item, but the same method and more or less exactly the same words can be used to conjure a demon into something, whether that is a person, [00:33:00] which doesn't happen too often, thank goodness, but much more commonly into a magic circle, for example.
    Tabitha Stanmore: So, that use of scripture, again, often by priests or people who trained as priests and then left their training early so they didn't actually have to take orders or monks would use this power, in order to summon demons and bend them to their will. And the things that they use the demons for vary from incredibly noble to hilarious. For example, on the noble end there is the ability to understand the secrets of the universe and understand the nature of God. So think Dr. Faustus style. He's reached the end of human knowledge, now he wants to understand the secrets of the universe, so he summons a demon, makes a deal, and, well, he thinks that he's forced a demon to tell him all these things. And ritual magicians who were careful about their work [00:34:00] definitely thought that they hadsubjugated a demon to their will, in order to answer their questions aboutthe higher powers.
    Tabitha Stanmore: On the funnier end of the spectrum was summoning a demon, or even an angel, in order to learn Latin really fast so that you could get out of your lessons quicker, or summon a demon into a magic ring to make you better at gambling. Or even, potentially, summon a demon, make them look like an incredibly beautiful woman so that you can sleep with them. Real spectrum of human interests there, all of which come down to using Christian scripture in ways that it probably wasn't designed for, but the point of this is that scripture, especially when it was written in Latin, was seen to have power in its own right.
    Tabitha Stanmore: It's not almost not even just the divine power. It's the fact that these sounds, these syllables, this conjunction of words in itself is enough. You don't really need to understand it to be able to [00:35:00] use it, which actually is why in some medieval, late medieval, medical texts from the 13th and 14th centuries, you have instructions from the author saying, 'do not share this particular healing charm,' which is sometimes written down in a medical text. 'Don't share this with the wider population because they'll misuse it, because you don't have to understand it in order to make it work.' Bit gatekeepery, but in some cases you can understand why.
    Josh Hutchinson: That reminds me of Harry Potter, you still have that, that Latin as magical language kind of thing in our society today. There's these magical words, abracadabra or avaracadabra, if you're a Harry Potter fan.
    Josh Hutchinson: Absolutely. And I actually, that's something that always bothered me about the Harry Potter books. Like at no point do they actually learn the theory of magic. And I feel like that's a massive oversight, Yeah, they don't know how it works. They're just. They're cooking the [00:36:00] meal with the ingredients, but they don't know how it all comes together.
    Tabitha Stanmore: Exactly. Yeah. It's rote learning and it's lazy, frankly.
    Sarah Jack: Right now, I believe you're working on the Seven County Witch Hunt Project. Is that right?
    Tabitha Stanmore: Yes, yeah it is. Yeah, so it's a three year, Leverhulme-funded research project with Professor Marion Gibson. I think it's really exciting. So we're looking at what we're calling England's mass witch hunt. So it was the largest witch hunt in England, as far as we know, and it took place during the English Civil War in the 1640s. And it's estimated that about 300 people were accused across seven counties, and of that, over 100 were executed. The thing that this project is trying to pin down is all of the details within that. We don't know exactly how many people were prosecuted, we don't know how many people were executed, we don't know the names of some of those people, and we certainly [00:37:00] don't know the backgrounds of those people either, or what kind of roles they played in their communities, or the kinds of psychological scars that the communities possibly ended up with as a result of these hunts.
    Tabitha Stanmore: There's been an over focus, I think, on Matthew Hopkins, the so-called Witchfinder General, and his, co-searcher, John Stearne. And yeah, this project is trying to reorient our knowledge and our focus to look at the accused themselves and their families. So one thing I'm looking at within that, and I'd love to come back onto your podcast at some point and talk about this because I'm very excited about it, is, the children of suspected witches. Because as far as I know, we haven't, nobody's really looked into that in any detail. We do tend to look at the children of witches if they subsequently get accused of witchcraft. But, for example, we have 300 people who were accused, and almost all of those had children. [00:38:00] And we don't know the fates of those, what, did they stay within their communities? Did they end up going to prison alongside their parents? Did they carry a taint for the rest of their lives of being the children of witches? Or were they able to reinvent themselves? We just don't know. And I think that's a massive oversight and one that could tell us quite a lot about early modern witchcraft and the early modern capacity to forgive and forget, which at the moment is just a massive question mark,in our knowledge of the past.
    Josh Hutchinson: Yeah. We definitely want you to come back and talk to us about that and anything else you want to talk to us about. We looked a little into children of the Connecticut witch trial victims. It's very fascinating what ends up happening with the families, like Sarah and I have ancestors who were accused. And so we know a little bit about what happened with our ancestors' families. And it's like you said, that trauma [00:39:00] is there no matter what the result of the accusation is. There's an impact.
    Tabitha Stanmore: Absolutely. Yeah. Sorry. I definitely should have been a bit clearer about that. Within England, we don't know very much about the fates, but yeah, it's really exciting to see how much we actually do know about some of the legacies. in, in the U. S. for sure. Yeah, it's absolutely fascinating and well done for being alive now.
    Josh Hutchinson: Thank you. Yeah. Some of my ancestors and Sarah's, were acquitted and released and managed to recover and raise their families and everything. Others weren't as fortunate, but their children lived on and carried their names on.
    Tabitha Stanmore: Honestly, the more I look into the early modern period, the more amazed I am that anybody survived it, really. um,
    Josh Hutchinson: Just surviving to get born in the first place was so harrowing. Yeah.
    Tabitha Stanmore: Yeah, exactly. Yeah. it's absolutely amazing. it's real testament to [00:40:00] human, I don't know, resourcefulness, hope, I'm not sure, but yeah, it's really amazing.
    Sarah Jack:
    Sarah Jack: And now for a Minute with Mary.
    Mary-Louise Bingham: There was a woman living in Cambridge, Massachusetts, British America, indicted for the capital crime of witchcraft in 1665. She is only known to us today as Female Gleason. The reason we know of her existence at all is because her surname is mentioned in the book, Entertaining Satan, authored by John Putnam Demos.
    Mary-Louise Bingham: I am sad that I have not yet found a court document stating her given name. I am also sad that her given name was not passed down through the generations. Her very being was almost erased from history. Today, I can assure you that the members of the Massachusetts Witch Hunt Justice Project are conducting the necessary research to discover Female Gleason's given name. It will be with great joy to speak her full name [00:41:00] when she is cleared for the crimes she did not commit.
    Sarah Jack: Thank you, Mary.
    Josh Hutchinson: Here's Sarah with End Witch Hunts News.
    Sarah Jack: End Witch Hunt, a non profit 501c3 organization. Weekly News Update What impact can the United Nations Human Rights Council have? The United Nations Human Rights Council is an intergovernmental body within the United Nations system that strengthens the promotion and protection of human rights around the globe.
    Sarah Jack: The work of the United Nations Human Rights Council includes promotion and protection of human rights, addressing violations and setting standards, encouraging compliance, and standards, promoting prevention, and continuing global dialogue. The preamble of the United Nations Charter states, 'We the peoples of the United Nations are determined to reaffirm faith in fundamental human rights and the dignity and worth of the human person, in the equal rights of men and women, and [00:42:00] of nations large and small.'
    Sarah Jack: End Witch Hunts staunchly stands for the right of human dignity for all. We believe that this right, inerrant to every person, underpins all rights and freedoms. Harmful practices related to accusations of witchcraft and ritual attacks is a violation against human dignity. End Witch Hunts implores states and individuals to uphold and protect human dignity. We all must work to safeguard individuals from torture, degrading treatment, and discrimination. We are dedicated to these principles and advocate for their universal adoption and implementation.
    Sarah Jack: Witch hunts are a harmful reality that persists, and as a part of our podcast community, you play a crucial role in the collective advocacy. Thank you for tuning in, sharing our episodes, continuing the conversation with your sphere of influence, and asking leaders to take action. We must continue to cultivate the societal values of compassion, understanding, and [00:43:00] justice. It is our collective responsibility as a world community to unite against the inhumane treatment of every individual anywhere in the world, including anyone accused of causing witchcraft harm. Spread awareness. Share this information with your friends, family, and on social media. Use your voice to let others know about the urgency of combating witchcraft accusations and persecution. Support advocacy groups. You can learn all about them on our website and in our advocacy podcast episodes. Contact authorities. Raise your voice by reaching out to relevant authorities and leadership. Urge them to take swift and decisive action to ensure justice for victims and accountability for all involved.
    Sarah Jack: End Witch Hunts actively supports exoneration and memorial efforts that aim to honor victims and raise witch hunt awareness. Sign our petition at change.org/witchtrials to urge the state of Massachusetts to amend legislation [00:44:00] acknowledging all Salem Witch Trial victims. Bill H 1803, an act to exonerate all individuals accused of witchcraft during the Salem Witch Trials, is currently being reviewed by the Joint Committee on the Judiciary in the Massachusetts General Court. They must choose to pass the bill onto the House by February 7th. Please consider submitting written testimony now as to why you support acknowledging all those who suffered in the Salem Witch Trials. This bill transcends the realm of mere legislation. It holds profound significance in the pursuit of human rights. Beyond the previously exonerated victims of the Salem Witch Trials, this bill sheds light on the vast scale of mass suffering that occurred. It represents a significant step toward rectifying this injustice and delivering more comprehensive justice. This legislation holds the power to provide more long overdue formal acknowledgement to overlooked victims.
    Sarah Jack: Join the Massachusetts Witch Trial Justice Project and House [00:45:00] Representative Andres Vargas in advocating for this crucial piece of legislation. Anyone can submit written testimony. Simply write a short letter stating why this bill's important to this address, which will also be in the show notes: Judiciary Committee at 24 Beacon Street, room 1 36, Boston, Massachusetts 0 2 1 3 3 or by email to michael.musto@mahouse.gov. That's M I C H A E L dot M U S T O @ M A H O U S E dot G O V. Let's persist in elevating the voices of both historical and contemporary victims of witch hunts.
    Sarah Jack: Our monthly donors are our super listeners. As a super listener, your monthly contributions make a significant impact. Visit aboutwitchhunts.com/ and easily sign up for any donation amount that suits you. Your generosity fuels the content you love.
    Josh Hutchinson: Thank you, [00:46:00] Sarah.
    Sarah Jack: You're welcome.
    Josh Hutchinson: And thank you for listening to Witch Hunt.
    Sarah Jack: Visit us at aboutwitchhunts.com/.
    Josh Hutchinson: And remember to tell your friends about the show.
    Sarah Jack: Support our effort to end witch hunts. Visit endwitchhunts.org to learn more.
    Josh Hutchinson: Have a great today and a beautiful tomorrow.
  • Marion Gibson on Witchcraft a History in 13 Trials

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    Show Notes

    Dr. Marion Gibson, highly esteemed historian returns to talk about her new book, ‘Witchcraft, A History in Thirteen Trials’. The importance of the book in bridging the gap between historical witchcraft trials and the concept of witch hunts existing today is emphasized.  Learn how the stories of real victims presented in her book explore aspects of witchcraft from a 700-year period, touching on the evolution from being considered a magical crime to being a societal metaphor. Dr. Gibson also delves into the sexism inherent in witch trials, the impact of demonology on witch hunting, the impact of individual testimonies from witch trials and the enduring potency of witchcraft accusations in today’s society. Marion shares a glimpse of her future work around the Witchfinder General trials during the English Civil War.

    Buy the book Witchcraft: A History in Thirteen Trials by Marion Gibson

    Buy the book The Witches of St. Osyth by Marion Gibson

    Seven County Witch Hunts Project Blog

    United Nations Human Rights Council Resolution 47/8. Elimination of harmful practices related to accusations of witchcraft and ritual attacks  

    Papua New Guinea Sorcery and Witchcraft Accusation-Related Violence National Action Plan

    Pan African Parliament Guidelines for Addressing Accusations of Witchcraft and Ritual Attacks

    Report of the Office of the United Nations High Commissioner for Human Rights: Study on the situation of the violations and abuses of human rights rooted in harmful practices related to accusations of witchcraft and ritual attacks, as well as stigmatization

    Marion Gibson Website

    End Witch Hunts

    The International Network against Accusations of Witchcraft and Associated Harmful Practices

    Why Witch Hunts are not just a Dark Chapter from the Past

    Grassroots organizations working with The International Network

    International Alliance to End Witch Hunts

    Stop Sorcery Violence

    Storymap explaining the dynamics of sorcery accusation related violence

    Transcript

    Josh Hutchinson: Welcome to Witch Hunt, the podcast that explores the past, present, and future of witch hunting. I'm Josh Hutchinson.
    
    Sarah Jack: And I'm Sarah Jack. Join us as we explore fascinating tales of witch hunts from the ancient to the modern day, delving into the societal, religious, and psychological factors that fueled them.
    Josh Hutchinson: Our podcast features expert interviews, in depth analysis, and compelling storytelling that bring to life the complex narratives surrounding these trials.
    Sarah Jack: In this episode, we will be covering both historic and contemporary witch trials.
    Josh Hutchinson: That's right. Today, we have the privilege of being joined by scholar Marion Gibson to discuss her captivating new book, Witchcraft: A History in Thirteen Trials.
    Sarah Jack: Over the next hour, Gibson will be providing us with a fascinating overview of the evolution of witch hunting and persecution over 700 years, from the [00:01:00] earliest European witch trials in the late 15th century to contemporary cases today.
    Josh Hutchinson: By closely examining 13 pivotal witchcraft trials throughout history, Gibson reveals how notions of magic and the stereotypical idea of the witch have been adapted to serve as a convenient enemy and outlet for broader societal fears and prejudices.
    Sarah Jack: Gibson will explain how women who were seen as overly outspoken, sexually deviant, or simply unconventional were especially vulnerable to accusations of witchcraft across eras.
    Josh Hutchinson: We'll learn how profoundly misogynistic witch hunting manuals helped spread dangerous ideas that enabled the targeting of women.
    Sarah Jack: Our discussion will also cover how the myth of the witch disturbingly endures today, with continued cases of witchcraft-related violence globally, as well as powerful figures co-opting the term witch hunt for their own political motives.
    Josh Hutchinson: You won't want to miss Gibson's insightful [00:02:00] commentary on the gendered and political dimensions of historic witch hunts and the unsettling parallels that can be drawn with present times. So get ready to journey through 700 years of fascinating witchcraft history.
    Sarah Jack: Welcome to Witch Hunt, Marion Gibson, author and historical consultant on witchcraft and magic.
    Josh Hutchinson: First of all, I just want to say thank you for writing this wonderful book, Witchcraft: A History in Thirteen Trials. It fills a need that Sarah and I have talked about for something that bridges the gap between the historic witchcraft trials and the witch hunts going on today. So, thank you for doing that.
    Marion Gibson: Oh, thank you. That's what I thought needed doing, really. I think you need to, when you've seen the horror of witch trials in the past, and you've read all the history books that you can read about those, it seems to me that it's time to consider how relevant this idea still is today. And one of the things we talked about when we [00:03:00] met last time time was actually, it's very relevant. People keep using the term witch hunts and we know that people are still literally being accused of witchcraft around the world today. So there seemed a need to me to bring the story of the historic witch trial right up to date.
    Josh Hutchinson: And the cases you chose are just, they're so good at illustrating, not just individual cases, but the trends and grand themes that connect all of the history and the present together.
    Marion Gibson: I'm glad that worked, yeah. Every now and again I find myself still in the process of selecting, if you know what I mean, because I took so long over it and agonized so much over, is this the right one? Is that the right one? Will this really fit? Will this carry the themes through the book? Is this too complicated for the reader because there are some twisty turny moments in the book where the definition of witchcraft shifts? So where it moves, for example, from being a [00:04:00] magical crime to being a crime imagined as one of fraud. And then again, in contemporary times, to being kind of metaphor for a whole bunch of other kinds of things that the society of the time deemed to be unacceptable. So I'm really glad. I'm really glad that I do seem to have pulled that off because it was one of the things that bothered me most writing the book.
    Sarah Jack: You have pulled it off and it's going to expand minds and inform and so thank you and great job.
    Marion Gibson: Good. Thank you. Oh, that's great. I just come here for validation, basically.
    Sarah Jack: Good, good, good.
    Josh Hutchinson: You sent the book to the right people.
    Sarah Jack: Can you give us a brief overview of what Witchcraft: A History in Thirteen Trials is?
    Marion Gibson: Yeah, it is what it says on the tin, but that doesn't quite cover the scope of it, I think. It covers a 700 year period, which again was one of the things that I agonized and worried about writing the book, because [00:05:00] that's a very long period of time. Our first witch trial is in 1485. And our final witch trial is effectively still going on. It's the ongoing legal battle between Donald Trump and Stormy Daniels and the many adversaries who were embroiled in that legal battle. So that is our last witch trial. And it tries to tell the story of the idea of the witch and the ways that the idea of the witch has been put on trial, both in formal courts and more informally in society, over the course of those 700 years, to give people a sense of what witchcraft meant in the past, the era of the witch trials, if you like, but then how the idea of the witch is still current today and the era of the witch trials really hasn't finished. So it tries to bring everything up to date and get people to think about what witch means now, and what a witch trial means now.
    Josh Hutchinson: I want to get to what a witch is, but you point out in the introduction, [00:06:00] you first need to understand what magic is. So can you explain how would you define magic?
    Marion Gibson: It's even harder than defining witches, isn't it? I think magic is a force which cannot be explained by other factors such as science, rationality, observable, physical, or material changes of that kind. But it's more than that, really. It's what people choose to define as magic. So in some cases, some of the phenomena that people have thought were magical in the past or think to be magical today can actually be explained in other ways. But people choose not to because they want to see those things as being magical. And of course, magic can be a positive or a negative thing. So if you accuse your neighbor of being a witch and doing magic, obviously that's a terribly negative thing. But you might also see magic as a positive thing. And one of the ways the witch turns up in contemporary culture is a kind of positive magician, [00:07:00] somebody who's sparkly and glamorous and exciting and maybe even a role model. Magic accompanies the idea of the witch throughout history, really.
    Sarah Jack: And what does that lead the witch to be? What is the witch?
    Marion Gibson: The witch is a very movable thing, but often defined as an enemy. So one of the places that the witch fits into society, even over such a long historical period, is that they are a very useful enemy. And if they, if you don't think they exist already, you need to invent them because they fill that gap in society where scapegoats and those who challenge authority, people who are subversive, people who are seen to be problematic, certain racial, religious, cultural others. Those people fit. So The witch is is useful when you want to say, I do believe the world is full of magic. It's full of spirits. It's a highly religious world. And I think that because God has his good people on one [00:08:00] side, therefore, Satan must have his bad people on the other side. And those people must be witches and they must be able to do real magic.
    Marion Gibson: So the witch is useful more than anything else, useful throughout history.
    Josh Hutchinson: One of the things I love about this book is that you're telling the individual stories of victims of persecution. What is the impact? How does that impact our perception of the events to learn the individual stories?
    Marion Gibson: I think it's really important. I think it would be quite easy to write a long history of witchcraft where you said all the things that I say about how it's still relevant, et cetera, and how it's now a metaphor for other things. You could say all of that without the individual stories, butI don't think it would really land with people in the same way. And I don't think it would be nearly as engrossing. I find those personal stories the most engrossing and interesting part of writing a history. And I think if you don't feel [00:09:00] history, we talked about this a little bit with my last book, The Witches of St. Osyth, when I came on to talk about that. If you don't feel history, then you don't learn from history. You don't get the sense that, you know what, persecution is a bad thing. We might want to try to do less of it and work towards a world which is more equitable and just and so on. So it's really an attempt to engage people in the story as much as possible by showing individual people who were victimized as witches or who continue to be, and getting people to think but that could have been me, that could have been me in that position, or my neighbor who I care about, or my partner who I care about. I want people to have that sense of emotional investment, and I want as far as possible to give a voice back to the people who were persecuted in the past, and who perhaps were not at the time able to speak for themselves or certainly can't now.
    Marion Gibson: I want people to feel those stories and feel like they're on the side of the persecuted [00:10:00] people, and they want to do something to make their stories better known and hopefully stop those kind of stories recurring again. So it's quite a big aim really, but I think the personal is really important.
    Sarah Jack: The stories are so engrossing. I really felt the vulnerability of many of the characters. And Tituba has been on my mind a lot lately and how people view her. And I really felt her vulnerability when reading about her. Why are some of these people vulnerable? Why are they easy marks?
    Marion Gibson: A lot of it is to do with gender. So about 75 percent of the people who we know were accused of witchcraft across all the jurisdictions that historians have studied were women. So that's a really important thing that seems to make people vulnerable to the accusation of witchcraft. But in her case, there's also the racial factor to be considered, so she's a Native American woman, and she's [00:11:00] positioned as the enemy of the colonists, the people living around her. So there's that. There's also her position within society, so she's an enslaved person and a servant, somewhere on the continuum between those positions, this very disempowered woman sits, depending on whose jurisdiction she's having to live within and how she's being treated by the community around her. All of those things matter. And she's positioned in that way because she's been translocated from one place to another. So sometimes factors like migration matter. Sometimes it's a forced migration, as in her case. In other cases, it's somebody who's perceived to be out of place in some way. And obviously these are all things that we see in today's society as making people more likely to be persecuted and scapegoated.
    Josh Hutchinson: In the book, you talk a lot about demonology. What is that? And how did that shape witch hunting?
    Marion Gibson: It's really the theory of witch hunting. And it's not [00:12:00] just a theory. It's a practical manual, if you like, for the finding of witches. So theory and practice, and it's stated, and this is where the first chapter of the book kicks off, really. It's stated that witches were the devil's people and they should be hunted down in society. They were more likely to be women than men, some of the first demonologists asserted.
    Marion Gibson: And we start off with Heinrich Kramer, or Kramer, one of the first demonologists, somebody who people might have heard of because he wrote the witch hunting manual, Malleus Maleficarum, The Hammer of Witches, which has become notorious since the 1480s when he wrote it for being not only Yeah, a manual for hatred and for hunting people, but particularly a very misogynistic manual.
    Marion Gibson: So demonology didn't really have to go those ways. It didn't have to be as misogynistic as it was, but it seems inevitable in the context of a broadly patriarchal society that it would have gone that way. And people like [00:13:00] Heinrich Kramer make sure that it does. And the first witch trial in the book is his attempt to put into practice his demonology.
    Marion Gibson: So he's thinking through these ideas, and he's presumably thinking about writing a manual for witch hunting, but he decides to put this into practice. And one of the trials that I talk about in chapter one is his attempt to do that. He finds a group of women and decides he's going to persecute them.
    Marion Gibson: But demonology is really important. It underpins so many of the stories, particularly in part one of the book, which goes from the 1480s to the 1730s, really the period of the witch trials as people tend to think of it. And if it wasn't for demonology, those witch trials wouldn't be possible. So first of all, you need the theory and it's a conspiracy theory. It's about Satan's people in the world and how we must find them out. And here are the ways you identify them. And this is what you need to do to them. If it wasn't for that theory, the witch trials wouldn't have happened in quite the way that they did.
    Sarah Jack: What do you attribute to [00:14:00] the level of misogyny that he was directed by writing that book?
    Marion Gibson: It's hideous, isn't it? And it's really upsetting to contemplate just how misogynistic he was. It's partly perhaps to do with his position in society. He's a Dominican monk, so he's a celibate individual living in a basically patriarchal, closed, masculine community. But that didn't mean that he had to be misogynistic.Lots of people managed to live in those communities without being as misogynistic as he was. It makes you wonder about factors in his biography, which we don't know about, sadly. We know where he comes from, and we know some of his previous life.
    Marion Gibson: He seems to be a deeply unpleasant individual. He was accused throughout his life of all sorts of nastiness, whether that was attacking academic colleagues, embezzlement, and his job was not a particularly attractive one. So he was responsible in part for the selling of indulgences, which is a way that rich people could [00:15:00] basically buy a piece of paper which bought them out of some time in purgatory, burning off their sins, as the theology of the time said that they would.
    Marion Gibson: He just seems to have been a really quite unpleasant person, who was haunted by the idea that women were out to get men, and perhaps to get him specifically. But most certainly that he thought that they were ignorant, they were lustful, they were prone to believing the wrong things about God and Satan. They were malevolent and petty and strove to take out their frustrations on other people, primarily men. He identifies them as enemies in a whole variety of ways and it is inexplicable. You can always look at factors in people's life to say, 'that's why they hate that group or that's why they're just so unpleasant to everybody,' but at the end of the day, there is no real clue to why he was who he was. [00:16:00]
    Marion Gibson: What is depressing is that a lot of people listened to him and credited what he was saying and thought of him as an expert. Some people questioned it, some people stood up against it, and I think one of the interesting things about that first chapter is that we look at the people who stood up against it, which include the people on trial, the women on trial, and things don't go quite the way that he might have hoped that they would have done, which I think is good because it gives the reader a nice surprise, a starting point for the book, which is not maybe quite what they'd expected.
    Marion Gibson: But whilst people challenged him, a lot of people went along with what he said. And of course, that was one of the reasons why the witch trials take off. Sometimes all you need is one quite powerful individual to want to punch down on others. And unfortunately, the human imagination often goes along with that.
    Marion Gibson: It was a book that made me think twice about whether I really thought people were at bottom good or bad. And the prevalence of that kind of hatred and the [00:17:00] way that it recurs throughout human history is a really depressing thing. And I think it's something that we really ought to think more about. There are always Heinrich Kramers.
    Josh Hutchinson: And to your point that you needed demonology to have witch hunting, you had to have the science of how to do witch hunting, so you needed these books in order to do that. But specifically with the Malleus Maleficarum, if that book had never been written, do you think the European Witch Trials would have played out the same way?
    Marion Gibson: That's a really interesting one. Scholars have argued a lot about whether that book is a really key one or not. I think it is. It's very difficult to get a clear sense of how books circulated in this period. We know that they did. And we know they circulated in manuscript and people translated them and passed them around.
    Marion Gibson: And if you were a member of an academic community or a monastic community, you might make copies [00:18:00] of books, you might give them to your friends, you might give them as a gift to somebody, you might send them abroad to friends that you'd made through letter writing and things like that. So you can see the kind of network of circulation, but actually tracing the progress of an individual book is quite hard.
    Marion Gibson: So scholars have said other demonologies are probably more important, particularly the less misogynistic, less radical ones, if you like. But nevertheless, the progress of the witch hunt suggests to me that all demonologies were important and that a very misogynistic demonology most certainly had a place in the spread of those ideas.
    Marion Gibson: Look what the outcome was! Oh look, 75 percent of those who are accused are women. This cannot be really a coincidence. So I do think it was quite an important book and certainly the way it was rediscovered in the 20th century and translated into English for the first time, for example, makes me think that although it's long [00:19:00] pre history of publication and circulation, it's difficult to see the fact that people in the 20th century identified it as a key one and translated it and then talked about it a lot makes me think that actually it probably always was a key text and that we should pay quite a lot of attention to it. It's quite tempting to dismiss it as an outlier, but I'm not really sure that it was.
    Josh Hutchinson: It's translated by one of your subjects in here, Montague Summers. Is his translation considered reliable? Is there any other academic translation of it?
    Marion Gibson: Yeah, there is. His translation is not considered particularly reliable. He had his own biases and one of the reasons that he turns up in book is that he is fascinated by the idea of witchcraft and Satanism, and to some extent he's quite like Heinrich Kramer. He too is a Roman Catholic clergyman, or at least he presents himself as such. It's not entirely clear [00:20:00] exactly how he was ordained or how he went on that path. He regards himself as somebody who's quite a superior intellect and somebody who might know something about the spiritual world and might have some theories about things like ghosts and vampires and demons and so on.
    Marion Gibson: I think he and Heinrich Kramer would have had some things to talk about had they met, but he's also very different, because he's gay and he's quite openly gay, which is a surprising thing for a clergyman and indeed any man in the England of his period. So he's really interesting. He sits on both sides of being, being a scapegoated witch, because he's accused of Satanism during the course of his life. Wow.
    Marion Gibson: But on the other hand, being somebody who's very interested in persecuting other people and thus translating Kramer's book. So yeah, it's not a particularly reliable translation because of his own very complicated personal history and his own deep interest in these subjects, which I think [00:21:00] sometimes led him to over read or to propose a controversial interpretation of something Kramer had said.
    Marion Gibson: If people want to look at Malleus Maleficarum, the best literal translation, that's one I talk about in the footnotes of the book, and it's by Christopher S. Mackay, and people should look for that one. He's also written a great book on Heinrich Kramer and the witch trial that I talk about in the first chapter. So if you want to know more about that and you feel like you want to read Malleus Maleficarum in a translation that gives you the best possible access to what Heinrich Kramer had to say, then I think it would probably be Mackay's book that I'd point you to.
    Josh Hutchinson: Excellent. Yeah, I'm going to pick that up. I know it's going to be an infuriating experience.
    Marion Gibson: It really is. Yeah. I get my students to look at it when I teach my module about witchcraft in history and literature, and every year, I go into the first class, it's the first class and I look at their faces and they're just like, what? [00:22:00] What? And sometimes people say to me, 'is this, you know, is this real? Did people really write?' Yeah, yeah, they really wrote this. Yes, they wrote it. They published it. This is what they had to say about the women of their period.
    Marion Gibson: And their jaws really drop, especially students who quite often think, oh, well, you know, we've progressed such a long way since this time, I'm not really sure that we still need to be banging on about feminism and talking about the position of women in society. It is always quite satisfying to see those students think,' oh, wait, hang on a minute. No, people can say these kinds of things. And this kind of thing is still said in contemporary society from time to time. And shouldn't we talk about this in our classes?' So I always enjoy presenting it to people. And it will probably be quite a disturbing experience. Yeah. And it sort of should be, but no, I'm not recommending, I'm not recommending you get a mug of cocoa and sit down with your bedtime reading, because you won't enjoy it.[00:23:00]
    Sarah Jack: Reading her trial and then thinking about him going on to write that, it really struck me. She couldn't pick up a pen and write her story and push it out into the world. And so here we are in 2023 fighting that story. The power of your pen, your writing is powerful. And it's going to be combating this mentality. So I feel excited about the era we are in, because women can write and express now, but then their words, what they were able to say, the limited power they had, and they got in trouble for it.
    Marion Gibson: It's a powerful thing that, isn't it? Yeah. And again, it's quite deeply felt because particularly if you are a woman, you think about how you might have fared in that society. So Heinrich Kraemer, the [00:24:00] woman who is at the center of this Witch Trial in 1485 is a woman called Helena Scheuberin, and she's quite a wealthy woman probably, in a number of ways. She's a merchant's wife. She's had some education. She has some ideas about religion of her own, which is one of the reasons why she's able to stand up and fight back a bit against her persecutors, and she and her husband have access to sufficient money to, spoiler alert, hire a lawyer during the course of her trial.
    Marion Gibson: So she's a really important prefigure, it seems to me, of the position of women in contemporary society. And I did find it powerful. And I did find myself thinking, 'you have to write this. You have to write this as a woman. You have to answer back. It may be too late for many of these people, but at least I can say something from my perspective and the perspective of other women. This wasn't right. You shouldn't have done this. This is what I think of you.' And I found that quite powerful. Looking back at my own female ancestors, I've been [00:25:00] going through some of the family records recently for other reasons. My great grandmother couldn't write. She couldn't write her own name. And that's incredibly recent. That's really very recent. And it makes you think about how important it is that women do have that voice and how important it is that we should try and use it to make sure that this kind of institutional misogyny that we see in the world around us doesn't continue to flourish.
    Marion Gibson: So yeah, it felt like a powerful thing. It felt like an important book to write and it felt like I had to write it. It was important to try to set the record straight, even though, in many cases, it's many centuries too late. At least something was done, I guess.
    Josh Hutchinson: It's definitely important to highlight that these were and still are male-dominated societies and who are they targeting with their witch trials, not usually men.
    Marion Gibson: Not usually, [00:26:00] no. And when you look towards the end of the book, you see,in the African communities that I talk about, in the North American communities that I talk about at the end of the book, very often those who are accused are womenAnd they're persecuted, at least in part, for being women under the heading of being witches. So I think this is an argument that we absolutely still have not won. And we still do need feminism. We still do need women writers and male writers who are willing to tell those stories to keep telling them and to keep telling the story of the witch trial as a story of persecution of women specifically, as well as some men as well.
    Josh Hutchinson: One thing I like to point out to people is that, in New England, at least 78 percent or so of the accused were women. And that you look at that and see, 22%, that's still a reasonable representation. There's [00:27:00] some men. Half of them were directly connected to a female suspect and they were accused after she was. It's even more misogynistic than when you first look at the 78%, I think.
    Marion Gibson: Yes, I think so. That's very nicely put that the men who are drawn into the witch trials are very often drawn in because they're the husband or the son or an acquaintance in some way of a woman who is the primary accused. So yes, they are drawn in. Yes, it's a terrible fate for them, too. But one of the reasons that they are accused is because they're seen to be an associate and affiliates, somebody perhaps who is defending a woman who's been accused first.
    Marion Gibson: I do think that is a really important point.
    Josh Hutchinson: And then I was just thinking in there, A lot of the representations, the males, even though they're much more rare as suspects, they're given authority over the female witches.
    Marion Gibson: Yes, they often [00:28:00] are, which is fascinating to see, isn't it? So even in the course of the accusations, you find that the essentially patriarchal assumptions of those who are doing the persecuting are replicated. It is quite fascinating, isn't it? Once you start to unpick and you look at the kind of qualitative experience behind the quantitative statistics, you find that it is even worse than it looks when you simply look at a table of figures. Absolutely.
    Marion Gibson: That's why the individual stories are so important, I think, because you want to think about the experience of those people and why they were put in the positions that they were, and the stories that were told about them, and the stories that they managed to tell about themselves. So that it's not just the kind of hard data, if you like, of history that we're talking about. It's the lived experience of history, which often determines the outcome of events as we know.
    Josh Hutchinson: We've talked about a little about why women are accused, but specifically you talk about how[00:29:00] women witches are seen as being unwomanly.
    Marion Gibson: Yes, often they are. So women of all ages and classes get accused during the course of the book. So we have very poor women, who barely have enough to support themselves and their families. And we have relatively wealthy women, people like Helena, who we were talking about just now,and we even have noble women. So chapter two is about a Scottish witch trial. One of those who is accused and unfortunately ultimately condemned to death is a noble woman. So we've got all kinds of women, but one of the things that holds all those women's stories together is that they are thought of as insufficiently submissive or insufficiently modest or overly lustful or overly mouthy and difficult, women who fall out with people in their communities, women who are bad mothers or are thought to [00:30:00] be attacking other people's children and just are generally women who are, as you say, sufficiently unwomanly to have attracted the attention of their community. And that does come about in a whole variety of different ways. Maybe they are accused of having an affair with somebody else's husband, or maybe they have an illegitimate child, or maybe they've fallen out with a neighbor in a dispute over, it can be anything really, anything from child rearing to business practices. Maybe they're also notable in other ways.
    Marion Gibson: So some of the women, there's a woman in one of the chapters about the English Civil War, who is a disabled woman, a woman who actually only has one leg. So maybe in her case, there's not only concern about her illegitimate child, she has a young daughter outside of marriage, but maybe also they're thinking about her appearance and the way that it's not a traditionally beautiful, attractive womanly appearance that is desirable to men. And therefore they [00:31:00] single her out for those reasons, as well.
    Marion Gibson: So there's a whole variety of different ways that women can be thought by others to be unwomanly. And when you look at that again, you just see the unfairness of that stereotyping and the confinements of the image of the woman within these incredibly narrow boundaries to which they must conform or else they're going to find themselves in trouble.
    Marion Gibson: And of course they could get into trouble in all sorts of different ways in the societies in which they live. But being accused of witchcraft seems to be quite a powerful tool alongside all the other accusations that might be made against them.
    Sarah Jack: Women in leadership roles are labeled as witches by men.
    Marion Gibson: Yes, they are. Yes, they are. Yeah. So again, that sort of sense that if you stick your head above the parapet, somebody's going to come along and want to knock it off then. That applies very much across the course of many of these stories. But again, we've got women who are incredibly [00:32:00] disempowered and women who are seen as leaders or who are seen as notable in their society in some way. So all of those kinds of people get accused. And because women are more likely to be leaders in modern society, really that idea has strengthened over time that a woman leader is fair game, can be accused of witchcraft. You know, that can be something as, it's as simple as drawing a cartoon of her or making a crass comment on social media, or it can be people literally believing that woman is a witch and deciding to attack her for those reasons.
    Marion Gibson: Again, it's the idea that a woman is a witch is a very malleable kind of idea. You can twist it around any way you want to and make it apply to almost any woman. But if a woman stands out in society in some way, so much so that people consider her to be unwomanly, according to the definitions of their stereotype, then that does make her more likely to be accused.
    Sarah Jack: Yeah. She's out of place [00:33:00] and it's because she's evil.
    Marion Gibson: Yes, see, that must be it, mustn't it? There we go. There, that's all sorted now. Yeah, that's why women become eminent in their societies, isn't it? Because they're evil, obviously. And yes, it's funny, isn't it? Yeah, we find it laughable, but at the same time, we can see how all around us, that is unfortunately a really serious thing that many people think.
    Marion Gibson: And really, I would so much rather that the book contributed to people questioning that. Every time a reader picks up a book, I do want them to think, 'hang on a minute, this actually is still the case, isn't it? I need to notice those instances a little bit more. I need to push back a little bit more against those and think a bit more about why that's that.'
    Marion Gibson: Essentially fairly humorous thing might still be possible to be said. Why can we still make that joke? Why can we still make jokes about witches, which we should do because the idea of the witch is inherently laughable, but why can we still do it? And that's, [00:34:00] we can still do it because it still works in society. It still works in culture. We still know people do sometimes think these things.
    Josh Hutchinson: Yeah, and now we see that powerful women get labeled as witches, powerful men take on the label of witch in that they're the victims of the witch hunt.
    Marion Gibson: They do. This was a real gift, I have to say. But it was also one of the things that prompted me to shape the book the way I did. If you'd said to me in the early years of the 21st century, or the 1990s, when I first got interested in witches, if you said to me, people will be claiming in the society around you that they are the victims of a witch hunt, and they won't be the people that you expect. They will be powerful men in charge of the societies that they essentially run. I wouldn't have believed you. I would have thought that's nonsense, isn't it? Of course, they're not going to be doing that, but the fact that they are, this is something that's happened in Britain with Boris Johnson [00:35:00] claiming to be the victim of a witch hunt, just the same as with Donald Trump in the United States.
    Marion Gibson: So this travels across cultures, it's not a uniquely American thing. We see this happening quite regularly now, and it was an absolute gift for structuring the book because it gave me the opportunity to demonstrate very, very clearly just how relevant the idea of the witch is, and to talk about that curious reversal whereby it's the wealthy, white male, powerful individuals who are doing the claiming to be the victims of a witch hunt, whereas in fact it's the people who stand against them who are much more likely to fit the traditional stereotype of the witch.
    Sarah Jack: You talked about the malleability of the witch. How do we recognize and interrupt a witch hunt in progress?
    Marion Gibson: I think I end the book with this, and I've put a checklist, really, at the end of the book so that people can think about this. I think if you are being [00:36:00] asked to persecute and scapegoat somebody and identify them as an enemy of society, and they are female, maybe of a different race to the majority of people in a particular society, maybe they're poorer than the majority of people in a particular society, maybe they stand out in some way and are regarded as being inherently subversive in some way, maybe they're disabled or set apart by their physicality in some way. You might want to consider whether what you're being asked to participate in is in fact a witch hunt.
    Josh Hutchinson: So I think if you can look for some of those signs, they might be signs that actually that old human stereotype is reasserting itself.And you're involved with The International Network Against Accusations of Witchcraft and Associated Harmful Practices. What's important about being involved in that?
    Marion Gibson: I think it's really important for historians to try and find ways that their work is relevant [00:37:00] today. That's the first thing and secondly, that network is important in trying to stop witchcraft accusations happening today. And there are of course other harmful practices that are involved as well. So for example, people being murdered in order to be used, their body parts, for example, to be used in magical processes. So really the network is about putting together not just a group of experts on witch trials, but also a group of experts on that earlier thing we talked about, magic and human belief in magic, which, there is nothing wrong with at all, but when it leads to harming other people to the extent of killing them even, then clearly that's something that we need to be challenging. So yeah, I'd recommend people have a look at the, the network and some of the people involved in it. People like Leo Igwe, for example, who is an activist against witchcraft persecution and the harmful practices associated with it and has personal experience of being scapegoated [00:38:00] in this way and trying to help people who have today been accused literally of witchcraft, of bewitching their neighbors and worshipping the devil and so on. So if people feel like they want to know more about the notion of witchcraft in contemporary society, want to try and do something about it, then I'd recommend looking at the Network and some of the people involved in it to find out more about that.
    Sarah Jack: And you mentioned that Leo and others that are doing work like him are sometimes persecuted. They're misunderstood as being supporters of witchcraft, even. How does fear cloud perspectives on efforts to educate about witch hunting?
    Marion Gibson: It's very easy, isn't it, to turn the word witch against somebody, which is one of the points of the book, really. Like I say, it can be used against more or less anybody. Of course, standing up for somebody who is accused of witchcraft can lead to you being accused of witchcraft too. And that's certainly something that we see in the [00:39:00] past, and it's something we see today with people like Leo.
    Marion Gibson: And there are other examples that I talk about in the book, too. For example, two female professors who organized a conference at one of the campuses of the University of Nigeria were themselves accused of witchcraft, not ultimately to the extent of being tried, which is great. But they were still accused of witchcraft. And the academic conference about witchcraft persecution was represented by some of the religious spokespeople in the area as being a meeting of witches, a kind of witch's Sabbath, which made things very difficult for them. So that kind of misunderstanding and the harassment that arises from it is one of the things that the network is really keen to combat.
    Josh Hutchinson: And we've also seen, in addition, you had that conference in Nigeria that was affected by this belief. We've seen in America, school classes, college courses be cancelled because they [00:40:00] had to do with witch trial history but were represented as teaching occult practices. And I've seen articles about there's a new course being offered by one of the universities in the UK, and they're coming under a little bit of fire, it seems like, for teaching witchcraft and occultism.
    Marion Gibson: They are. That would be the university that I actually work at. Yes. The University of Exeter. That's absolutely right. and one of my colleagues has brought together this fascinating master of arts in Magic and Occult Science, I think something like that. And it's pretty obvious really, as soon as you look at the course description, this is about history. This is about the history of magic and she's also based within the Institute of Arabic and Islamic Studies. So it's specifically about Eastern Occultism and the way that many of the kind of discussions of magic and the [00:41:00] occult in early Eastern societies led to the sort of Western esotericism that people see now and some people practice, but other people just find a fascinating cultural phenomenon. So yeah, absolutely. There's been quite a lot of pushback about the advertisements for this course in some quarters, as if it were an attempt to, to teach people how to do magic and witchcraft, which of course, as academics, it is not our business to do.
    Marion Gibson: So yeah, absolutely. These are still very live terms, aren't they? And we do see all the time challenges to particular books in libraries or challenges to courses which examine the history of witchcraft and magic, because people don't always understand that this is, it's just about history.
    Marion Gibson: So it's, exactly the same as examining, I don't know, the history of the industrial revolution or the history of 17th century Puritanism or whatever, you can look at anything through the historical lens and find something valuable in it, but people don't always see that.
    Sarah Jack: Yeah, it [00:42:00] really speaks to how powerful and dangerous witchcraft is perceived by some who fear it, that even a look at the history is dangerous.
    Marion Gibson: Yes. It's almost as if it's going to contaminate you, isn't it? The very word witch or the idea of witchcraft or magic is going to harm you just by your association with it, or by having noticed it. That's a theme that comes up over and over again in the book, actually, the idea that, that witchcraft spreads like a virus the second you engage with it. It will draw you in and either you yourself will become a witch, which is a terrible thing, or you will be the victim of witchcraft, which is also a terrible thing. So there is this sense that it is, it's like a bacteria or a virus or a germ or something like that. And once set loose in society, it can't be put back into the box, if you like.
    Sarah Jack: Well, this [00:43:00] is out of the box now too, and it's going to spread. I'm really excited.
    Marion Gibson: I'm glad you've enjoyed it so much. I loved writing the book. It was very hard because, hey, it's a 700 year history of some really complicated stuff. And I found it really, really difficult. But I also thought that it was something that needed doing. We need this big history of the idea of witchcraft, because it's something that just hasn't gone away, and to that extent, I suppose it's more relevant in some ways than some of the other histories I've talked about. They too have this long legacy, but we've seen the vitality of the idea of witchcraft. And it's something that surprised me that it's come back into culture with such force and that so many people are interested in it from so many different perspectives.
    Marion Gibson: And people are still using the word witch as a weapon, by the self assertion or attack on other people. So I think when you've got something that appears to be part of history, that's just medieval superstition [00:44:00] unites the past, don't worry about that, but you realize that it's actually still very powerful within your society, then that's something that particularly needs the attention of historians, it seems to me. So that's what the book tries to do, show people where it's still relevant and get people to pay attention to it where they see it arise.
    Josh Hutchinson: It reminds me of something Wolfgang Berenger said in a documentary video released this summer, Why Witch Hunts Are Not Just a Dark Chapter of the Past. He said, 'there have never been so many witch hunts as there are today.' And people just don't realize that, so I thank you for raising the awareness of that.
    Marion Gibson: Yeah, I think that's very true, what he says, particularly if you look at places like Southern Africa, if you look at Indonesia, if you look at Papua New Guinea, some of the places where witch hunting has become most endemic, you can see that actually witch [00:45:00] hunting is more popular than it's ever been. And that's partly because of the spread of different kinds of media.
    Marion Gibson: We talked about demonology spreading through textbooks in the middle ages right through to the sort of 18th century or so, but of course now today it's the internet, it's social media, it's podcasts, it's videos, it's in some ways ancient technologies now like video cassettes and audio cassettes and CDs and people think of witchcraft also spreading through cell phones, through private conversations as if it could run through the air and infect people.
    Marion Gibson: So all the new technologies, which some people would have thought would have put an end to the idea of witchcraft belief, have in fact just been incorporated into it. And so witchcraft belief and witchcraft trials spread now through new media, just as once they spread through the printed word when that was a new media phenomenon.
    Marion Gibson: So yeah, it's, there are more witch trials than there have ever been. He's absolutely right about [00:46:00] that.
    Sarah Jack: And that demonology theory is just right there, propelling the fear through modern technologies.
    Marion Gibson: Yes, it is. It hasn't really changed that much. It's one of the great human ideas, in this case, a very bad one, that really hasn't changed that much over time. And it's still just as powerful, even though we might've tried to tell ourselves that it really wasn't, and that this was part of history and part of the past, and we'd moved on now, surely, hadn't we, but we hadn't and we need to think about why that is.
    Josh Hutchinson: How do things change?
    Marion Gibson: How do things change? How do things get better? That's a really difficult question. And I thought about it throughout the course of the book and I, maybe it's just because I'm old and tired, I don't know, but it struck me that they wouldn't. And that seems to me to be a horrifying insight, really, I've always lived as quite a positive person and thought, ah, things are getting better, but I think one of the things we've seen in the [00:47:00] past 10 years, say, is things slipping backwards?
    Marion Gibson: So maybe over time things will get better. Maybe we will move on from witchcraft belief. Maybe society will become more just and equal and all the things that we want it to be. But I'm beginning to think that we have to push harder to make that happen because I think we had got quite complacent, or I had anyway, and thought that naturally things were getting better, right? There would be progress. Everything wasn't perfect, everything could get better, but we were broadly moving in the right direction in society. And then a whole slew of things happened that made me think, actually, this wasn't the case. So I'm not sure that it will get better, but I think we have to try.
    Marion Gibson: And it takes every person's effort and everybody can do something. Yes, I think so. I think the fact that the stories I tell are individual ones shows [00:48:00] that because sometimes a witch trial can turn on the intervention of a single individual, perhaps somebody you wouldn't even expect. And that can make a huge difference for good or ill. So if we can, yeah, if we can try to be that person, if we can try to be one of those people, then perhaps there is some hope that things will get better and that people will stop being persecuted as witches, both in reality and in metaphor. It would be so nice if we could move on, wouldn't it? I, as much as anybody else, I value the idea of the witch in popular culture and I enjoy consuming fictions about witches, but if only it could be confined to the fictional realm, wouldn't that be a marvelous thing?
    Sarah Jack: Absolutely.
    Josh Hutchinson: Witchcraft: a History in Thirteen Trials, when is it out in the States and how can people get it?
    Marion Gibson: It will be out mid January, so it's out in the UK at the moment, but there will be a lovely American edition with a fabulous cover with a little fiery red cat on it, which I hope people very much enjoy [00:49:00] when they see it. And it's coming out with Scribner, so it should be available in all good bookshops, as they say.
    Sarah Jack: What is next for you?
    Marion Gibson: Oh, I do know already, which is good. And guess what? It's about witches. I'm going to write a book about the Witchfinder General trials of the English Civil War, which you've probably talked about. Matthew Hopkins, John Stearne, a group of, a merry band of witch hunters, unfortunately, once again, persecuting people from about 1645 to 1647, mostly in eastern England, but a trial that, although it's confined to quite a small locality, is as big as the Salem trial and involves 200 to 300 suspects, possibly as many as 200 people executed, which is absolutely astonishing.
    Marion Gibson: I don't think we talk about it enough. People will probably know some of those names. They might know the name Witchfinder General. But for the first time, because of digitization of records, we're able to [00:50:00] explore the whole series of the trials. And they move across seven counties. They are across two years and increasingly records are turning up, which casts new light on some of the people involved.
    Marion Gibson: So what I'm going to try and do is tell the stories of some of those individuals, just as I've done in this book, and try to give them back their histories, their voices, and also just talk about, really talk about the national context, and to some extent, the international context, the way that trials like the Witchfinder General trials influence trials in North America, so Salem in particular.
    Marion Gibson: But also the way it makes us reflect on, what we think Englishness is, what we think Britishness is, what we think those kinds of identities that subsequently traveled all around the world were. Because it's so easy, I think, for us to present ourselves as this wonderful, enlightened people who value fairness and justice and all the rest of it. But again, recent events have suggested actually we might have a slightly darker history, and it might be quite [00:51:00] important to talk about that. So it will be a book about the biggest English witch hunts and its repercussions all around the world. And that's the Witchfinder General Trials of the 1640s.
    Sarah Jack: Fantastic.
    Josh Hutchinson: You do give people a taste of that in Witchcraft: A History in Thirteen Trials. once you, everybody out there, once you've read Witchcraft: a History in Thirteen Trials, I know you'll just be salivating waiting for the next book to come out.
    Marion Gibson: I can't wait to write it. Yeah. There's one of the chapters deals with parthenogenesis of that hunt and a particular individual who's accused. So yeah, if I can do for many of the other suspects what I've done for her, I should be very happy. Again, it's a very big project and it will take a little while, but I cannot wait to do this. I've already started on the research. In fact, I'm off to Essex, our Essex County here in England, next week to do some more work on it.
    Sarah Jack: Wonderful.[00:52:00]
    Josh Hutchinson: I want to recommend that everybody follow the project. You're on X as the Seven Counties Witch Project, right? Witch Trial Project.
    Marion Gibson: That's right. Yeah. It's @witches7hunt, I think our address is.
    Josh Hutchinson: And we'll have that link for everybody in the show description.
    Marion Gibson: Please follow along. We do a regular blog, which explores our adventures in different archives.
    Sarah Jack: And now, for a minute with Mary.
    Mary-Louise Bingham: How do we know what we know? Historian Margo Burns has challenged her audiences many times with that question as part of her public presentations regarding the colonial New England witch trials. As I prepared to tell the story of the evening of the second arrest of Mary Esty for a past episode on this podcast, I contacted Margo. We spent two hours trying to figure out the route George Herrick rode the night of May 20th, [00:53:00] 1692, to apprehend Mary and bring her to Salem for her second examination. We pulled all the information from the best primary source, Records of the Salem Witch Hunt, of which Margo was the project manager with a top notch team who compiled and translated these documents over a 12 year period.
    Mary-Louise Bingham: I would like to thank Margo for her time and expertise, and for challenging us lay historians to look to the primary sources so that our ancestor stories will be told with authority. Thank you.
    Sarah Jack: Thank you, Mary.
    Josh Hutchinson: Here's Sarah with End Witch Hunts News.
    Sarah Jack: End Witch Hunts, a nonprofit 501(c)3, Weekly News Update. This podcast is a project of our nonprofit called End Witch Hunts. It is dedicated to the global collaboration to end witch hunting in all forms. We collaborate on and create projects that build awareness, [00:54:00] education, exoneration, justice, memorialization, and research of the phenomenon of witch hunting behavior. End Witch Hunts employs a three pronged approach to the problem, focusing on knowledge, memory, and advocacy through our various projects. Get involved. Visit endwitchhunts.org to learn about the projects.
    Sarah Jack: Martin Luther King Jr. said, "whenever you are engaged in work that serves humanity and is for the building of humanity, it has dignity and it has worth."
    Sarah Jack: Our mission is to actively enlighten the public on historical and contemporary dimensions of all witch trials. Today the issue of witch hunts represents a significant human rights crisis recognized by the United Nations Human Rights Council. This global concern calls upon nations and leaders to intensify their efforts in addressing harmful practices associated with witchcraft accusations. The United States can intensify their efforts, too. There are still witch trial victims here that need a formal apology and exoneration. [00:55:00]
    Sarah Jack: Massachusetts Bill H 1803, an Act to Exonerate All Individuals Accused of Witchcraft During the Salem Witch Trials, is currently being reviewed by the Joint Committee on Judiciary in the Massachusetts General Court. They must choose to pass the bill onto the House by February 7th. Please consider submitting written testimony now as to why you support acknowledging all those who suffered in the Salem Witch Trials. This bill transcends the realm of mere legislation. It holds profound significance in the pursuit of human rights. Beyond the previously exonerated victims of the Salem Witch Trials, this bill sheds light on the vast scale of mass suffering that occurred. It represents a significant step towards rectifying this injustice and delivering more comprehensive justice. This legislation holds the power to provide more long-overdue formal acknowledgment to overlooked victims. It symbolizes a collective commitment to dismantling the historical and contemporary shackles of injustice and to find the way to a just and [00:56:00] humane world for all.
    Sarah Jack: Join the Massachusetts Witch Hunt Justice Project and House Representative Andres Vargas in advocating for this crucial piece of legislation. Anyone can submit written testimony. Simply write a short letter stating why this bill is important. You can send it to this address, which will also be in the show notes.
    Sarah Jack: Send to judiciary committee at 24 Beacon Street, room 136, Boston, Massachusetts 0 2 1 3 3 or by email to michael.musto@mahouse.gov. That's m i c h a e l dot m u s t o at m a h o u s e dot g o v.
    Josh Hutchinson: Thank you, Sarah.
    Sarah Jack: You're welcome.
    Josh Hutchinson: Thank you for listening to Witch Hunt.
    Sarah Jack: Join us again next week.
    Josh Hutchinson: Subscribe wherever you get podcasts
    Sarah Jack: Visit us at aboutwitchhunts.com/.
    Josh Hutchinson: And remember to tell your friends and family about the show.[00:57:00]
    Sarah Jack: Support our efforts to end witch hunts. Visit endwitchhunts.org to learn more.
    Josh Hutchinson: Have a great today and a beautiful tomorrow.
  • Owen Davies on Grimoires, Magic, and Witch Hunts

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    Show Notes

    Esteemed Historian, Folklorist and Author Owen Davies talks about his upcoming new book release: Art of the Grimoire: An Illustrated History of Magic Books and Spells available Oct, 10th. Every culture and every period has magic. Learn about the global history of written magic and how it has evolved in conjunction with religion and science. This episode continues the message and questions: Why do we witch hunt? How do we witch hunt? How do we stop hunting witches?

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    Owen Davies, Professor at University of Hertfordshire

    Buy Art of the Grimoire: An Illustrated History of Magic Books and Spells by Owen Davies

    Buy America Bewitched Book by Owen Davies

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  • Folk Magic and the Salem Witch Trials with Maya Rook

    Josh Hutchinson and Sarah Jack present historian Maya Rook. She is a cultural historian, educator, and host of Illusory Time and Salem Oracle, and a yoga and meditation instructor.  We discuss Salem Witch Trials folklore, divination, and magic facts in depth, along with the pop culture portrayal of the witch.  Find out what can be known by the records about accused witch and slave Tituba. What is Sympathetic Magic? Was Counter Magic being used? We also look for answers to our advocacy questions: Why do we witch hunt? How do we witch hunt? How do we stop hunting witches?

    Citations

    Marilynne K. Roach, The Salem Witch Trials: A Day By Day Chronicle of a Community Under Siege

    Elaine G. Breslaw, Tituba, Reluctant Witch of Salem: Devilish Indians and Puritan Fantasies

    Links

    University of VA, Salem Witch Trials Documents and Transcriptions

    Salem Oracle by Maya Rook

    Illusory Time by Maya Rook

    Advocacy Against Witch Hunts, South Africa

    Tickets for Salem Ballet, Ballet Des Moines 

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    Thou Shalt Not Suffer: The Witch Trial Podcast links

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